Jealousy (1999 film)

Jealousy (Spanish: Celos) is a 1999 Spanish film, written and directed by Vicente Aranda. It stars Daniel Giménez Cacho, Aitana Sanchez-Gijón, Maria Botto and Luis Tosar.

Plot

Carmen and Antonio are a young couple in love, planning their upcoming wedding. Carmen works in an orange processing factory and Antonio is a long-distance truck driver for the same firm. While driving his truck on a stormy day, Antonio comes across an old picture of a group of people, among whom is Carmen looking friendly with a good-looking young man, who has his arm around her shoulder. When Antonio asks his girlfriend who was the man in the picture, Carmen quickly dismisses Antonio's doubts. The man in the shot was nobody important, she reassures him. In any case, the photograph was taken long before she met Antonio. Unhappy with that answer and feeling that his fiance is hiding something from him, Antonio looks for the truth elsewhere.

He questions Luis, his best friend who introduced him to Carmen. Luis, a fellow truck driver, advises him to forget the man and the picture and instead thank his luck to be on the eve of marrying the best-looking girl in town who happens to love him. Unconvinced, Antonio visits Carmen's best friend, Cinta, a salesgirl in a shoe shop. She tells him that the guy was José—someone she, not Carmen, bedded. But Antonio is still suspicious. Knowing that Cinta is a big flirt now in a relationship with her boss after dumping Luis, Antonio does not really believe her. Consumed by increasing jealousy Antonio explodes and violently confronts Carmen who breaks up their engagement the same day she was trying out her wedding gown.

Jealousy

Jealousy is an emotion, and the word typically refers to the thoughts and feelings of insecurity, fear, concern, and anxiety over an anticipated loss or status of something of great personal value, particularly in reference to a human connection. Jealousy often consists of a combination of emotions such as anger, resentment, inadequacy, helplessness and disgust. In its original meaning, jealousy is distinct from envy, though the two terms have popularly become synonymous in the English language, with jealousy now also taking on the definition originally used for envy alone. Jealousy is a typical experience in human relationships. It has been observed in infants five months and older. Some claim that jealousy is seen in every culture; however, others claim jealousy is a culture-specific phenomenon.

Jealousy is often reinforced as a series of particularly strong emotions and constructed as a universal human experience; it has been a theme of many artistic works. Psychologists have proposed several models of the processes underlying jealousy and have identified factors that result in jealousy. Sociologists have demonstrated that cultural beliefs and values play an important role in determining what triggers jealousy and what constitutes socially acceptable expressions of jealousy. Biologists have identified factors that may unconsciously influence the expression of jealousy. Artists have explored the theme of jealousy in photographs, paintings, movies, songs, plays, poems, and books. Theologians have offered religious views of jealousy based on the scriptures of their respective faiths.

Jealousy (2013 film)

Jealousy (French: La Jalousie) is a 2013 French drama film directed by Philippe Garrel. It was screened in the main competition section at the 70th Venice International Film Festival.

Plot

An impoverished actor tries to make his girl-friend a big star. But in spite of all his efforts he cannot get her proper roles. Eventually she falls in love with another man and cheats on him.

Cast

References

External links

Jealousy (X Japan album)

Jealousy is the third studio album by the Japanese heavy metal band X Japan, then named X. The album was released on July 1, 1991 by Sony, as the band's second major label release. Jealousy is the band's best-selling album, having sold more than one million copies, it topped the Oricon chart and stayed on the chart for 50 weeks. The album's singles would also reach the top three on the chart. It is their last album under the name "X", before changing to "X Japan", and the last to feature Taiji on bass, who would be replaced by Heath.

Overview

After releasing their second album Blue Blood in 1989, which reached number six on the Oricon chart and charted for more than 100 weeks, selling over half of a million copies, X Japan received the "Grand Prix New Artist of the Year" award at the 4th Japan Gold Disc Awards in 1990. Sony told the band they could go anywhere they wanted, so Yoshiki visited Paris and London, while the other members chose Los Angeles. When deciding where to record their next album, Yoshiki was outvoted.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.

List of film periodicals

Film periodicals combine discussion of individual films, genres and directors with in-depth considerations of the medium and the conditions of its production and reception. Their articles contrast with film reviewing in newspapers and magazines which principally serve as a consumer guide to movies.

Magazines and trade publications

Scholarly journals

References

Bibliography