The 9K32 Strela-2 (Russian: Cтрела, "arrow"; NATO reporting name SA-7 Grail) is a man-portable, shoulder-fired, low-altitude surface-to-air missile system (MANPAD) with a high explosive warhead and passive infrared homing guidance. Broadly comparable in performance with the US Army FIM-43 Redeye, which was designed in 1959, it was the first generation of Soviet man-portable SAMs, entering service in 1968, with series production starting in 1970.
Described by one expert as being "the premier Russian export line", the Strela and its variants have seen widespread use in nearly every regional conflict since 1968.
The end of World War II saw a major shift in Soviet defense policy. The advent of long range, high altitude, nuclear-armed American bombers, capable of penetrating Soviet airspace at heights and speeds unreachable and unmatchable by anti-aircraft guns and most interceptors, appeared to render every conventional weapon obsolete at a stroke. Numerous long-range, high-altitude SAM systems, such as the SA-1 "Guild" and SA-2 "Guideline", were rapidly developed and fielded to counter this large vulnerability. Due to the apparent "obsolescence" of conventional arms, however, relatively little development took place to field mobile battlefield air defenses.
The Crotale EDIR (Ecartométrie Différentielle InfraRouge, "InfraRed Differential Ecartometry") is an all-weather short-range anti-air missile, which can be used to intercept low-flight anti-ship missiles and aircraft. It has been developed by Thomson CSF Matra and exists in two versions, a mobile land-based version and a ship-launched one.
Originally the Crotale R440 system was developed by Rockwell International and Thomson-Houston (and Mistral) in France for South Africa, where it got the name Cactus. However, the achievements of the system impressed the French Armed Forces, who purchased the system both for the air force and for the navy.
The firing system includes the main sensors of the ship, the firing system of the turret, and a central coordination system. The turret holds eight missiles ready for launch in watertight containers. The magazine behind the turret holds 18 missiles.
The French army first utilised a 4x4 wheeled vehicle, armed with four launchers. In order to ensure higher mobility, it was decided to mount the system on the chassis of the French AMX-30 main battle tank. At the same time, the number of launchers were increased to six. In Finnish Army service, the Crotale NG system has been mounted on Sisu Pasi vehicles. Here the number of launchers is eight.
Introduction, The Introduction, Intro, or The Intro may refer to:
Intro is an American R&B trio from Brooklyn, New York City, New York. The trio consisted of members Jeff Sanders, Clinton "Buddy" Wike and lead singer/songwriter Kenny Greene. Intro released two albums (for Atlantic Records): 1993's Intro and their second album, 1995's New Life. The group had a string of US hits in the 1990s. The hits included the singles "Let Me Be The One", the Stevie Wonder cover "Ribbon in the Sky", "Funny How Time Flies" and their highest charting hit, "Come Inside".
Intro's Kenny Greene died from complications of AIDS in 2001. Intro recently emerged as a quintet consisting of Clinton "Buddy" Wike, Jeff Sanders, Ramon Adams and Eric Pruitt. Adams departed in 2014, with the group back down to its lineup as a trio. They are currently recording a new album to be released in 2015. The group released a new single in 2013 called "I Didn't Sleep With Her" and a new single "Lucky" in October 2014.
In music, the introduction is a passage or section which opens a movement or a separate piece, preceding the theme or lyrics. In popular music this is often abbreviated as intro. The introduction establishes melodic, harmonic, and/or rhythmic material related to the main body of a piece.
Introductions may consist of an ostinato that is used in the following music, an important chord or progression that establishes the tonality and groove for the following music, or they may be important but disguised or out-of-context motivic or thematic material. As such the introduction may be the first statement of primary or other important material, may be related to but different from the primary or other important material, or may bear little relation to any other material.
A common introduction to a rubato ballad is a dominant seventh chord with fermata, Play an introduction that works for many songs is the last four or eight measures of the song,
Play while a common introduction to the twelve-bar blues is a single chorus.
Play
The time has come for you to sit this out
To fit inside your mold
Would be to sell myself short
This ground we tread upon
(We turn the pages left to right)
Is now filling up to our necks
(We see everything)
This ground we tread upon
(We turn the pages left to right)
Is filling up to our necks
(We see everything)
Oh, my story's growing and growing, it is
(On my last request)
Don't make me feel so contradicting
There's no room for cheating and being yourself
Failure leaves such a bitter taste in their mouth
And on the last hour
We write so many new chapters again
And on the outside
Where there are no surprises
This ground we tread upon
(We turn the pages left to right)
Now filling up to our necks
(We see everything)
Oh, it's getting longer and longer, come on
To see it through their eyes
Would bring me so much closer
You can do this night after night after night
Failure leaves such a bitter taste in my mouth
Taste and see, I swear I know what's good
Be still and know that they won't lie to you
Every single time you're facing lies
This ground we tread upon
(We turn the pages left to right)
Is now filling up to our necks
Come on, this ground we tread upon
(We turn the pages left to right)
Is now filling up to our necks
(We see everything)
We see, we see, we see everything
We see, we see, we see everything
I know why you never take your eyes off from me
I've used my lungs for everything but breathing
I know why you never take your eyes off from me
I've used my lungs for everything but breathing
I find myself dried up in this conversation
So pull me out, pull me aside
I find myself dried up in this conversation
So pull me out, pull me aside
This ground we tread upon
(We turn the pages left to right)
This ground we tread upon
(We see everything)
This ground we tread upon
(We turn the pages left to right)
This ground we tread upon