Jan, JaN or JAN may refer to:
Janů is a Czech surname, it may refer to:
Jan is the pseudonym of Juan López Fernández (born 13 March 1939), Spanish comic book writer and artist, most famous for his creation Superlópez.
He was born in the town of Toral de los Vados, in the province of León. Completely deaf from the age of six, his parents encouraged him to draw and in 1956, he began to work in a studio in order to learn animation.
He emigrated to Cuba in 1959 where he worked in Televisión Cubana (Cuban Television) and the Instituto Cubano de Arte e Industria Cinematográficos (ICAIC) (Cuban Institute of Cinematographic Art and Industry). He also collaborated on some periodicals for children at this time, and later on, on actual comic books and newspaper supplements.
Jan returned to Spain in 1969, and worked in the now defunct publishing house Editorial Bruguera until 1985 where he helped illustrate the work of other comic book artists.
In 1973, however, Jan created Superlópez, a parodized version of Superman. It was a series that began as a single page and later expanded into full albums, with adventures involving supervillains and criminal organizations. It also dealt with issues affecting contemporary Spain, namely the illegal drug trade, the transition to democracy post General Franco, etc.. The stories had originally been written by Efepé (pseudonym of Francisco Pérez Navarro), but Jan later took over this duty as well.
Piet (Dutch pronunciation: [ˈpit]) is a masculine given name derived from Petrus. It is a common Dutch and South African name, the latter because of Dutch emigration. People named Piet include:
The Pietà or Sexta Angustia (1619) is a work of Baroque sculpture by Gregorio Fernández, housed in the National Museum of Sculpture in Valladolid, Spain. The statue was commissioned by the Illustrious Penitential Brotherhood of Our Lady of Anguish. It is one of the best known of the five sculptures of the same theme by the artist.
The sculpture shows the Virgin holding up one hands with Christ's body slumped lifeless to the floor. It was part of a "paso" which paraded in religious processions during Holly Week, together with the sculptures of the good thief and the impenitent thief, and Saint John and the Virgin Mary.
Pietà (Hangul: 피에타) is a 2012 South Korean film. The 18th feature written and directed by Kim Ki-duk, it depicts the mysterious relationship between a brutal man who works for loan sharks and a middle-aged woman who claims that she is his mother, mixing Christian symbolism and highly sexual content.
It made its world premiere in the competition line-up of the 69th Venice International Film Festival, where it won the Golden Lion. It is the first Korean film to win the top prize at one of the three major international film festivals — Venice, Cannes and Berlin.
The title refers to the Italian Pietà (piety/pity), signifying depictions of the Virgin Mary cradling the corpse of Jesus.
Kang-do is a heartless man who has no living family members and whose job is to threaten debtors to repay his clients, the loan sharks who demand a 10x return on a one-month loan. To recover the interest, the debtors would sign an insurance for handicap, and Kang-do would injure the debtors brutally to file the claim. One day he receives a visit from a strange, middle-aged woman claiming she is his long-lost mother. Over the following weeks, the woman stubbornly follows him and he continues to do his job. But he is slowly moved and changed by the motherly love expressed from this woman.