International mostly means something (a company, language, or organization) involving more than a single country. The term international as a word means involvement of, interaction between or encompassing more than one nation, or generally beyond national boundaries. For example, international law, which is applied by more than one country and usually everywhere on Earth, and international language which is a language spoken by residents of more than one country.
The term international was coined by the utilitarian philosopher Jeremy Bentham in his Introduction to Principles of Morals and Legislation, which was printed for publication in 1780 and published in 1789. Bentham wrote: "The word international, it must be acknowledged, is a new one; though, it is hoped, sufficiently analogous and intelligible. It is calculated to express, in a more significant way, the branch of law which goes commonly under the name of the law of nations. The word was adopted in French in 1801.Thomas Erskine Holland noted in his article on Bentham in the 11th edition of the Encyclopedia Britannica that "Many of Bentham's phrases, such as 'international,' 'utilitarian,' 'codification,' are valuable additions to our language; but the majority of them, especially those of Greek derivation, have taken no root in it."
International is an adjective (also used as a noun) meaning "between nations".
International may also refer to:
"International" is a song by English record production duo Chase & Status. It samples elements of "The Stopper" by Cutty Ranks, who is credited as a featured artist on the video but not the song itself. The song was released as part of the duo's third studio album, Brand New Machine, on 7 October 2013. Due to the popularity of the Skrillex remix (which features on the deluxe edition of the album), the song entered the UK Singles Chart at number 116 upon the album release. It was later released in the form of a video and Dimension remix on 6 August 2014. The single, backed with the Dimension remix, was released on vinyl through RAM Records on 13 September 2014.
Marine Heavy Helicopter Squadron 772 (HMH-772) is a United States Marine Corps helicopter squadron consisting of CH-53E Super Stallion transport helicopters. The squadron, known as "Hustler" or "the Hustlers", is based at McGuire AFB, New Jersey and falls under the command of Marine Aircraft Group 49 (MAG-49) and the 4th Marine Aircraft Wing (4th MAW).
Provide the active component a combat ready force to augment and reinforce regular forces in Major Regional Contingency (MRC) and to provide relief to these forces during times of high tempo operations. Training must be such that this integration is seamless. Additionally, HMH-772 will reach out to the community in which it serves to tell the Marine Corps story, establish a civilian support base, and when so tasked, to provide assistance to the community during emergencies or disaster relief.
Helicopter Transport Squadron 772 (HMR-772) was activated on April 15, 1958 at the Marine Air Reserve Training Command, Willow Grove, Pennsylvania as part of the United States Marine Corps Reserve. The squadron was redesignated April 1, 1962 as Marine Medium Helicopter Squadron 772 (HMM-772) and reassigned in February 1965 to Marine Aircraft Group 43 under the 4th Marine Aircraft Wing.
"Hustler" is a single from Simian Mobile Disco's debut album Attack Decay Sustain Release. It features Char Johnson on lead vocals. It was featured in DJ Hero 2 as part of the "Electro Hits" DLC pack, mixed with "Pump Up The Jam" by Technotronic.
The video for "Hustler” depicts numerous girls sitting in a circle playing chinese whispers before devolving into kissing each other in succession.
%5B%5BWikipedia%3ARedirects+for+discussion%5D%5D+debate+closed+as+delete
SOUP stands for software of unknown (or uncertain) pedigree (or provenance), and is a term often used in the context of safety-critical and safety-involved systems such as medical software. SOUP is software that has not been developed with a known software development process or methodology, or which has unknown or no safety-related properties.
Often, engineering projects are faced with economic or other pressure to embody SOUP into their high integrity systems.
The problem with SOUP is that it cannot be relied upon to perform safety-related functions, and it may prevent other software, hardware or firmware from performing their safety-related functions. The SOUP problem is therefore one of insulating the safety-involved parts of a system from the SOUP and its undesirable effects.
SOUP is now a defined term ("Software Of Unknown Provenance") in some medical device regulations through the standard IEC 62304:2006 "medical device software – software life cycle processes". It is not prohibited to use SOUP but additional controls are needed and the risk needs to be taken into account. Specific practices to take when using SOUP as part of a medical device may include review of the vendor's software development process, use of static program analysis by the vendor, design artifacts, and safety guidance.
[Verse 1]
Now I go from overseas, back to the block
Freeway, mother fucker, from the the, the Roc
Any day you wanna see my get shot of your strip
Everybody wanna be me, get paid off the block flip
Scripts move and paid off the rappin
I'm makin some things happen
You make an attempt to see me then its
Clip boom, I'm makin some things matchin, I'm froze
Stuffy nose, we bounce wit machinery, ahh
Choo, Free sneeze on you faggots
Here the clip drop, reload the semi-automatic
Get popped, then we seize keys like traffic
Box whip, locksmith, move keys through traffic
I'm like Boston, George and Blow
Philadelphia Freeway keep yay from blocks of soap
And y'all local, we international
Grip rounds everytime I hit towns
[Chorus - Freeway]
And I hope y'all hear me in London and France
I tote wax down there when I ain't luggin the cannon
and in Mecca I'm bowin, in Hawaii I'm landin
on an island, smokin and thinkin
I hug blocks in the United States
I cop cribs in Africa, y'all can't relate
I kick box in Bancok, shark in Japan
Play my part, switch vans everytime I hitman
[Verse 2]
And I, pull dimes everytime I hit man
Since I'ma little ludicrous international post dude
And I, post up where you can't get man
Make hits with Jigga man, gotta respect dude
Much respect due, disrespect? you tek food
Feed you to the bullets in front of your STEPS
Pull it in front of your PETS
Brains in their bowl, you pet food
Meanwhile I'm tryin to make MJ moves
Which one? either I fool
Jordan or Jackson, but until I get the fortune I'm snappin
Snatchin, I'll show you how the meat eyes do
Give up weight, when you show em what them heat-ers do
Nigga wait, don't be that rude
You can take weight from anybody if he think that he that dude
Roc-A-Fella nigga, we that crew
Shake niggas, And1 mixtape niggas, we got moves
[Chorus]
[Verse 3]
And the flows SICK damn, man
It's A Man's World nigga, sit down you girl niggas
That's why I bring pounds around you girl niggas
'Case I gotta cock it back and clap on mother fucka, what
Don't need a pound to sound you girl niggas
But the pound's loud sound'll drown you motha fucka's ears
Yeah, it's Freeway young scarpper
Say my name wrong, I'll lodge a bullet in your nappy hair
Yeah, it's the flow of the decade
Studio, backwoods, 'dro and the Pepsi
Do it the best way
I was thirteen, cockin the tek back, look how the tek spray
Now I dribble down, V-A mother fucka
For schizlle you'll see Free my nizzle
Oh, yeah, don't forget the Way mother fucka
Any stupid mother fucka in my way gettin crippled
[Chorus x2]