An isocracy is a form of government where all citizens have equal political power. The term derives from Greek ἴσος meaning "equal" and κρατεῖν meaning "to have power", or "to rule".
An Isocracy expands from the legal right of isonomia to political and economic systems, from equality of law, to equality in governance. To achieve this, an isocracy both combines and expands features of liberal rights and those in democratic rule. According to the nascent political movement of the same name an Isocracy embodies individual autonomy by extension informed consent and natural resources as the source of public income.
Further, an isocracy claims to avoid the common criticisms of democracy (e.g., Tyranny of the Majority and Demagogy) by limiting public governance to the public sphere and private governance to the private sphere. With protections embodied through constitutions, thus not being subject to the vagaries of popular opinion, an isocracy is secular, republican, and does not discriminate on the basis of race, sex, etc.
Isocracy was an American punk rock band from the Berkeley, California-area, formed in 1986. The band was one of the key bands in the MRR/Gilman Street project. John Kiffmeyer (a.k.a. Al Sobrante), who later went on to play for Green Day, was the drummer for the band. The other members were Lenny Johnson (guitar), Martin Brome (bass) and Jason Beebout (vocals), who went on to form Samiam.
The group recorded an 11 song 7″ EP titled Bedtime for Isocracy, released in 1988 through Lookout! Records (L005). The band was later featured on the Lookout! Records' compilation, The Thing That Ate Floyd. Additionally, Isocracy's EP tracks were re-released on (L293) Punk Rock 7″s Volume 1. During their active years from 1986 through 1988, Isocracy was known for their wild performances where anything could happen. According to the book written about the Gilman St. Project, Isocracy was one of the main bands who brought a new sense of positive anarchy to the punk scene. During this time in the mid-1980s hardcore punk was the dominant musical style in the scene. Isocracy's live shows included playing in laundromats and covering the audience with garbage and shredded paper. In this regard, Isocracy bridged hardcore punk with performance art. Green Day benefited from Sobrante's contacts he had made in the scene prior to their formation.
Dans les journaux
Tous les pays du monde
Semblent en guerre
¨¤ la radio
On en reparle ¨¤ toutes les heures
En disant qu'il n'y a rien ¨¤ faire
(In the papers
All the countries of the world
Seem in war
On the radio
We hear about it hour after hour
Saying that there's nothing to do)
Moi dans cette vie
O¨´ je dois faire ma place au soleil
Le soir j'ai du mal
Seule ¨¤ trouver enfin le sommeil
Et souvent j'ai tr¨¨s peur
(Me in this life
Where I have to make my spot under the sun
The night I have troubles
Alone falling finally asleep
And I'm often very afraid)
Au secours
Il me faut beaucoup d'amour
Pour comprendre ce qui se passe tout autour de moi
Au secours
Dites-moi au moins qu'un jour
Les gens feront la paix entre eux et pour toujours
(Help
I need lots of love
To understand what's happening around me
Help
Tell me that at least someday
People will make peace with each other and for ever)
Plus de distance
Entre les pays du monde
Plus de fronti¨¨res, plus de m¨¦fiance
Plus de douleur
Un seul but dans le coeur
Entre amis, entre fr¨¨res
(No more distance
Between countries of the world
No more borders, no more distrust
No more pain
One single goal in the heart
Between friends, between brothers)
Il me faut beaucoup d'amour
Pour comprendre ce qui se passe tout autour de moi
Au secours
Dites-moi au moins qu'un jour
Les gens feront la paix entre eux et pour toujours
(Help
I need lots of love
To understand what's happening around me
Help
Tell me that at least someday
People will make peace with each other and for ever)
(bis)