Forte

Forte or Forté may refer to:

Music

Computing

Companies

Fictional characters

Dynamics (music)

In music, dynamics are instructions in musical notation to the performer about hearing the loudness of a note or phrase. More generally, dynamics may also include other aspects of the execution of a given piece.

Relative loudness

The two basic dynamic indications in music are:

More subtle degrees of loudness or softness are indicated by:

Beyond f and p, there are also

And so on.

Some pieces contain dynamic designations with more than three f's or p's. In Holst's The Planets, ffff occurs twice in Mars and once in Uranus often punctuated by organ and fff occurs several times throughout the work. It also appears in Heitor Villa-Lobos' Bachianas Brasileiras No. 4 (Prelude), and in Liszt's Fantasy and Fugue on the chorale "Ad nos, ad salutarem undam". The Norman Dello Joio Suite for Piano ends with a crescendo to a ffff, and Tchaikovsky indicated a bassoon solo pppppp in his Pathétique Symphony and ffff in passages of his 1812 Overture and the 2nd movement of his Fifth Symphony.

Forte (fencing)

In fencing, forte (from the Romance root meaning "strong") is "the strong part" of the blade – the one third closest to the hilt. The "strength" refers to the control established over the opponent's weapon upon contact of one's forte with the opponent's foible (a situation of favourable leverage). See also parry and malparry.

Capo Ferro defines the forte as the blade from the hilt to the middle. From the middle to the top is known as the debole (Chapter 3 verse 37).

Debole

The debole is the part of the sword, especially a rapier, that is used for offensive actions.

Italian fencing master Capo Ferro defined the forte as the blade from the hilt to the middle. From the middle to the top is known as the debole. For the debole only, the edges are labeled true and false, the former being the lower edge when the sword is held horizontally. The flats of the sword are not named.

By contrast, fencing master Salvator Fabris divides the debole into two sections, the third and fourth part (the first and second are divisions of the forte). The third part, midway to 3/4 of the way to the tip, is ineffective but not entirely useless for defense. The fourth part, containing the tip, can only be used for offense. For cuts, Fabris recommends that a portion of both the third and fourth part be used.

Introduction

Introduction, The Introduction, Intro, or The Intro may refer to:

Intro (R&B group)

Intro is an American R&B trio from Brooklyn, New York City, New York. The trio consisted of members Jeff Sanders, Clinton "Buddy" Wike and lead singer/songwriter Kenny Greene. Intro released two albums (for Atlantic Records): 1993's Intro and their second album, 1995's New Life. The group had a string of US hits in the 1990s. The hits included the singles "Let Me Be The One", the Stevie Wonder cover "Ribbon in the Sky", "Funny How Time Flies" and their highest charting hit, "Come Inside".

Intro's Kenny Greene died from complications of AIDS in 2001. Intro recently emerged as a quintet consisting of Clinton "Buddy" Wike, Jeff Sanders, Ramon Adams and Eric Pruitt. Adams departed in 2014, with the group back down to its lineup as a trio. They are currently recording a new album to be released in 2015. The group released a new single in 2013 called "I Didn't Sleep With Her" and a new single "Lucky" in October 2014.

Discography

Albums

Singles

References

Introduction (music)

In music, the introduction is a passage or section which opens a movement or a separate piece, preceding the theme or lyrics. In popular music this is often abbreviated as intro. The introduction establishes melodic, harmonic, and/or rhythmic material related to the main body of a piece.

Introductions may consist of an ostinato that is used in the following music, an important chord or progression that establishes the tonality and groove for the following music, or they may be important but disguised or out-of-context motivic or thematic material. As such the introduction may be the first statement of primary or other important material, may be related to but different from the primary or other important material, or may bear little relation to any other material.

A common introduction to a rubato ballad is a dominant seventh chord with fermata, Play  an introduction that works for many songs is the last four or eight measures of the song, Play  while a common introduction to the twelve-bar blues is a single chorus. Play