Introduction

Introduction, The Introduction, Intro, or The Intro may refer to:

Intro (R&B group)

Intro is an American R&B trio from Brooklyn, New York City, New York. The trio consisted of members Jeff Sanders, Clinton "Buddy" Wike and lead singer/songwriter Kenny Greene. Intro released two albums (for Atlantic Records): 1993's Intro and their second album, 1995's New Life. The group had a string of US hits in the 1990s. The hits included the singles "Let Me Be The One", the Stevie Wonder cover "Ribbon in the Sky", "Funny How Time Flies" and their highest charting hit, "Come Inside".

Intro's Kenny Greene died from complications of AIDS in 2001. Intro recently emerged as a quintet consisting of Clinton "Buddy" Wike, Jeff Sanders, Ramon Adams and Eric Pruitt. Adams departed in 2014, with the group back down to its lineup as a trio. They are currently recording a new album to be released in 2015. The group released a new single in 2013 called "I Didn't Sleep With Her" and a new single "Lucky" in October 2014.

Discography

Albums

Singles

References

Ich Troje

Ich Troje ("The Three of Them") is a Polish pop band. Former members are Magdalena Pokora (aka Magda Femme, 1996–2000), Justyna Majkowska (2000–2003), Elli Mücke (2003) and Ania Wisniewska (2003–2010).

Ich Troje was founded in 1996 by songwriter Michał Wiśniewski and composer Jacek Łągwa.

Despite this, the group had five members when taking part in the Eurovision Song Contest 2006, with German rapper O-Jay (Olaf Jeglitza) as the fifth member.

Their music is castigated by critics, and Michal Wisniewski has said himself that he can't actually sing.

Nevertheless, since 2000, Ich Troje has been one of the most successful Polish groups. They have sold more than 1.5 million records since June 2001. For the past two years, Ich Troje have given over 300 concerts. Their songs are typically about love, betrayal and break-ups.

On 25 January 2003, Polish TV viewers chose Ich Troje to represent them in 2003 Eurovision Song Contest by televoting. They performed a song called Keine Grenzen-Żadnych granic, which was sung in three languages: (Polish, German, and Russian). The song finished seventh. A fully German version of the song was recorded as well.

Scarecrow

A scarecrow or hay-man is a decoy or mannequin in the shape of a human. It is usually dressed in old clothes and placed in open fields to discourage birds such as crows or sparrows from disturbing and feeding on recently cast seed and growing crops.

Uses

The 1881 Household Cyclopedia of General Information gives the following advice:

The most effectual method of banishing them from a field, as far as experience goes, is to combine with one or other of the scarecrows in vogue the frequent use of the musket. Nothing strikes such terror into these sagacious animals as the sight of a fowling-piece and the explosion of gun powder, which they have known so often to be fatal to their race.

Such is their dread of a fowling-piece, that if one is placed upon a dyke or other eminence, it will for a long time prevent them from alighting on the adjacent grounds. Many people now, however, believe that crows like most other birds, do more good by destroying insects and worms, etc., than harm by eating grain.

Scarecrow (comics)

Scarecrow, in comics, may refer to:

See also

Scarecrow (John Mellencamp album)

Scarecrow is the eighth album by John Mellencamp. Released in September 1985, it peaked at #2 on the U.S. chart behind Heart's comeback album, Heart. The remastered version was released May 24, 2005 on Mercury/Island/UMe and includes one bonus track.

This album contained three Top 10 hits, a record for a Mellencamp album: "R.O.C.K. in the U.S.A.," which peaked at #2 in the U.S.; "Lonely Ol' Night," which peaked at #6; and "Small Town," which also peaked at #6. "Lonely Ol' Night" also peaked at #1 on the Mainstream Rock Tracks chart, his second chart-topping single on this chart.

In 1989, Rolling Stone magazine ranked Scarecrow #95 on its list of the 100 greatest albums of the 1980s, saying: "Scarecrow consolidated the band's rugged, roots-rock thrash and the ongoing maturation of Mellencamp's lyrics."

Rolling Stone also reported that band spent a month in rehearsals, playing a hundred rock and roll songs from the Sixties before going into the studio. According to the record's producer, Don Gehman, the idea was to "learn all these devices from the past and use them in a new way with John's arrangements."