Lennox may refer to:
Zion & Lennox are a reggaeton music duo from Carolina, Puerto Rico. In 2010, Zion & Lennox released their 3rd studio album titled Los Verdaderos under Pina Records. After a financial dispute with Ralphy Pina, Zion & Lennox left Pina Records and started their own label, Baby Records Inc.
They have been in the music business for a long time. They had minor hits such as "Baila Conmigo" for the 2003 compilation album "Desafío" and "Me Pones Tensión" for the album The Noise: La Biografía. These hits, along with others in the near future and increased radio play gave them more recognition. This gave them the chance to appear in major Reggaeton albums such as Luny Tunes' Mas Flow (2003) and Mas Flow 2 (2005), Blin Blin vol.1 (2003-4), Contra la Corriente (2004), and Cazadores, Primera Búsqueda (2005).
In May 2004, they released their first solo album, Motivando a la Yal. With hits such as "Doncella", "Bandida", and "Yo Voy" (featuring Daddy Yankee), the album reached gold certification. With the reggaeton genre becoming a worldwide phenomenon, Zion and Lennox's popularity increased. Motivando a la Yal: Special Edition was released a year later. The special edition had new songs along with remixed songs of the previous edition, such as "Don't Stop", "Bachatéalo", a remix to the song "Bandida", and a hip-hop remix of "Yo Voy" with Miri Ben-Ari, Fatman Scoop, and Pitbull entitled "Jump & Spread Out (DJ Precise and Cheeky Starr Version)".
Breed-specific legislation is a law passed by a legislative body pertaining to a specific breed or breeds of domesticated animals. In practice, it generally refers to laws pertaining to a specific dog breed or breeds.
Some jurisdictions have enacted breed-specific legislation in response to a number of well-publicized incidents involving pit bull-type dogs or other dog breeds commonly used in dog fighting, and some government organizations such as the United States Army and Marine Corps have taken administrative action as well. This legislation ranges from outright bans on the possession of these dogs, to restrictions and conditions on ownership, and often establishes a legal presumption that these dogs are prima facie legally "dangerous" or "vicious". In response, some state-level governments in the United States have prohibited or restricted the ability of municipal governments within those states to enact breed-specific legislation.
Introduction, The Introduction, Intro, or The Intro may refer to:
Intro is an American R&B trio from Brooklyn, New York City, New York. The trio consisted of members Jeff Sanders, Clinton "Buddy" Wike and lead singer/songwriter Kenny Greene. Intro released two albums (for Atlantic Records): 1993's Intro and their second album, 1995's New Life. The group had a string of US hits in the 1990s. The hits included the singles "Let Me Be The One", the Stevie Wonder cover "Ribbon in the Sky", "Funny How Time Flies" and their highest charting hit, "Come Inside".
Intro's Kenny Greene died from complications of AIDS in 2001. Intro recently emerged as a quintet consisting of Clinton "Buddy" Wike, Jeff Sanders, Ramon Adams and Eric Pruitt. Adams departed in 2014, with the group back down to its lineup as a trio. They are currently recording a new album to be released in 2015. The group released a new single in 2013 called "I Didn't Sleep With Her" and a new single "Lucky" in October 2014.
Within the computer subculture known as the demoscene, a non-interactive multimedia presentation is called a demo (or demonstration). Demogroups create demos to demonstrate their abilities in programming, music, drawing, and 3D modeling. The key difference between a classical animation and a demo is that the display of a demo is computed in real time, making computing power considerations the biggest challenge. Demos are mostly composed of 3D animations mixed with 2D effects and full screen effects.
The boot block demos of the 1980s, demos that were created to fit within the small (generally 512 to 4096 bytes) first block of the floppy disk that was to be loaded into RAM, were typically created so that software crackers could boast of their accomplishment prior to the loading of the game. What began as a type of electronic graffiti on cracked software became an art form unto itself. The demoscene both produced and inspired many techniques used by video games and 3D rendering applications today - for instance, light bloom, among others.