A tower is a tall structure, taller than it is wide, often by a significant margin. Towers are distinguished from masts by their lack of guy-wires and are therefore, along with tall buildings, self-supporting structures.
Towers are specifically distinguished from "buildings" in that they are not built to be habitable but to serve other functions. The principal function is the use of their height to enable various functions to be achieved including: visibility of other features attached to the tower such clock towers; as part of a larger structure or device to increase the visibility of the surroundings as in a fortified building such as a castle; or as a structural feature as an integral part of a bridge.
Towers can be stand alone structures or be supported by adjacent buildings or can be a feature on top of a large structure or building.
Towers have been used by mankind since prehistoric times. The oldest known may be the circular stone tower in walls of Neolithic Jericho (8000 BC). Some of the earliest towers were ziggurats, which existed in Sumerian architecture since the 4th millennium BC. The most famous ziggurats include the Sumerian Ziggurat of Ur, built the 3rd millennium BC, and the Etemenanki, one of the most famous examples of Babylonian architecture. The latter was built in Babylon during the 2nd millennium BC and was considered the tallest tower of the ancient world.
No Pocky for Kitty is Superchunk's second studio album. It was recorded April 21-23, 1991, at the Chicago Recording Company by Steve Albini and released on Matador Records in 1991, and reissued by Merge Records in 1999.
Albini is not credited in the liner notes, which read "Produced with eyes closed by Laura, who sat in the right chair." The reference is to Laura Ballance, the group's bassist.
Pocky is a popular Japanese snack food.
B-Sides include "Fishing", "Cool", "The Breadman", "It's So Hard to Fall in Love", "Brand New Love", and "I Believe in Fate".
Tower is the twenty-fifth album by the Finnish experimental rock band Circle. It was recorded in collaboration with Mika Rintala, who appears here under the alias Verde.
Members of Circle have been regular guests on Rintala's albums as Verde, often released on Jussi Lehtisalo's Ektro Records imprint. Here Rintala repays the favour on a collection of six keyboard-led instrumentals, occasionally reminiscent of Bitches Brew era Miles Davis. The tracks' names are the surname of a member of the group, including the sound engineer Tuomas Laurila, with the first letter replaced by a G.
Toen ik thuis kwam was jouw deur voor mij op slot
En je deed of je niets had gehoord
Nu zeg je m'n lief het slot was kapot
Nu zeg je kom binnen loop door
Maar ik ben nu bang dat ik stoor
Je loog tegen mij, alsof ik een kind was
Geloof dat je dacht dat ik helemaal blind was
Zeg schat denk je dat je me aan kan
Zeg schat je bent heel wat van plan dan
Toen ik thuis kwam was er geen brood meer in de kast
En je zei ik kan niets voor je doen
Maar nu heb je dan zelfs al je ringen verpatst
En komt me vragen om poen
Je bent zeker vergeten van toen
Je loog tegen mij, alsof ik een kind was
Geloof dat je dacht dat ik helemaal blind was
Zeg schat denk je dat je me aan kan
Zeg schat je bent heel wat van plan dan
Ooooh, je bent nu jezelf niet
Je hebt last van verdriet
En je zegt dat je toch van me houdt
Je zegt je bent toch nog m'n vrouw
Maar je liet me mooi staan in de kou
Toen ik thuis kwam was er geen plaats meer in je bed
En je zei ach slaap je op de bank
Nu heb je je vriend uit je kamer gezet
En mix je m'n lievelingsdrank
Maar ik denk dat ik dit keer bedank
Bekijk het maar...
Je loog tegen mij, alsof ik een kind was
Geloof dat je dacht dat ik helemaal blind was
Zeg schat denk je dat je me aan kan
Zeg schat je bent heel wat van plan dan
Je loog tegen mij, alsof ik een kind was
Geloof dat je dacht dat ik helemaal blind was
Zeg schat denk je dat je me aan kan
Zeg schat je bent heel wat van plan dan
Van plan dan, van plan dan, van plan dan.