Miro

Miro may refer to:

Companies

Entertainment

People

Prumnopitys ferruginea

Prumnopitys ferruginea, commonly called miro, is an evergreen coniferous tree which is endemic to New Zealand. Before the genus Prumnopitys was distinguished, it was treated in the related genus Podocarpus as Podocarpus ferrugineus.

It grows up to 25 m high, with a trunk up to 1.3 m diameter. The leaves are linear to sickle-shaped, 15–25 mm long and 2–3 mm broad, with downcurved margins. The plants are dioecious with pollen cones being solitary while those of female plants hang from a curved, scaly stalk. The seed cones are highly modified, reduced to a central stem 2–3 cm long bearing 1-3 scales, each scale maturing berry-like, oval, about 20 mm long and 10–15 mm broad, red to purple-red with a soft edible pulp covering the single seed. The seeds are dispersed by the Kererū (New Zealand Pigeon), which eats the very conspicuous 'berries' and passes the seeds in its droppings. It is found growing on both lowland terrain and on hill slopes throughout the two main islands as well as on Stewart Island/Rakiura (47° S).

Miro (Suebian king)

Miro (Mir, Mirio, Latin: Mirus) was the Suebian King of Galicia from 570 until his death in 583. His reign was marked by attempts to forge alliances with other Chalcedonian Christian nations with the goal of checking the power of the Arian Visigoths under Leovigild. During his reign relations were established with both Francia and the Byzantine Empire and the kingdom reached its zenith, but it collapsed within three years of his death.

Miro enjoyed good relations with the Church during his reign. In 572 he called the Second Council of Braga, a supplementary council to the First Council of Braga of 561. It has even been suggested, based on the lack of a signatory for the diocese of Dumio in the concilar acts, that Miro himself may have represented that see.

Miro also maintained "intimate and friendly" relations with Martin of Dumio, the Archbishop of Braga and Metropolitan of Gallaecia. Martin's principal work, Formula Vitae Honestae, is dedicated to him, and the Exhortatio Humilitatis, printed among Martin's works, is also probably addressed to him. Indeed, Martin advised Miro's counsellors to read his Formula so as to be able better to counsel the king.

Introduction

Introduction, The Introduction, Intro, or The Intro may refer to:

Intro (R&B group)

Intro is an American R&B trio from Brooklyn, New York City, New York. The trio consisted of members Jeff Sanders, Clinton "Buddy" Wike and lead singer/songwriter Kenny Greene. Intro released two albums (for Atlantic Records): 1993's Intro and their second album, 1995's New Life. The group had a string of US hits in the 1990s. The hits included the singles "Let Me Be The One", the Stevie Wonder cover "Ribbon in the Sky", "Funny How Time Flies" and their highest charting hit, "Come Inside".

Intro's Kenny Greene died from complications of AIDS in 2001. Intro recently emerged as a quintet consisting of Clinton "Buddy" Wike, Jeff Sanders, Ramon Adams and Eric Pruitt. Adams departed in 2014, with the group back down to its lineup as a trio. They are currently recording a new album to be released in 2015. The group released a new single in 2013 called "I Didn't Sleep With Her" and a new single "Lucky" in October 2014.

Discography

Albums

Singles

References

Introduction (music)

In music, the introduction is a passage or section which opens a movement or a separate piece, preceding the theme or lyrics. In popular music this is often abbreviated as intro. The introduction establishes melodic, harmonic, and/or rhythmic material related to the main body of a piece.

Introductions may consist of an ostinato that is used in the following music, an important chord or progression that establishes the tonality and groove for the following music, or they may be important but disguised or out-of-context motivic or thematic material. As such the introduction may be the first statement of primary or other important material, may be related to but different from the primary or other important material, or may bear little relation to any other material.

A common introduction to a rubato ballad is a dominant seventh chord with fermata, Play  an introduction that works for many songs is the last four or eight measures of the song, Play  while a common introduction to the twelve-bar blues is a single chorus. Play