Introduction, The Introduction, Intro, or The Intro may refer to:
Intro is an American R&B trio from Brooklyn, New York City, New York. The trio consisted of members Jeff Sanders, Clinton "Buddy" Wike and lead singer/songwriter Kenny Greene. Intro released two albums (for Atlantic Records): 1993's Intro and their second album, 1995's New Life. The group had a string of US hits in the 1990s. The hits included the singles "Let Me Be The One", the Stevie Wonder cover "Ribbon in the Sky", "Funny How Time Flies" and their highest charting hit, "Come Inside".
Intro's Kenny Greene died from complications of AIDS in 2001. Intro recently emerged as a quintet consisting of Clinton "Buddy" Wike, Jeff Sanders, Ramon Adams and Eric Pruitt. Adams departed in 2014, with the group back down to its lineup as a trio. They are currently recording a new album to be released in 2015. The group released a new single in 2013 called "I Didn't Sleep With Her" and a new single "Lucky" in October 2014.
In music, the introduction is a passage or section which opens a movement or a separate piece, preceding the theme or lyrics. In popular music this is often abbreviated as intro. The introduction establishes melodic, harmonic, and/or rhythmic material related to the main body of a piece.
Introductions may consist of an ostinato that is used in the following music, an important chord or progression that establishes the tonality and groove for the following music, or they may be important but disguised or out-of-context motivic or thematic material. As such the introduction may be the first statement of primary or other important material, may be related to but different from the primary or other important material, or may bear little relation to any other material.
A common introduction to a rubato ballad is a dominant seventh chord with fermata, Play an introduction that works for many songs is the last four or eight measures of the song,
Play while a common introduction to the twelve-bar blues is a single chorus.
Play
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Ensi (born Jari Ivan Vella on 13 December 1985) is an Italian rapper proficient in freestyle. He won the first edition of the program MTV Spit in 2012.
In Old Norse, ǫ́ss (or áss, ás, plural æsir; feminine ásynja, plural ásynjur) is the term denoting a member of the principal pantheon in the indigenous Germanic religion known as Norse religion. This pantheon includes Odin, Frigg, Thor, Baldr and Týr. The second pantheon comprises the Vanir. In Norse mythology, the two pantheons wage the Æsir-Vanir War, which results in a unified pantheon.
The cognate term in Old English is ōs (plural ēse) denoting a deity in Anglo-Saxon paganism. The Old High German is ans, plural ensî. The Gothic language had ans- (based only on Jordanes who glossed anses with uncertain meaning, possibly 'demi-god' and presumably a Latinized form of actual plural *anseis). The reconstructed Proto-Germanic form is *ansuz (plural *ansiwiz). The a-rune ᚫ was named after the æsir.
Unlike the Old English word god (and Old Norse goð), the term ōs (áss) was never adopted into Christian use.
Æsir is the plural of áss, óss "god" (gen. āsir) which is attested in other Germanic languages, e.g., Old English ōs (gen. pl. ēsa) and Gothic (as reported by Jordanes) anses "half-gods". These all stem from Proto-Germanic *ansis ~ ansuz, which itself comes from Proto-Indo-European *h₂énsus (gen. h₂n̥sóus) "life force" (cf. Avestan aŋhū "lord; lifetime", ahura "godhood", Sanskrit ásu "life force",ásura "god" (< *h₂n̥suró)). It is widely accepted that this word is further related to *h₂ens- "to engender" (cf. Hittite hass- "to procreate, give birth", Tocharian B ās- "to produce").
Children of God playing musical chairs
Out of confusion and into despair
Out of despair and into malaise
A dead end game everyone plays
Though all are aware
Children of heaven just can't understand
Step over the body of the suffering man
Out of discomfort and into distain
Believing in ruins, detatched and ashamed
Children of lies in an empty diguise
Never quite learned how to open their eyes
Looking at nothing they see even less
Only illusions can calm their distress
A crowded train frozen still in the night
Deafening silence considered polite
Not a word spoken for a desperate hour
Eyes turn away
No contact's made