Introduction

Introduction, The Introduction, Intro, or The Intro may refer to:

Intro (R&B group)

Intro is an American R&B trio from Brooklyn, New York City, New York. The trio consisted of members Jeff Sanders, Clinton "Buddy" Wike and lead singer/songwriter Kenny Greene. Intro released two albums (for Atlantic Records): 1993's Intro and their second album, 1995's New Life. The group had a string of US hits in the 1990s. The hits included the singles "Let Me Be The One", the Stevie Wonder cover "Ribbon in the Sky", "Funny How Time Flies" and their highest charting hit, "Come Inside".

Intro's Kenny Greene died from complications of AIDS in 2001. Intro recently emerged as a quintet consisting of Clinton "Buddy" Wike, Jeff Sanders, Ramon Adams and Eric Pruitt. Adams departed in 2014, with the group back down to its lineup as a trio. They are currently recording a new album to be released in 2015. The group released a new single in 2013 called "I Didn't Sleep With Her" and a new single "Lucky" in October 2014.

Discography

Albums

Singles

References

Introduction (music)

In music, the introduction is a passage or section which opens a movement or a separate piece, preceding the theme or lyrics. In popular music this is often abbreviated as intro. The introduction establishes melodic, harmonic, and/or rhythmic material related to the main body of a piece.

Introductions may consist of an ostinato that is used in the following music, an important chord or progression that establishes the tonality and groove for the following music, or they may be important but disguised or out-of-context motivic or thematic material. As such the introduction may be the first statement of primary or other important material, may be related to but different from the primary or other important material, or may bear little relation to any other material.

A common introduction to a rubato ballad is a dominant seventh chord with fermata, Play  an introduction that works for many songs is the last four or eight measures of the song, Play  while a common introduction to the twelve-bar blues is a single chorus. Play 

Subtitle (titling)

In books and other works, a subtitle is an explanatory or alternate title. As an example, Mary Shelley used a subtitle to give her most famous novel, Frankenstein; or, the Modern Prometheus, an alternate title referencing the Greek Titan as a hint of the novel's themes.

Literature

Subtitles for plays were fashionable in the Elizabethan era; William Shakespeare parodied this vogue by giving Twelfth Night his only subtitle, the deliberately uninformative What You Will, implying that the subtitle can be whatever the audience wants it to be. In printing, subtitles often appear below the title in a less prominent typeface or following the title after a colon.

Some modern publishers choose to forgo subtitles when republishing historical works, such as Shelley's famous story, which is often now sold simply as Frankenstein.

In library cataloging the subtitle does not include an alternate title which is defined as part of the title proper; e.g. "One Good Turn" (title proper) "A Natural History of the Screwdriver and the Screw" (subtitle); "Twelfth Night, or What You Will" (title proper).

Subtitle (captioning)

Subtitles are derived from either a transcript or screenplay of the dialog or commentary in films, television programs, video games, and the like, usually displayed at the bottom of the screen, but can also be at the top of the screen if there is already text at the bottom of the screen. They can either be a form of written translation of a dialog in a foreign language, or a written rendering of the dialog in the same language, with or without added information to help viewers who are deaf and hard of hearing to follow the dialog, or people who cannot understand the spoken dialogue or who have accent recognition problems. The encoded method can either be pre-rendered with the video or separate as either a graphic or text to be rendered and overlaid by the receiver. The separate subtitles are used for DVD, Blu-ray and television teletext/Digital Video Broadcasting (DVB) subtitling or EIA-608 captioning, which are hidden unless requested by the viewer from a menu or remote controller key or by selecting the relevant page or service (e.g., p. 888 or CC1), always carry additional sound representations for deaf and hard of hearing viewers. Teletext subtitle language follows the original audio, except in multi-lingual countries where the broadcaster may provide subtitles in additional languages on other teletext pages. EIA-608 captions are similar, except that North American Spanish stations may provide captioning in Spanish on CC3. DVD and Blu-ray only differ in using run-length encoded graphics instead of text, as well as some HD DVB broadcasts.