Panacea

In Greek mythology, Panacea (Greek Πανάκεια, Panakeia) was a goddess of Universal remedy. She was the daughter of Asclepius and Epione. Panacea and her four sisters each performed a facet of Apollo's art: Panacea (the goddess of Universal health), Hygieia ("Hygiene" the goddess/personification of health, cleanliness, and sanitation ), Iaso (the goddess of recuperation from illness), Aceso (the goddess of the healing process), and Aglæa/Ægle (the goddess of beauty, splendor, glory, magnificence, and adornment).

Panacea also had four brothers—Podaleirus, one of the two kings of Tricca, who had a flair for diagnostics, and Machaon, the other king of Tricca, who was a master surgeon (these two took part in the Trojan War until Machaon was killed by Penthesilea, queen of the Amazons); Telesphoros, who devoted his life to serving Asclepius; and Aratus, her half-brother, who was a Greek hero and the patron/liberator of Sicyon.

Panacea was said to have a poultice or potion with which she healed the sick. This brought about the concept of the panacea in medicine, a substance meant to cure all diseases. The term is also used figuratively as something intended to completely solve a large, multi-faceted problem.

Panacea (disambiguation)

Panacea is the goddess of healing in Greek mythology.

Panacea may also refer to:

See also

Mathis Mootz

Mathis Mootz is a prolific German electronic musician and DJ. Mootz is best known as The Panacea (until 2005, simply as Panacea), his drum and bass stage name and main musical project, and as m² (pronounced "Squaremeter"), his dark ambient side project and alter-ego.

Born August 18, 1976 in Wetzlar, Germany, Mootz served an apprenticeship in classical music and was a member of the boy's choir of Windsbach. After studying music engineering at the SAE Institute, Mootz worked with the experimental hip hop/illbient label Chrome, an offshoot of Force Inc Music Works. Over the course of several drum and bass albums and many singles, and as A&R manager for Chrome, later renamed Position Chrome, Panacea became known for pushing the bounds of the drum and bass genre into industrial and hardcore territory, and for energetic DJ sets which fused these genres in a live setting. With his side project m², he explored a more minimal side of electronic music, first in the realm of clicks 'n' cuts, and later in the dark ambient territory pioneered by the likes of Lustmord. Mootz lives and produces in Sommerhausen, a countryside town near Würzburg.

Introduction

Introduction, The Introduction, Intro, or The Intro may refer to:

Intro (R&B group)

Intro is an American R&B trio from Brooklyn, New York City, New York. The trio consisted of members Jeff Sanders, Clinton "Buddy" Wike and lead singer/songwriter Kenny Greene. Intro released two albums (for Atlantic Records): 1993's Intro and their second album, 1995's New Life. The group had a string of US hits in the 1990s. The hits included the singles "Let Me Be The One", the Stevie Wonder cover "Ribbon in the Sky", "Funny How Time Flies" and their highest charting hit, "Come Inside".

Intro's Kenny Greene died from complications of AIDS in 2001. Intro recently emerged as a quintet consisting of Clinton "Buddy" Wike, Jeff Sanders, Ramon Adams and Eric Pruitt. Adams departed in 2014, with the group back down to its lineup as a trio. They are currently recording a new album to be released in 2015. The group released a new single in 2013 called "I Didn't Sleep With Her" and a new single "Lucky" in October 2014.

Discography

Albums

Singles

References

Introduction (music)

In music, the introduction is a passage or section which opens a movement or a separate piece, preceding the theme or lyrics. In popular music this is often abbreviated as intro. The introduction establishes melodic, harmonic, and/or rhythmic material related to the main body of a piece.

Introductions may consist of an ostinato that is used in the following music, an important chord or progression that establishes the tonality and groove for the following music, or they may be important but disguised or out-of-context motivic or thematic material. As such the introduction may be the first statement of primary or other important material, may be related to but different from the primary or other important material, or may bear little relation to any other material.

A common introduction to a rubato ballad is a dominant seventh chord with fermata, Play  an introduction that works for many songs is the last four or eight measures of the song, Play  while a common introduction to the twelve-bar blues is a single chorus. Play