Home video is pre-recorded media that is either sold or rented or streamed for home cinema entertainment. The term originates from the VHS/Betamax era, when the predominant medium was videotape, but has carried over into current optical disc formats like DVD and Blu-ray Disc and, to a lesser extent, into methods of digital distribution such as Netflix.
The home video business distributes films, telemovies and television series in the form of videos in various formats to the public. These are either bought or rented, then watched privately from the comfort of home by consumers. Most theatrically released films are now released on digital media, both optical (DVD or Blu-ray) and download-based, replacing the largely obsolete VHS (Video Home System) medium. The VCD format remains popular in Asia, though DVDs are gradually gaining popularity.
Prior to the arrival of home video as a popular medium in the late 1970s, most feature films were essentially inaccessible to the public after their original theatrical runs were over. Some very popular films were given occasional theatrical re-releases, some could be seen in urban revival houses and the screening rooms of a handful of archives and museums, and beginning in the 1950s most could be expected to turn up on television eventually, but interrupted by commercials and very possibly at an inconvenient or impossible viewing time. During this era, it was also the norm that television programs could only be viewed at the time of broadcast. Viewers were accustomed to the fact that there was no normal way to record TV shows at home and watch them whenever desired. Many observed that such a capability would be desirable.
'Home Video is an American electronic rock band from Brooklyn, New York. The group is composed of David Gross (keyboard/bass/sequencer) and Collin Ruffino (vocals/guitar), with live shows featuring Jim Orso on drums.
Originally from New Orleans, David Gross and Collin Ruffino began playing music under the name Home Video name when they both moved to New York. It was there that they were discovered by Warp Records, who put out the band's first two releases in 2004, the That You Might 10 inch and the Citizen EP, which garnered the attention of such outlets as BBC Radio 1, NME and Rolling Stone. In 2006, Defend Music released the band's first full-length, No Certain Night or Morning, accompanying by a 12 inch for the single "Penguin," which included a remix by DFA Records's Tim Goldsworthy. From this album, DJ Sasha later picked two songs to remix for Invol2ver, which also included reworked songs from Ladytron, M83, and Apparat. Following this release, in 2009 the band released the It Will Be Ok EP. Outside of recording, the band has toured with Blonde Redhead, Colder, Yeasayer and has opened up for acts such as Justice, Flying Lotus, Radio 4 and Pinback. Additionally, the band has produced remixes for Bang Gang ("The World is Gray"), Modwheelmood ("Going Nowhere") and Faunts ("Explain").
The Japan Pavilion is a Japan-themed pavilion that is part of the World Showcase, within Epcot at Walt Disney World Resort in Florida. Its location is between The American Adventure and Moroccan Pavilions.
The Japan Pavilion is one of the original World Showcase pavilions and had been in planning since the late 1970s. Many attractions have been proposed for the pavilion and one show building was built, but left unused. Meet the World was one planned attraction and was a clone of the attraction Meet the World that was once at Tokyo Disneyland. But because management thought that the Japanese film's omission of World War II might upset many Veterans, it was dropped. The show was so close to opening that the show building and rotating platform was built, but not used.
For years, Imagineers have considered building an indoor roller coaster attraction based on Matterhorn Bobsleds from Disneyland but themed to Japan's Mount Fuji inside a replica of Mount Fuji. At one point, Godzilla or a large lizard attacking guests in their cars was considered. Fujifilm originally wanted to sponsor the ride in the early 1990s, but Kodak, a major Epcot sponsor, convinced Disney to decline the sponsorship. Luckily, the Matterhorn derived design elements survived to be incorporated into Expedition Everest at Disney's Animal Kingdom Park. Another proposed attraction was a walk-through version of "Circle-Vision", in which guests would board and walk through a Shinkansen (bullet train) and look through windows (actually film screens) that showcase Japan's changing landscapes. The train would have shaken and moved like a train traveling through the countryside.
Japan is referred to in Gulliver's Travels, the satire by Jonathan Swift.
Part III of the book has the account of Lemuel Gulliver's visit to Japan, the only real location visited by him. It is used as a venue for Swift's satire on the actions of Dutch traders to that land. His description reflects the state of European knowledge of the country in the 17th and early 18th centuries, and the tensions due to commercial rivalry between the English and the Dutch at that time.
Japan is shown on the map at the beginning of part III, which also shows the island of "Yesso" (i.e. Hokkaido), "Stats island" (Iturup) and "Companys Land" (Urup) to the north. The map also marks the Vries Strait and Cape Patience, though this is shown on the northeast coast of Yesso, rather than as part of Sakhalin, which was little known in Swift’s time. On the island of Japan itself the map shows "Nivato" (Nagato), Yedo, "Meaco" (Kyoto), Inaba and "Osacca" (Osaka)
The text describes Gulliver's journey from Luggnagg, which took fifteen days, and his landing at "Xamoschi" (i.e. Shimosa} which lies "on the western part of a narrow strait leading northward into a long arm of the sea, on the northwest part of which Yedo, the metropolis stands". This description matches the geography of Tokyo Bay, except that Shimosa is on the north, rather than the western shore of the bay.
Japan (ジャパン) is a Japanese manga written by Buronson (author of Fist of the North Star) and illustrated by Kentaro Miura (author of Berserk). It was published in the Hakusensha magazine Young Animal in 1992 and licensed in English by Dark Horse Comics and released on August 24, 2005.
A yakuza, in love with a TV reporter, comes to Barcelona, Spain, where she's making a reportage on what's the foreigners' idea of the Japanese people, and how Japanese people see themselves; during her speech, she makes a parallel between modern day Japan and the ancient Carthage, saying that the Carthaginians were wiped out by the Romans because of the same attitude Japanese people have nowadays, and because economic superiority brings war, and in the end loses to military strength. Suddenly there's an earthquake, and the ghosts of the Carthaginians bring the group (the two yakuza, the TV reporter and some university students) to the future, when the sea level has increased and all the islands which compose the Japanese archipelago have been submerged; the Japanese people have thus emigrated in the other countries, and they're now scattered around the world, and in particular in Europe, where after the cataclysm a dictatorship has been established, they've become slaves and bandits. Japan is long gone, and Japanese people are lost and oppressed; but among the newcomers, desperate of what they learn, the yakuza, who mostly wishes to protect the woman he dearly loves, has a dream: Japan can be refounded, if the Japanese people come together to fight for it.
I can't breath
I can't see enough
I want a revolution
It's too slow, the shifting weights
I want to know everything
Keep quiet, It will come
I can hear the rattle of the hull
Tear it up
Bring it down
I want to see it happening
Subtle fights, with little drama
I'm so bored, i'm going blind
Change you life, one by one
Water rushing through a canyon
Keep quiet, it will come