Introduction

Introduction, The Introduction, Intro, or The Intro may refer to:

Intro (R&B group)

Intro is an American R&B trio from Brooklyn, New York City, New York. The trio consisted of members Jeff Sanders, Clinton "Buddy" Wike and lead singer/songwriter Kenny Greene. Intro released two albums (for Atlantic Records): 1993's Intro and their second album, 1995's New Life. The group had a string of US hits in the 1990s. The hits included the singles "Let Me Be The One", the Stevie Wonder cover "Ribbon in the Sky", "Funny How Time Flies" and their highest charting hit, "Come Inside".

Intro's Kenny Greene died from complications of AIDS in 2001. Intro recently emerged as a quintet consisting of Clinton "Buddy" Wike, Jeff Sanders, Ramon Adams and Eric Pruitt. Adams departed in 2014, with the group back down to its lineup as a trio. They are currently recording a new album to be released in 2015. The group released a new single in 2013 called "I Didn't Sleep With Her" and a new single "Lucky" in October 2014.

Discography

Albums

Singles

References

Introduction (music)

In music, the introduction is a passage or section which opens a movement or a separate piece, preceding the theme or lyrics. In popular music this is often abbreviated as intro. The introduction establishes melodic, harmonic, and/or rhythmic material related to the main body of a piece.

Introductions may consist of an ostinato that is used in the following music, an important chord or progression that establishes the tonality and groove for the following music, or they may be important but disguised or out-of-context motivic or thematic material. As such the introduction may be the first statement of primary or other important material, may be related to but different from the primary or other important material, or may bear little relation to any other material.

A common introduction to a rubato ballad is a dominant seventh chord with fermata, Play  an introduction that works for many songs is the last four or eight measures of the song, Play  while a common introduction to the twelve-bar blues is a single chorus. Play 

War zone

War zone or warzone may refer to:

Film and television

Games

Music

Songs

Rising (Yoko Ono album)

Rising is a 1996 album by avant-garde artist Yoko Ono. Released on 18 January, on Capitol Records, it features the backing band IMA (Japanese for "Now"), which included Ono's son Sean Lennon, Timo Ellis, and Sam Koppelman. The album has sold 11,000 copies in the US to date.

Track listing

All songs written by Yoko Ono.

Rising Mixes (released 3 June 1996)

Keiji Haino, Masonna, Monde Bruits, Incapacitants, C.C.C.C., Hanatarash, MSBR, and The Gerogerigegege are also credited as performers in the "Rising" (Thurston Moore) remix.

Warzone (band)

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Warzone was a New York hardcore punk band formed on the Lower East Side of Manhattan in 1983. The band helped develop the New York hardcore sound, the hardcore skinhead style and the youth crew subgenre. During the band's 14 years and many line-up changes, their primarily hardcore sound was flavored by influences ranging from Oi! (they toured several times with The Business and played a cover of their song The Real Enemy), to traditional punk rock, and a heavy metal phase (on their self-titled LP, Warzone). Their fan base was diverse, with their concerts usually attended by skinheads, straight edge teens, metalheads and punks of all ages.

Frontman Raymond "Raybeez" Barbieri was the band's only consistent member through the vast majority of its years. He joined the band in 1983 as the drummer (the same year he played drums on the debut Agnostic Front 7" EP "United Blood") later taking over vocal duties, after Warzone had already been in existence for two years (noting later, "In a band that [had] been running for so long, there has to be something there"). Raybeez remained the singer of Warzone until his death on September 11, 1997 due to pneumonia. A U.S. Navy veteran, he was receiving treatment in a Veterans Health Administration facility when the illness damaged his liver and took his life at the age of 35. For more than a year following his death, every release on the Victory Records label was dedicated to his memory, as well as two independent compilations. These albums — as well as benefit concerts following his death — raised funds for several non-profit groups Ray had worked for which helped at-risk youth.