Fire!!

Fire!! was an African-American literary magazine published in New York City in 1926 during the Harlem Renaissance. The publication was started by Wallace Thurman, Zora Neale Hurston, Aaron Douglas, John P. Davis, Richard Bruce Nugent, Gwendolyn Bennett, Lewis Grandison Alexander, Countee Cullen, and Langston Hughes. After it published one issue, its quarters burned down, and the magazine ended.

History

Fire!! was conceived to express the African-American experience during the Harlem Renaissance in a modern and realistic fashion, using literature as a vehicle of enlightenment. The magazine's founders wanted to express the changing attitudes of younger African Americans. In Fire!! they explored edgy issues in the Black community, such as homosexuality, bisexuality, interracial relationships, promiscuity, prostitution, and color prejudice.

Langston Hughes wrote that the name was intended to symbolize their goal "to burn up a lot of the old, dead conventional Negro-white ideas of the past ... into a realization of the existence of the younger Negro writers and artists, and provide us with an outlet for publication not available in the limited pages of the small Negro magazines then existing.". The magazine's headquarters burned to the ground shortly after it published its first issue. It ended operations.

Fire (disambiguation)

Fire is the rapid oxidation of a material in the chemical process of combustion.

Fire may also refer to:

Music

Groups

Albums

Songs

Fire (musical)

Fire is a 1985 Dora Award winning musical by Paul Ledoux and David Young. The musical is based loosely on the story of Jerry Lee Lewis and his cousin Jimmy Swaggart and the divergent paths their lives took.

The musical follows the lives of the character "Cale Blackwell", based on real-life story of Jerry Lee Lewis and his brother "Herchel Blackwell" which is based on Lewis' real-life cousin Jimmy Swaggart. Herchel follows in the footsteps of his father, the reverend Blackwell's, as a preacher. Herchel's father is proud of him but does not approve of his son's use of the radio and then television while pioneering televangelism. The Reverend JD Blackwell is almost immediately disappointed with Cale who quickly finds fame as a Boogie-Woogie star and wallows in an accompanying life of rebellion against society and his own upbringing. Both brothers fall in love with their mutual childhood sweetheart "Molly King".

Ultimately neither brother can claim to have led a moral life, and both had succumbed to their own flaws.

Intro (R&B group)

Intro is an American R&B trio from Brooklyn, New York City, New York. The trio consisted of members Jeff Sanders, Clinton "Buddy" Wike and lead singer/songwriter Kenny Greene. Intro released two albums (for Atlantic Records): 1993's Intro and their second album, 1995's New Life. The group had a string of US hits in the 1990s. The hits included the singles "Let Me Be The One", the Stevie Wonder cover "Ribbon in the Sky", "Funny How Time Flies" and their highest charting hit, "Come Inside".

Intro's Kenny Greene died from complications of AIDS in 2001. Intro recently emerged as a quintet consisting of Clinton "Buddy" Wike, Jeff Sanders, Ramon Adams and Eric Pruitt. Adams departed in 2014, with the group back down to its lineup as a trio. They are currently recording a new album to be released in 2015. The group released a new single in 2013 called "I Didn't Sleep With Her" and a new single "Lucky" in October 2014.

Discography

Albums

Singles

References

The Chronic

The Chronic is the debut studio album by American hip hop recording artist Dr. Dre. It was released on December 15, 1992, by his own record label Death Row Records and distributed by Priority Records. Recording sessions for the album took place in June 1992 at Death Row Studios in Los Angeles and at Bernie Grundman Mastering in Hollywood. The album is named after a slang term for high-grade cannabis, and its cover is a homage to Zig-Zag rolling papers. It was Dr. Dre's first solo album after he had departed from hip hop group N.W.A and its label Ruthless Records over a financial dispute. On The Chronic, he included both subtle and direct insults at Ruthless and its owner, former N.W.A member Eazy-E. Although a solo album, it features many appearances by Snoop Dogg, who used the album as a launch pad for his own solo career.

Upon its release, The Chronic received generally positive reviews from music critics and earned considerable commercial success. The album peaked at number three on the Billboard 200 and had been certified triple platinum by the Recording Industry Association of America with sales of 5.7 million copies in the United States, which led to Dr. Dre becoming one of the top ten best-selling American performing artists of 1993. Dr. Dre's production has been noted for popularizing the G-funk subgenre within gangsta rap. The Chronic has been widely regarded as one of the most important and influential albums of the 1990s and regarded by many fans and peers to be one of the most well-produced hip hop albums of all time.

Intro (Bravo Band album)

Intro (in Macedonian: Интро) is the debut album by the Macedonian male group Bravo Band. The album was released in October 2008 and it contains nine songs which are different by style.

Production history

The first single released from the album was "Lesno Ti E Tebe" ("It's easy for you") in 2006. With that song the band first promoted their self as a music group on the Macedonian festival Ohrid Fest. The song is work of Jovan Jovanov and Elvir Mekic which made their second single too called "Ne Bih Te Menjao" ("I wouldn't change you"). "Ne Bih Te Menjao" is a Serbian language song and it was the band's entry for Suncane Skale 2007. With this song they finished third in the first night with 63 points. The video for the song "Neka Patam" made by Dejan Milicevic was selected for best Macedonian video of 2008. In October all since then present songs they released on an album. The album is called Intro mainly for two reasons. The first one is the word intro which comes from the English word "introduction". It is just a metaphor for what they present in it, an introduction of their emotions which are in one way or another expressed in every song.