The defense readiness condition (DEFCON) is an alert state used by the United States Armed Forces.
The DEFCON system was developed by the Joint Chiefs of Staff (JCS) and unified and specified combatant commands. It prescribes five graduated levels of readiness (or states of alert) for the U.S. military. It increases in severity from DEFCON 5 (least severe) to DEFCON 1 (most severe) to match varying military situations.
DEFCONs are a subsystem of a series of Alert Conditions, or LERTCONs, which also include Emergency Conditions (EMERGCONs).
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The DEFCON level is controlled primarily by the U.S. President and the U.S. Secretary of Defense through the Chairman of the Joint Chiefs of Staff and the Combatant Commanders, and each DEFCON level defines specific security, activation and response scenarios for the troops in question.
Different branches of the U.S. Armed Forces (i.e. U.S. Army, U.S. Navy, Air Force) and different bases or command groups can be activated at different defense conditions. In general, there is no single DEFCON status for the world or country and it may be set to only include specific geographical areas. According to Air & Space/Smithsonian, as of 2014, the worldwide DEFCON level has never risen higher than DEFCON 3. The DEFCON 2 levels in the Cuban Missile Crisis and 1991 Gulf War were not worldwide.
Defcon, also known as Örli Wörks (Early Works), is the first release by the German industrial music project wumpscut:.
Defcon appeared in two different editions, with two completely different tracklists. Most of the songs that originally appeared on this release were released later on the :wumpscut: compilations, The Mesner Tracks, Preferential Legacy, Blutkind, and Preferential Tribe. Both editions of this tape are extremely limited to 50 copies.
Defcon (Örli Wörks)
Side One
Side Two
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Man or Astro-man? is a surf rock group that formed in Auburn, Alabama, in the early 1990s and came to prominence over the following decade.
Primarily instrumental, Man or Astro-man? blended the surf rock style of the early 1960s like that of Dick Dale and The Spotnicks with the new wave and punk rock sounds of the late 1970s and early 1980s. Man or Astro-man? was known for their anachronistic dedication to science fiction themes, audio samples, obscure electronic devices (such as theremins and tesla coils), and high-energy live performances. Their earlier albums like Is It ... Man or Astroman? and Destroy All Astromen! were known for their traditional surf rock instrumentation and sci-fi sound bite song introductions, but their later albums like EEVIAC... and A Spectrum of Infinite Scale were known for their use of synthesizers, printers (like the Apple ImageWriter II), and their more abstract, experimental sound. Their recordings were often peppered with sound bites from obscure science fiction films and TV shows.
Introduction, The Introduction, Intro, or The Intro may refer to:
Intro is an American R&B trio from Brooklyn, New York City, New York. The trio consisted of members Jeff Sanders, Clinton "Buddy" Wike and lead singer/songwriter Kenny Greene. Intro released two albums (for Atlantic Records): 1993's Intro and their second album, 1995's New Life. The group had a string of US hits in the 1990s. The hits included the singles "Let Me Be The One", the Stevie Wonder cover "Ribbon in the Sky", "Funny How Time Flies" and their highest charting hit, "Come Inside".
Intro's Kenny Greene died from complications of AIDS in 2001. Intro recently emerged as a quintet consisting of Clinton "Buddy" Wike, Jeff Sanders, Ramon Adams and Eric Pruitt. Adams departed in 2014, with the group back down to its lineup as a trio. They are currently recording a new album to be released in 2015. The group released a new single in 2013 called "I Didn't Sleep With Her" and a new single "Lucky" in October 2014.
In music, the introduction is a passage or section which opens a movement or a separate piece, preceding the theme or lyrics. In popular music this is often abbreviated as intro. The introduction establishes melodic, harmonic, and/or rhythmic material related to the main body of a piece.
Introductions may consist of an ostinato that is used in the following music, an important chord or progression that establishes the tonality and groove for the following music, or they may be important but disguised or out-of-context motivic or thematic material. As such the introduction may be the first statement of primary or other important material, may be related to but different from the primary or other important material, or may bear little relation to any other material.
A common introduction to a rubato ballad is a dominant seventh chord with fermata, Play an introduction that works for many songs is the last four or eight measures of the song,
Play while a common introduction to the twelve-bar blues is a single chorus.
Play
Standing by yourself
High on the hills above the ocean
This is where you'd come
To walk with your friends
Strange how it leaves you
With no emotion
You can't fight the undertow
Not when you're all alone
You can't fight the undertow
How long til you let go
Take it one step back
Trying to pull yourself together
No matter what you say
Nothing you do
Can hold by the forces of youth forever
You can't fight the undertow
Not when you're all alone
You can't fight the undertow
How long til you let go
You can't fight the undertow
Not when you're all alone
You can't fight the undertow
How long til you let go
How long til you let go