J16

J16, J 16, J.16 or J-16 may refer to:

Destroy

Destroy may refer to:

See also

Destroy!

Destroy! was an American crust punk band from Minneapolis from 1988 to 1994. Vocalist Felix Havoc founded Havoc Records in 1992 as a vehicle for Destroy!'s Burn this Racist System Down 7" EP.

Members

Discography

Demos

EPs

LPs

Live Albums

Split Albums

Compilations

Destroy (album)

Destroy is the third album by the Hungarian Groove Metal band Ektomorf.

Track listing

All songs composed and arranged by Zoltán Farkas:

Minimal

Minimal may refer to:

See also

Minimal (song)

"Minimal" is a song by British synthpop band Pet Shop Boys and is featured on their 2006 album Fundamental. It was released 24 July 2006 as the second single from that album in the UK, entering the UK Singles Chart at #19 in the first week of its release (see 2006 in British music). It was their 37th Top 20 hit in the UK. The B-side "In Private" (Stuart Crichton 7" Mix) is a new version of a song originally written for Dusty Springfield, this time recorded as a duet between Neil Tennant and Elton John.

Overview

The lyrics, built around a chant of "M-I-N-I-M-A-L", are an abstract description of expressions of minimalism, such as "more is less" and "an empty box, an open space". This is contradicted by the upbeat, busy instrumentation and production.

Originally planned as the first single from Fundamental, it was subsequently moved down the release schedule when "I'm with Stupid" was chosen instead.

Track listings

CD: Parlophone / CDR6708 (UK)

Minimal music

Minimal music is a form of art music that employs limited or minimal musical materials. In the Western art music tradition the American composers La Monte Young, Terry Riley, Steve Reich, and Philip Glass are credited with being among the first to develop compositional techniques that exploit a minimal approach. It originated in the New York Downtown scene of the 1960s and was initially viewed as a form of experimental music called the New York Hypnotic School. As an aesthetic, it is marked by a non-narrative, non-teleological, and non-representational conception of a work in progress, and represents a new approach to the activity of listening to music by focusing on the internal processes of the music, which lack goals or motion toward those goals. Prominent features of the technique include consonant harmony, steady pulse (if not immobile drones), stasis or gradual transformation, and often reiteration of musical phrases or smaller units such as figures, motifs, and cells. It may include features such as additive process and phase shifting which leads to what has been termed phase music. Minimal compositions that rely heavily on process techniques that follow strict rules are usually described using the term process music.