Isis is a goddess from the polytheistic pantheon of Egypt.
Isis or ISIS may also refer to:
Isis (stylized as ISIS) was a Los Angeles-based post-metal band, founded in Boston, Massachusetts, with a career spanning from 1997 to 2010. They borrowed from and helped to evolve a sound pioneered by the likes of Neurosis and Godflesh, creating heavy music consisting of lengthy songs that focus on repetition and evolution of structure.
The band's last album, Wavering Radiant, was released on 5 May 2009. They disbanded in June 2010, just before the release of a split EP with the Melvins.
This is a list of the Goa'uld characters that appear in Stargate, Stargate SG-1, and Stargate Atlantis. In the Stargate fictional universe, the Goa'uld are a parasitic alien race that use other beings as hosts. Ra had stated in the original Stargate film that he had used humans exclusively as hosts for millennia, because Goa'uld technology can repair human bodies so easily that by inhabiting human forms they can be in effect ageless, though they can still be injured or killed. Most Goa'uld pose as gods in order to control slave armies, and are considered evil, egocentric megalomaniacs by those who do not worship them. The Goa'uld are extremely intelligent and have an aptitude for understanding, working with, and using technology that is superior to that of humans. They each have full access to their species' genetic memory from the moment of birth. As a result, no Goa'uld has to learn how to operate any technological device; they 'know' how to do so innately.
Panopticon is the third full-length album by Los Angeles, California based post-metal band Isis, released by Ipecac Recordings in 2004. The album's title is derived from philosopher Jeremy Bentham's panopticon prison ideal and philosopher/historian Michel Foucault's later allegorical appropriation of the concept. The liner notes also include quotes from technology writer Howard Rheingold and futurist Alex Steffen; as a concept album, Panopticon's focus is on the proliferation of surveillance technologies throughout modern society and the government's role in that spread.
Critical response to Panopticon was generally very warm; as it followed 2002's critically acclaimed Oceanic, many reviewers were quick to hold the two in comparison. The consensus was that Panopticon represented a progression, of sorts. The album's sound continued Isis' departure from the strictures of sludge and metal – which had been the hallmarks of their earlier material – and continued along the trajectory of post-metal, achieved by heightened use of melody and clean vocals.
Freedom Wars (フリーダムウォーズ, Furīdamuwōzu) is a Japanese action role-playing video game developed by SCE Japan Studio for the PlayStation Vita. Set in the distant future at a time where the majority of humankind is imprisoned in penal city-states known as Panopticons which wage war against one another, the game involves players cooperating together to fight against enemies and contribute towards their Panopticon. The game has proven to be among the most successful first-party PlayStation Vita titles within Japan, having attained the second highest all-time opening sales for Vita software sold there. It was released on 000000002014-06-26-0000June 26, 2014 in Japan, 000000002014-08-07-0000August 7, 2014 in Asia, and October 2014 in North America and Europe.
The game is a third-person battle action game, and features local and online multiplayer functionality, both co-operative and competitive, for up to eight players. The game features a grappling whip called the "thorn" (荊, ibara) that the player can use to zip across the battlefield and pull giant enemies to the ground. Different classes of thorns also grant various special techniques, such as traps, healing, and shields. Players fight alongside androids known as Accessories which provide combat support during missions; the player gives a set of commands to their Accessory that they execute, which include holding a position, collecting materials, or rescuing civilians.
"Panopticon" is the second single from The Smashing Pumpkins's eighth album Oceania. It was originally released as a promotional single to radio airplay on September 15, 2012.
In an interview with MusicRadar, Corgan stated, "It's similar to Quasar in that we had the opening riff and didn't know what to do with it. It sat for a while, but everybody felt strongly about it. It had a, dare I say, 'modern-feeling' to it, but still in the style of guitar that I like to play. Ultimately, I just sat down and wrote the song on the piano. Sometimes, when you've got a riffy song, it helps to just play the chords with no rhythm, and then you hear the 'song' in it. It's those very Paul McCartney/Wings-type chords – Broadway-type chords. What I'm most proud of from a songwriting standpoint is how it goes from D major to A minor. It goes from a very 'majorly' feel into something sorrowful, almost a Spanish feel. I don't know how the heck I did that, but it's one of my favorite things in the song, how you can keep the key but change the emotion."
Always Object
Always Subject
Can You see Us Are we there?
Are we there...
Can You see Me? We are watching
We are watching...
You are fading
In the Daylight... Fading...
Always upon you, Light never ceases
Lost from Yourself, Light never ceases
Thousands of Eyes, Gaze never ceases
Light is upon you, Life in You never ceases