Intimacy | |
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File:Intimacy.jpg | |
Directed by | Patrice Chéreau |
Produced by | Patrick Cassavetti Jacques Hinstin Charles Gassot |
Screenplay by | Anne-Louise Trividic Patrice Chéreau |
Based on | Intimacy by Hanif Kureishi |
Starring | Mark Rylance Kerry Fox Alastair Galbraith Susannah Harker Timothy Spall |
Music by | Eric Neveux |
Cinematography | Francois Gedigier |
Editing by | Karen Lindsay-Stewart |
Distributed by | Empire Pictures Inc. |
Release date(s) | 23 November 2001 |
Running time | 119 min. |
Country | United Kingdom |
Language | English |
Intimacy is a 2001 film directed by Patrice Chéreau, starring Mark Rylance and Kerry Fox.
Intimacy is an international co-production among production companies in France, the U.K., Germany, and Spain featuring a soundtrack of pop songs from the 1970s and 1980s. It was written by Chéreau with Anne-Louise Trividic, based on stories by Hanif Kureishi (who also wrote a novel of the same title). This mainstream considered film contains unsimulated sex scenes. A French-dubbed version features voice actors Jean-Hugues Anglade and Nathalie Richard.
The film has been associated with the New French Extremity.[1]
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Jay (Rylance) is a bartender who abandoned his family, because his wife lost interest in him and their relationship.
Now living alone in a decrepit house, he has casual weekly sex with an anonymous woman (Fox), whose name he doesn't know. At first, their relationship is purely physical, but he eventually falls in love with her.
Wanting to know more about her, Jay follows her across the streets of London to the grey suburbs where she lives. He then follows her to a theatre pub where she is working as an actress in the evenings. Jay learns that her name is Claire, and has a husband (Timothy Spall) and a son. Subsequently, he terminates the relationship, as he thinks of his own sons, whom he loves and misses. They meet for a final time, and have sex with an intimacy that has been missing during the illicit sex sessions of their previous encounters.
Intimacy was placed at 91 on Slant Magazine's best films of the 2000s.[3]
Intimacy won the Golden Bear for Best Film and the Silver Bear for Best Actress (Kerry Fox) at the Berlin Film Festival in 2001.
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Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: