Ishq is a 2012 Telugu film written and directed by Vikram Kumar. The film was produced by Vikram Goud under Shresht Movies banner. The film features Nitin and Nithya Menen in the lead, with Ajay in a pivotal role. Cinematography for the film was handled by P. C. Sreeram and the music was composed by Anup Rubens. Ishq released on 24 August 2012 to positive reviews and became one of the highest grossing films of 2012. A Bangladeshi remake of this movie named Love Station starring Bappy Chowdhury and Mishti Jannat was released on 5 September 2014 & will remade into Kolkata as Aashiqui starring Ankush Hazra and Nusrat Faria Mazhar in 2015. The film was also remade in Tamil as Uyire Uyire (2015).
2012 is a 2009 American science fiction disaster film directed by Roland Emmerich. It stars John Cusack, Chiwetel Ejiofor, Amanda Peet, Oliver Platt, Thandie Newton, Danny Glover, and Woody Harrelson. The film was produced by Centropolis Entertainment and distributed by Columbia Pictures. Filming began in August 2008 in Vancouver, although it was originally planned to be filmed in Los Angeles. The plot follows Jackson Curtis as he attempts to bring his family to refuge, amidst the events of a geological and meteorological super-disaster. The film includes references to Mayanism, the Mesoamerican Long Count calendar, and the 2012 phenomenon in its portrayal of cataclysmic events unfolding in the year 2012.
After a prolonged marketing campaign comprising the creation of a website from the point of view of the main character, and a viral marketing website on which filmgoers could register for a lottery number to save them from the ensuing disaster, the film was released internationally on November 13, 2009. Critics gave 2012 mostly mixed reviews, praising its special effects and dark tone compared to Emmerich's other work, but criticizing its screenplay and 158-minute length. However, it was a huge commercial success, and one of the highest-grossing films of 2009.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.
Ishq or išq (Arabic: عشق); (Urdu: عشق); (Persian: عشق) in classical Arabic, literally means 'love'. Ishq does not appear in the Quran, which instead uses the verb habba (حَبَّ) and its derivatives, for example the noun hubb (حُبّ). Moreover, in Modern Arabic the relevant terms dominantly used are: habba and its derived forms hubb, habib, mahbub, etc. The word is derived from ‘ashiqah, a vine: the common belief is that when love takes its root in the heart of a lover, everything other than God is effaced. The term "Ishq" is excessively used by Sufis in their poetry and literature to describe their selfless and 'burning love for Allah'. It is the core concept in the doctrine of Islamic mysticism as it is the key to the connection between man and God. Ishq itself was the basis of 'creation'.
In the most languages such as Dari: eshq; in Pashto: eshq; in Turkish: in Somali: caashaq or (cishqi); aşk and in Azerbaijani: eşq), in modern Persian as ešq or eshgh عشق, it literally means "love". ešq (عشق) used in Persian and Arabic ('išq), may have an Indo-European origin. and may be related to Avestan iš- "to wish, desire, search", aēša- "desire, search", išaiti "he wishes", išt "wished for, beloved", išti- "aspiration, aim", and suggests that it derives from *iška. Avestan iš- is cognate with Sanskrit eṣ- "to wish, strive for, seek", icchā- "wish, desire", icchati "seeks for, wishes", iṣta- "beloved, sought", iṣti- "search, desire", Pali icchaka- "wishing, desirous". Note also that this word exists in Middle Persian in the form of išt "desire", as attested by Farahvaši.
Ishq (Urdu: عشق, literal English translation: "love") is the sixth studio album and the ninth overall album of the Pakistani sufi rock band, Junoon. The album was released on January 1, 2001 and was released by the title of Andaz outside Pakistan.
The album topped the charts in Pakistan as well as in the Gulf and South Asia, with its first single entitled "Zamane ke Andaz" (Saqi-Nama) which made it to #1 in the Gulf, and to #5 on the Asian charts. On its official website, Junoon has stated that the band tried to get out of the Sufi rock genre during the album's release.
All music written & composed by Salman Ahmad and Sabir Zafar. Except for "Zamane Ke Andaz" (Saqi-Nama) which was written by Allama Iqbal.
All information is taken from the CD.