Jazz (Jazz Aviation LP), is a Canadian regional airline based at Halifax Stanfield International Airport in Enfield, Halifax Regional Municipality, Nova Scotia, and is a wholly owned subsidiary of Chorus Aviation. Jazz Aviation provides regional and charter airline services in Canada and the United States, primarily under contract to Air Canada using the brand name Air Canada Express, and also as Jazz Charters.
It is Canada's third largest airline in terms of fleet size (but not in terms of passengers carried annually, number of employees or destinations served). Its Air Canada Express operations serve 79 destinations in Canada and the United States. Under a Capacity Purchase Agreement (CPA), Air Canada sets the Jazz route network and flight schedule, and purchases all of Jazz’s seat capacity based on predetermined rates. Its main base is Halifax Stanfield International Airport, with hubs at Toronto Pearson International Airport, Victoria International Airport, Vancouver International Airport, Montréal-Pierre Elliott Trudeau International Airport, and Calgary International Airport.
Diet Pepsi Jazz was a brand of soda introduced by the Pepsi company in 2006 and discontinued in 2009. It was a specifically named variant of Pepsi's popular Diet Pepsi product, combining several different flavors.
There were three different kinds available: Jazz with Black Cherry and French Vanilla, Jazz with Strawberries and Cream, and Caramel Cream.
Jazz used the 2003 Pepsi logo.
Pepsi Jazz is mentioned in the motion picture The Promotion as John C. Reilly is setting up a soda display.
Black Cherry and French Vanilla
Black Buddafly is an American R&B duo composed of the twin sisters Aminata "Amina" and Safietou "Jazz" Schmahl who are of Senegalese and German descent.
The sisters were born in 1983 to a German mother and a Senegalese father. Their older sibling, Sophie performed with the group until 2006. Black Buddafly was discovered by producer/manager, Orrin Ennis on November 22, 2002.
Amina joined the cast of Love and Hip Hop in 2013.
Worst Of.... Black Buddafly: The Forgotten MP3s (2011)
1605 (pronounced as sixteen-o-five) is a techno and tech-house record label, founded in 2007 by a Slovenian DJ and producer UMEK. With 140 releases by more than 250 artists 1605 is the biggest label UMEK has founded since Recycled Loops and Consumer Recreation. UMEK started the label to promote tracks from talented artists, regardless of their fame and the strength of previous releases.
The label's creative concept is based on its sound as well as on its visual appearance.
1605's sound relies on UMEK's creative feeling as he acts as A&R manager and decides personally which tracks are signed by the label. Tracks are usually released digitally and sold online in various outlets such as Beatport, iTunes, Trackitdown, Juno and others. The only project, which was released also on a CD, was UMEK's 2010 album Responding to Dynamic.
1605's music can also be heard on the label's podcast and on websites such as Soundcloud and Mixcloud.
The label is also building its recognition by using a distinctive graphic design for artwork (release covers, promo material). Using only artwork in grayscale with occasional yellow tones, all release covers feature parts of vintage pictures from the 1930s Great Depression in the USA and personal drawings by the label's graphic designer.
32 Records was a record label established in 1995 by producer Joel Dorn and attorney Robert Miller. Its 32 Jazz imprint released a successful series of compilation albums. The label was named for Dorn's favorite sports number. 32 Records also released new material by artists such as The Jazz Passengers, and established 32 R&B, 32 Blues, 32 Groove and 32 Pop subsidiaries.
32 Records acquired the holdings of the Muse and Landmark labels, and established the 32 Jazz subsidiary in 1997 with the aim of re-issuing numerous jazz recordings. During the late 1990s, 32 Jazz released a successful series of inexpensive "Jazz for…" compilations. The first of these, Jazz for a Rainy Afternoon, was released in 1997 in conjunction with Elle. In 1999, 32 Jazz had become the top jazz label in the Billboard charts, before Verve Music Group merged its Verve and GRP holdings into a single output.
By 2000, Miller had become CEO of CDBeat, which owned 32 Records as a subsidiary. In March 2000, Dorn resigned from the company (he would form Label M later that year). Upon Dorn's departure, CDBeat announced that it would discontinue 32 Records by March 2001, although in June 2000 it hired producer Todd Barkan to replace Dorn. CDBeat, in turn, would become Spinrocket and then ConnectivCorp.Savoy Jazz acquired the rights to the Muse and Landmark catalogs from 32 Records in October 2003, and by the end of the year, ConnectivCorp had merged with Majesco Entertainment.
Man is an album from British musician Francis Dunnery, released in 2001. It saw Francis experimenting with new sounds, most notably programmed drum beats - a departure from what had been the norm in his studio work up to this point. Vocalist/keyboardist Erin Moran (of A Girl Called Eddy) features heavily on the album.
The term man (from Proto-Germanic *mannaz or *manwaz "man, person") and words derived from it can designate any or even all of the human race regardless of their sex or age. The word developed into Old English man, mann meaning primarily "adult male human" but secondarily capable of designating a person of unspecified gender, "someone, one" or humanity at large (see also German man, Old Norse maðr, Gothic manna "man"). More restricted English terms for an adult male were wer (cognate: Latin vir; survives as the first element in "werewolf") and guma (cognate: Latin homo; survives as the second element in "bridegroom").
However, man in traditional usage refers to the species, to humanity, or "mankind", as a whole. The usage persists in all registers of English although it has an old-fashioned tone.
Equating the term for the male with the whole species is common in many languages, for example in French (l'Homme). On the other hand, some languages have a general word for 'human individual' which can apply to people of either gender. German has the general word Mensch (although the grammatical gender is masculine), next to Mann for (adult) male person. Modern Standard Chinese has 人 (/rén/), analogous to the German Mensch, not English Man; the words 男人 (man) and 女人 (woman) are both diglyphs with the gender designations of individuals prefixed before 人.