Ironbound (album)
Ironbound is the fifteenth full-length studio album by American thrash metal band Overkill, which was released on January 29, 2010 in Europe on Nuclear Blast and in the U.S. on February 9, 2010 on eOne Music. It is their first studio album in more than two years since the release of Immortalis in the fall of 2007, and their first release on their current labels Nuclear Blast and E1 Music. This was Overkill's first album to chart on the Billboard 200 in 17 years, since I Hear Black in 1993. Ironbound sold over 4,100 copies in its first week in the U.S. and over 15,000 copies in the U.S by May 2010.
Track listing
All music composed by D.D. Verni and Bobby 'Blitz' Ellsworth.
Reception
Ironbound was given highly positive reviews with vocalist, Bobby "Blitz" Ellsworth, being a main point of critical acclaim. Chad Bowar of About.com states, "What makes Overkill stand out is vocalist Bobby “Blitz” Ellsworth, whose high pitched singing is unique and instantly recognizable. He's able to dial it down and sing in a lower range, but can wail when it's required." A review from Blabbermouth.net says, ""Ironbound" is one of, if not the most ripping collection of tunes this legendary act has laid to tape."Exodus lead guitarist Gary Holt stated in an interview that Ironbound is "One of their best records ever; it's so good".
! (album)
! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.
Track listing
Personnel
The following people were involved in the making of !:
References
"@" (album)
"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.
Reception
Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".
Track listing
All compositions by John Zorn and Thurston Moore
Album
Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.
Podcasts:
