TekWar is a series of science fiction novels created by William Shatner and ghost-written by science-fiction author Ron Goulart, published by Putnam. The novels gave rise to a comic book series, video game and later TV movies and a series, both of the latter featuring Shatner.
The 23rd century universe is centered around "tek"—an illegal, addictive, mind-altering digital drug in the form of a microchip. The drug has the effect of simulated reality (as shown in the films and series), and taps into "the matrix" hyperspace. The protagonist, Jake Cardigan, is a former police officer who is framed for dealing in the drug four years before the start of the story. Having been sentenced to 15 years' cryo-imprisonment, he is released early. After discovering that Walt Bascom, the powerful head of a private security firm, arranged for the early release, Jake goes to work for Bascom as an investigator dedicated to tracking down the real Tek lords.
Shatner began to write notes that would become the novels on the set of Star Trek V: The Final Frontier, and is quoted to say that the original book was an attempt to blend elements from Star Trek and T. J. Hooker. There are strong similarities between the story of the initial Tek novel (and TV pilot) and Ron Goulart's 1985 novel, Brainz Inc., which involves a murder mystery involving an heiress who is presumed dead and her android duplicate, who shares her memories and personality. Unlike the Tek story the earlier novel's plot is played for humor.
Tek can refer to:
TEK can refer to:
The Intratec TEC-9 or TEC-DC9 or AB-10 is a blowback-operated semi-automatic pistol, chambered in 9×19mm Parabellum. It was designed by Intratec, an American offshoot of Interdynamic AB. The TEC-9 was made of inexpensive molded polymers and a mixture of stamped and milled steel parts.
Swedish company Interdynamic AB of Stockholm designed the Interdynamic MP-9 9mm submachine gun. Intended as an inexpensive submachine gun based on the Carl Gustav M/45 for military applications, Interdynamic did not find a government buyer, so it was taken to US market as an open-bolt semi-automatic KG-9 pistol. The open bolt design was too easy to convert to full-auto. Because of this, the ATF forced Interdynamic to redesign it into a closed-bolt system, which was harder to convert to full-auto. This variant was called the KG-99. It made frequent appearances on Miami Vice, where it was legally converted to full-auto by Title II manufacturers. The KG-9 and KG-99 have an open end upper receiver tube where the bolt, recoil springs and buffer plate are held in place by the plastic/polymer lower receiver frame. This design only allows for 115 grain 9mm ammo. If heavier grain ammo or hot loads are used, the plastic lower receiver will fail/crack rendering the firearm unusable. The later model TEC-9 and AB-10 have a threaded upper receiver tube (at the rear) and screw on end cap to contain the bolt , recoil spring and buffer plate, even if removed from the lower receiver. This solves the problem of lower receiver failure when using "hot ammo".
Introduction, The Introduction, Intro, or The Intro may refer to:
Intro is an American R&B trio from Brooklyn, New York City, New York. The trio consisted of members Jeff Sanders, Clinton "Buddy" Wike and lead singer/songwriter Kenny Greene. Intro released two albums (for Atlantic Records): 1993's Intro and their second album, 1995's New Life. The group had a string of US hits in the 1990s. The hits included the singles "Let Me Be The One", the Stevie Wonder cover "Ribbon in the Sky", "Funny How Time Flies" and their highest charting hit, "Come Inside".
Intro's Kenny Greene died from complications of AIDS in 2001. Intro recently emerged as a quintet consisting of Clinton "Buddy" Wike, Jeff Sanders, Ramon Adams and Eric Pruitt. Adams departed in 2014, with the group back down to its lineup as a trio. They are currently recording a new album to be released in 2015. The group released a new single in 2013 called "I Didn't Sleep With Her" and a new single "Lucky" in October 2014.
In music, the introduction is a passage or section which opens a movement or a separate piece, preceding the theme or lyrics. In popular music this is often abbreviated as intro. The introduction establishes melodic, harmonic, and/or rhythmic material related to the main body of a piece.
Introductions may consist of an ostinato that is used in the following music, an important chord or progression that establishes the tonality and groove for the following music, or they may be important but disguised or out-of-context motivic or thematic material. As such the introduction may be the first statement of primary or other important material, may be related to but different from the primary or other important material, or may bear little relation to any other material.
A common introduction to a rubato ballad is a dominant seventh chord with fermata, Play an introduction that works for many songs is the last four or eight measures of the song,
Play while a common introduction to the twelve-bar blues is a single chorus.
Play
I'm a snow plough, I must now plow on, I'm a snow plough, I'm a settlers son
I'm a storm cloud, rain myself all over the place
I'm a storm cloud, gonna wipe that smile right off your face
There must be one place left in the world
Where the mountains meet the sea
There must be one place left in the world
Where the water's real and clean
I'm a landslide, I'm a downhill run, I'm a landslide, open season's just begun
There must be one place left in the world
Where the skin says it can breathe
There gotta be one place left in the world
It's a solitude of distance and relief
There gotta be one place left in the world
I'm a short fuse, I'm a slow blues
I'm a landslide humming, I'm a downhill running
There must be one place left in the world, where we can be
(Moginie/Hirst/Rotsey/Garrett)