Introduction, The Introduction, Intro, or The Intro may refer to:
Intro is an American R&B trio from Brooklyn, New York City, New York. The trio consisted of members Jeff Sanders, Clinton "Buddy" Wike and lead singer/songwriter Kenny Greene. Intro released two albums (for Atlantic Records): 1993's Intro and their second album, 1995's New Life. The group had a string of US hits in the 1990s. The hits included the singles "Let Me Be The One", the Stevie Wonder cover "Ribbon in the Sky", "Funny How Time Flies" and their highest charting hit, "Come Inside".
Intro's Kenny Greene died from complications of AIDS in 2001. Intro recently emerged as a quintet consisting of Clinton "Buddy" Wike, Jeff Sanders, Ramon Adams and Eric Pruitt. Adams departed in 2014, with the group back down to its lineup as a trio. They are currently recording a new album to be released in 2015. The group released a new single in 2013 called "I Didn't Sleep With Her" and a new single "Lucky" in October 2014.
In music, the introduction is a passage or section which opens a movement or a separate piece, preceding the theme or lyrics. In popular music this is often abbreviated as intro. The introduction establishes melodic, harmonic, and/or rhythmic material related to the main body of a piece.
Introductions may consist of an ostinato that is used in the following music, an important chord or progression that establishes the tonality and groove for the following music, or they may be important but disguised or out-of-context motivic or thematic material. As such the introduction may be the first statement of primary or other important material, may be related to but different from the primary or other important material, or may bear little relation to any other material.
A common introduction to a rubato ballad is a dominant seventh chord with fermata, Play an introduction that works for many songs is the last four or eight measures of the song,
Play while a common introduction to the twelve-bar blues is a single chorus.
Play
Deus (Latin pronunciation: [ˈdeːʊs]) is Latin for "god" or "deity". Latin deus and dīvus "divine", are descended from Proto-Indo-European *deiwos, "celestial" or "shining", from the same root as *Dyēus, the reconstructed chief god of the Proto-Indo-European pantheon. Compare Greek Zeus (Ζεύς dzeus; Aeolic Greek Δεύς deus) and Sanskrit देव deva. Latin dies ("day") is considered to have derived from the same PIE root that originated deus. This is to say that a celestial shining body, the Sun, gives material form to the words for "day" in the Romance Languages.
In Classical Latin, deus (feminine dea) was a general nounreferring to a deity, while in technical usage a divus or diva was a figure who had become divine, such as a divinized emperor. In Late Latin, Deus came to be used mostly for the Christian God. It was inherited by the Romance languages in French Dieu, Spanish Dios, Portuguese and Galician Deus, Italian Dio, etc, and by the Celtic languages in Welsh Duw and Irish Dia.
Deus is a Latin and Portuguese word for "God".
It may also refer to:
Dei is the genitive singular of deus, and occurs in:
Deus (styled as dEUS) is a rock band based in Antwerp, Belgium, whose only continuous members up to the present day are Tom Barman (vocals, guitars) and Klaas Janzoons (keyboards, violin). The rest of the band's line-up currently consists of drummer Stéphane Misseghers, bassist Alan Gevaert and guitarist/backing vocalist Mauro Pawlowski.
Formed in 1991, Deus began their career as a covers band, but soon began writing their own material. Their musical influences range from folk and punk to jazz and progressive rock. They first came to attention in Humo's Rock Rally of 1992, and after the release of the four-track EP "Zea", they were offered a recording contract with Island Records. They became the first Belgian indie act ever to sign to a major international label.
Deus' debut album Worst Case Scenario drew influences from Frank Zappa, Tom Waits and Captain Beefheart and was released on September 16, 1994 to critical acclaim. Shortly after followed the release of a highly experimental mail-order-only album entitled My Sister = My Clock, consisting of thirteen songs contained on one physical track. Their next effort In a Bar, Under the Sea followed two years later. The Ideal Crash (1999) saw the manic eccentricity channeled into a slightly more accessible package. Altogether, the band's first three albums (discounting My Sister = My Clock) sold over 750,000 copies worldwide and gathered them a cult following.
I push so hard, they hardly push back
Instinct has led me to a man trap
Divorce my conscience to be undone
Throw down my ladder so you can get up
It's automatic
I just can't help it
I push so hard, you push me back
I push so hard
Part dopey dog and one part steam train
On the back foot I see that look again
I push so hard, they hardly push back
You say, alright
It's automatic
I just can't help it
I tell you what to do
I'll do the work for you
I'll tell you what to do
It's automatic
I just can't help it
It's automatic, yeah, yeah, yeah