Ivy (1947 film)
Ivy is a 1947 American crime film noir directed by Sam Wood and written by Charles Bennett, based on The Story of Ivy, the novel written by Marie Belloc Lowndes. The drama features Joan Fontaine, Patric Knowles and Herbert Marshall. The film was entered into the 1947 Cannes Film Festival.
Plot
Ivy Lexton (Joan Fontaine) is a woman with a hunger to seduce men. Though she already has a husband, Jervis (Richard Ney), and is having an affair with Dr. Roger Gretorex (Patric Knowles), Ivy becomes obsessed with wealthy Miles Rushworth (Herbert Marshall), and is determined to have him.
However, Miles shows no interest because she's a married woman, which angers Lexton. Bored with her monotonous marriage, Ivy plans on poisoning her husband then pinning the blame on Roger so she may run off with Miles. Inspector Orpington (Cedric Hardwicke) is called to investigate Jervis' mysterious death.
Cast
Earth (1998 film)
Earth (released in India as 1947: Earth) is a 1998 Indian period drama film directed by Deepa Mehta. It is based upon Bapsi Sidhwa's novel, Cracking India, (1991, U.S.; 1992, India; originally published as Ice Candy Man, 1988, England). Earth is the second installment of Mehta's Elements trilogy. It was preceded by Fire (1996) and followed by Water (2005). It was India's entry for the Academy Award for Best Foreign Language Film.
Plot
The story is set in Lahore in the time period directly before and during the partition of India in 1947.
A young girl with polio, Lenny (Maia Sethna), narrates the story through the voice of her adult self (Shabana Azmi). She is from a wealthy Parsi family who hopes to remain neutral to the rising tensions between Hindus, Sikhs, and Muslims in the area. She is adored and protected by her parents, Bunty (Kitu Gidwani) and Rustom (Arif Zakaria) and is cared for by her Ayah, a beautiful Hindu woman, Shanta (Nandita Das). Both Dil Navaz, the Ice-Candy Man (Aamir Khan) and Hassan, the Masseur (Rahul Khanna) are Muslim and in love with Shanta. Shanta, Dil, and Hassan are part of a small group of friends from different faiths (some of whom work for Lenny's family) who spend their days together in the park. With partition, however, this once unified group of friends becomes divided and tragedy ensues.
Hedera
Hedera, commonly called ivy (plural ivies), is a genus of 12–15 species of evergreen climbing or ground-creeping woody plants in the family Araliaceae, native to western, central and southern Europe, Macaronesia, northwestern Africa and across central-southern Asia east to Japan and Taiwan.
Description
On level ground they remain creeping, not exceeding 5–20 cm height, but on suitable surfaces for climbing, including trees, natural rock outcrops or man-made structures such as quarry rock faces or built masonry and wooden structures, they can climb to at least 30 m above the ground. Ivies have two leaf types, with palmately lobed juvenile leaves on creeping and climbing stems and unlobed cordate adult leaves on fertile flowering stems exposed to full sun, usually high in the crowns of trees or the tops of rock faces, from 2 m or more above ground. The juvenile and adult shoots also differ, the former being slender, flexible and scrambling or climbing with small aerial roots to affix the shoot to the substrate (rock or tree bark), the latter thicker, self-supporting and without roots. The flowers are greenish-yellow with five small petals; they are produced in umbels in autumn to early winter and are very rich in nectar. The fruit is a greenish-black, dark purple or (rarely) yellow berry 5–10 mm diameter with one to five seeds, ripening in late winter to mid-spring. The seeds are dispersed by birds which eat the berries.
Ivy (2015 film)
Ivy (Turkish: Sarmaşık) is a 2015 Turkish drama film directed by Tolga Karaçelik. It premiered at the 2015 Sundance Film Festival, and later was selected to be screened in the Contemporary World Cinema section of the 2015 Toronto International Film Festival.
Cast
References
External links
$ (film)
$, also known as Dollars and in the UK as The Heist, is a 1971 American caper film starring Warren Beatty and Goldie Hawn, and distributed by Columbia Pictures. The movie was written and directed by Richard Brooks and produced by M.J. Frankovich. The supporting cast includes Gert Fröbe, Robert Webber and Scott Brady. The film was partly shot in Hamburg, Germany, which forms the primary location of the film and was supported by the Hamburg Art Museum and Bendestorf Studios.
The film's title appears in the opening credits only in the form of a giant character, as would be used in a sign, being transported by a crane.
Plot
Set in Hamburg, West Germany, several criminals take advantage of the German bank privacy laws to use safe deposit boxes in a German bank to store large amounts of illicit cash. These include a Las Vegas mobster as well as a ruthless drug smuggler known as the Candy Man and a crooked overbearing U.S. Army sergeant and his meek-mannered partner the Major, who conspire on a big heroin and LSD smuggling score. Joe Collins (Warren Beatty), an American bank security consultant, has been spying on them and makes mysterious and elaborate preparations to steal their money (totaling more than $1.5 million) with the help of Dawn Divine (Goldie Hawn), a hooker with a heart of gold.
Film (Iranian magazine)
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
References
External links
Film (film)
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
