PMD may refer to:
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Parrish J. Smith (born May 13, 1968), better known as PMD (Parrish Mic Doc), is an east coast rapper from Smithtown, Long Island and one-third of EPMD.
PMD, who attended Brentwood High School, currently resides in Bay Shore, New York. He is a member of the rap group EPMD with Erick Sermon and DJ Scratch. He has released three solo albums, 1994's Shade Business, 1996's Business Is Business and 2003's The Awakening. Also, in 2002, he released an album with Japanese hip hop luminary DJ Honda titled Underground Connection. Recently, he has been on tour throughout the US and Europe.
Introduction, The Introduction, Intro, or The Intro may refer to:
Intro is an American R&B trio from Brooklyn, New York City, New York. The trio consisted of members Jeff Sanders, Clinton "Buddy" Wike and lead singer/songwriter Kenny Greene. Intro released two albums (for Atlantic Records): 1993's Intro and their second album, 1995's New Life. The group had a string of US hits in the 1990s. The hits included the singles "Let Me Be The One", the Stevie Wonder cover "Ribbon in the Sky", "Funny How Time Flies" and their highest charting hit, "Come Inside".
Intro's Kenny Greene died from complications of AIDS in 2001. Intro recently emerged as a quintet consisting of Clinton "Buddy" Wike, Jeff Sanders, Ramon Adams and Eric Pruitt. Adams departed in 2014, with the group back down to its lineup as a trio. They are currently recording a new album to be released in 2015. The group released a new single in 2013 called "I Didn't Sleep With Her" and a new single "Lucky" in October 2014.
In music, the introduction is a passage or section which opens a movement or a separate piece, preceding the theme or lyrics. In popular music this is often abbreviated as intro. The introduction establishes melodic, harmonic, and/or rhythmic material related to the main body of a piece.
Introductions may consist of an ostinato that is used in the following music, an important chord or progression that establishes the tonality and groove for the following music, or they may be important but disguised or out-of-context motivic or thematic material. As such the introduction may be the first statement of primary or other important material, may be related to but different from the primary or other important material, or may bear little relation to any other material.
A common introduction to a rubato ballad is a dominant seventh chord with fermata, Play an introduction that works for many songs is the last four or eight measures of the song,
Play while a common introduction to the twelve-bar blues is a single chorus.
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