Introduction, The Introduction, Intro, or The Intro may refer to:
Intro is an American R&B trio from Brooklyn, New York City, New York. The trio consisted of members Jeff Sanders, Clinton "Buddy" Wike and lead singer/songwriter Kenny Greene. Intro released two albums (for Atlantic Records): 1993's Intro and their second album, 1995's New Life. The group had a string of US hits in the 1990s. The hits included the singles "Let Me Be The One", the Stevie Wonder cover "Ribbon in the Sky", "Funny How Time Flies" and their highest charting hit, "Come Inside".
Intro's Kenny Greene died from complications of AIDS in 2001. Intro recently emerged as a quintet consisting of Clinton "Buddy" Wike, Jeff Sanders, Ramon Adams and Eric Pruitt. Adams departed in 2014, with the group back down to its lineup as a trio. They are currently recording a new album to be released in 2015. The group released a new single in 2013 called "I Didn't Sleep With Her" and a new single "Lucky" in October 2014.
In music, the introduction is a passage or section which opens a movement or a separate piece, preceding the theme or lyrics. In popular music this is often abbreviated as intro. The introduction establishes melodic, harmonic, and/or rhythmic material related to the main body of a piece.
Introductions may consist of an ostinato that is used in the following music, an important chord or progression that establishes the tonality and groove for the following music, or they may be important but disguised or out-of-context motivic or thematic material. As such the introduction may be the first statement of primary or other important material, may be related to but different from the primary or other important material, or may bear little relation to any other material.
A common introduction to a rubato ballad is a dominant seventh chord with fermata, Play an introduction that works for many songs is the last four or eight measures of the song,
Play while a common introduction to the twelve-bar blues is a single chorus.
Play
3MBS was the first FM (frequency modulation) radio station in Victoria, Australia, and began transmitting to Melbourne and surrounding areas on 1 July 1975. Since then it has operated successfully as a non-profit community-based organisation broadcasting classical and jazz music. 3MBS also led the way for the introduction of community radio in Australia back in 1968.
It is a part of the national Australian Fine Music Network.
The increasing popularity of rock music through the late '50s and '60s led to a reduction in the amount of classical music played on the ABC and commercial radio stations in Australia. Up until the early 1950s most radio stations employed orchestras to play music which included classical music. By the 1960s, only the ABC supported its own orchestra. But even the ABC had dramatically reduced the amount of classical music on air.
A music fan and radio engineer, Brian Cabena, was unhappy about being unable to listen to the music he liked on the radio - and he did something about it. After much unsuccessful lobbying of radio stations, he turned his attention to the government. He argued that if the existing stations were not willing to program for classical music fans, the government should license new stations that would.
5MBS is a community radio station in Adelaide. 5MBS covers much of the Adelaide metropolitan area.
Similar to its sister stations 4MBS in Brisbane, 2MBS in Sydney and 3MBS in Melbourne, 5MBS broadcasts a mixture of classical music and jazz, as well as supporting Adelaide's local arts community.
Fine Music 102.5 (ACMA callsign: 2MBS) is a Sydney music radio station operated by the Music Broadcasting Society of New South Wales Co-Operative Limited. Launched on 15 December 1974, it is Australia's first fully licensed FM radio station.
The station broadcasts from studios located at Chandos Street, St Leonards, to the greater Sydney region at a frequency of 102.5 MHz from a 50 kilowatt (ERP) transmitter located atop Governor Philip Tower, in Sydney's central business district. Its operations are conducted by volunteers and a small number of paid staff. Operational funding is principally derived from corporate sponsorship, arts partnerships, philanthropic donations, listener subscriptions, and the secondhand Book and CD Fairs held around the Sydney area.
Approximately 80 percent of Fine Music 102.5's on-air music content is from the Western classical and related traditions, and the remainder is made up of jazz, blues, and non-mainstream and experimental contemporary music.