Introduction

Introduction, The Introduction, Intro, or The Intro may refer to:

Intro (R&B group)

Intro is an American R&B trio from Brooklyn, New York City, New York. The trio consisted of members Jeff Sanders, Clinton "Buddy" Wike and lead singer/songwriter Kenny Greene. Intro released two albums (for Atlantic Records): 1993's Intro and their second album, 1995's New Life. The group had a string of US hits in the 1990s. The hits included the singles "Let Me Be The One", the Stevie Wonder cover "Ribbon in the Sky", "Funny How Time Flies" and their highest charting hit, "Come Inside".

Intro's Kenny Greene died from complications of AIDS in 2001. Intro recently emerged as a quintet consisting of Clinton "Buddy" Wike, Jeff Sanders, Ramon Adams and Eric Pruitt. Adams departed in 2014, with the group back down to its lineup as a trio. They are currently recording a new album to be released in 2015. The group released a new single in 2013 called "I Didn't Sleep With Her" and a new single "Lucky" in October 2014.

Discography

Albums

Singles

References

Introduction (music)

In music, the introduction is a passage or section which opens a movement or a separate piece, preceding the theme or lyrics. In popular music this is often abbreviated as intro. The introduction establishes melodic, harmonic, and/or rhythmic material related to the main body of a piece.

Introductions may consist of an ostinato that is used in the following music, an important chord or progression that establishes the tonality and groove for the following music, or they may be important but disguised or out-of-context motivic or thematic material. As such the introduction may be the first statement of primary or other important material, may be related to but different from the primary or other important material, or may bear little relation to any other material.

A common introduction to a rubato ballad is a dominant seventh chord with fermata, Play  an introduction that works for many songs is the last four or eight measures of the song, Play  while a common introduction to the twelve-bar blues is a single chorus. Play 

RIA

Ria or RIA may refer to:

Media

Sciences

Technology

Others

RIA (Red de Innovación y Aprendizaje)

The RIA (Red de Innovación y Aprendizaje), or Leaning and Innovation Network, is a group of education centers that offer members of underserved communities in Mexico access to computers, the Internet and quality education. The RIA is overseen by Fundación Proacceso, a Mexico-based non-profit organization focused on using technology as a tool for education.

Background

The first RIA center was inaugurated on May 18, 2009, and since then over 68,000 users have registered at its ten centers. Thirty-two new RIA centers will open by the end of January 2011, bringing the network to a total of 42 centers.

The RIA offers courses on basic computer and Internet skills, English, finding work through the Internet, math and science workshops for children, personal finance and more. Students can also obtain their high school, bachelor’s and master’s degrees at the RIA through the Institute of Online education. Courses are taught by qualified facilitators, many of whom are residents of the local communities that the RIA targets.

Aria

An aria ([ˈaːrja]; Italian: air; plural: arie [ˈaːrje], or arias in common usage, diminutive form arietta [aˈrjetta]) in music was originally any expressive melody, usually, but not always, performed by a singer. The term became used almost exclusively to describe a self-contained piece for one voice, with or without orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, sharing features of the operatic arias of their periods.

Origins of the term

The term, which derives from the Greek and Latin 'aer' (air) first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca' ). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; melodic madrigals, free of complex polyphony, were known as madrigale arioso.