A tang or shank is the back portion of the blade component of a tool where it extends into stock material or connects to a handle - as on a knife, sword, spear, arrowhead, chisel, file, coulter, pike, scythe, screwdriver, etc. One can classify various tang designs by their appearance, by the manner in which they attach to a handle, and by their length in relation to the handle.
A full tang extends the full length of the grip-portion of a handle, versus a partial tang which does not. A full tang may or may not extend the full width of the handle.
There are a wide variety of full and partial tang designs. In perhaps the most common design in full tang knives, the handle is cut in the shape of the tang and handle "slabs" are then fastened to the tang by means of pins, screws, bolts, metal tubing, epoxy, etc. The tang is left exposed along the belly, butt, and spine of the handle, extending both the full length and width of the handle.
Partial tang designs include stub, half, and three-quarter tangs, describing how far the tang extends into the handle of the tool. The most common partial tang design found in commercial knives is on folding knives, where the tang extends only as far as the pivot-point in the handle. Scalpels, utility razor blades, and a number of other knives are commonly designed with short partial tangs that are easy to fasten and unfasten from the handle so that dull or contaminated blades may be quickly exchanged for fresh ones, or so that one style of blade may be exchanged for another style while maintaining the same handle. Hollow-handled knives also incorporate a partial tang. Many inexpensive knives and swords designed for decorative purposes incorporate partial tangs and are not intended to be used for cutting applications.
The Tang dynasty (Chinese: 唐朝; pinyin: Táng Cháo; Wade–Giles: T'ang Ch'ao), officially the Great Tang (Chinese: 大唐; pinyin: Dà Táng; Wade–Giles: Ta T'ang), also called the Empire of the Great Tang, was an imperial dynasty of China preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdoms period. It was founded by the Lǐ family (李), who seized power during the decline and collapse of the Sui Empire. The dynasty was briefly interrupted when Empress Wu Zetian seized the throne, proclaiming the Second Zhou dynasty (690–705) and becoming the only Chinese empress regnant.
The Tang dynasty, with its capital at Chang'an (present-day Xi'an), which at the time was the most populous city in the world, is generally regarded as a high point in Chinese civilization, and a golden age of cosmopolitan culture. Its territory, acquired through the military campaigns of its early rulers, rivaled that of the Han dynasty. In two censuses of the 7th and 8th centuries, the Tang records estimated the population by number of registered households at about 50 million people. Yet, even when the central government was breaking down and unable to compile an accurate census of the population in the 9th century, it is estimated that the population had grown by then to about 80 million people. With its large population base, the dynasty was able to raise professional and conscripted armies of hundreds of thousands of troops to contend with nomadic powers in dominating Inner Asia and the lucrative trade routes along the Silk Road. Various kingdoms and states paid tribute to the Tang court, while the Tang also conquered or subdued several regions which it indirectly controlled through a protectorate system. Besides political hegemony, the Tang also exerted a powerful cultural influence over neighboring states such as those in Korea, Japan, and Vietnam.
Culture 2000 was a 7-year European Union (EU) programme, which had among its key objectives to preserve and enhance Europe's cultural heritage. Its duration was between 2000 and 2006, and it had a budget of €236.5 million.
Culture 2000 provided grants to cultural cooperation projects in all artistic and cultural fields (performing arts, plastic and visual arts, literature, heritage, cultural history, etc.).
The objective of Culture 2000 was to promote a common cultural area characterised by its cultural diversity and shared cultural heritage. Its stated aims were to encourage creativity and mobility of artists, public access to culture, the dissemination of art and culture, inter-cultural dialogue and knowledge of the history and cultural heritage of the peoples of Europe.
The program contributed to the financing of European Community co-operations in all artistic fields: performing arts, visual arts, literature, music, history and cultural heritage, etc. Equipped with €240 million over the period 2000-2006, this program aimed to develop the cultural diversity of the European Union, the creativity and the exchange between European cultural actors, whilst making culture more accessible to a larger public. Financial support was granted to projects which were selected on the basis of an annual Call for Proposals.
Lin Que (born Lin Que Ayoung 7 September 1969) is a female hip-hop artist. She graduated from Cathedral High School in Manhattan in 1987. She was a member of the hip-hop collective known as the Blackwatch Movement (which included X Clan) as Isis. She released her debut album Rebel Soul while affiliated with that group in 1990.
Lin Que left X-Clan to work with MC Lyte. No longer Isis, she rhymed as Lin Que and released a couple of singles for SME Records and Elektra Records. She eventually went into A&R work and graphic design, and she appeared briefly in Spike Lee's He Got Game and Ted Demme's Who's the Man?
She collaborated with various artists such as Will Downing, Mary J. Blige, Queen Latifah, MC Lyte, Smif-N-Wessun, The Beatnuts, Monifah, Ce Ce Peniston, and more.
She had a brief stint as a member of the Wu-Tang Clan-affiliated group Deadly Venoms. After leaving the group for business reasons shortly after its debut album was recorded and never released, she remained writing and creating music with producers Sugar Al Cayne, Azteknique, and Ayatollah. She has written for MC Lyte and has been producing music as well.
Isis (stylized as ISIS) was a Los Angeles-based post-metal band, founded in Boston, Massachusetts, with a career spanning from 1997 to 2010. They borrowed from and helped to evolve a sound pioneered by the likes of Neurosis and Godflesh, creating heavy music consisting of lengthy songs that focus on repetition and evolution of structure.
The band's last album, Wavering Radiant, was released on 5 May 2009. They disbanded in June 2010, just before the release of a split EP with the Melvins.
"Isis" is a ballad written by Bob Dylan in collaboration with Jacques Levy, in July 1975. The song is the second track on the Bob Dylan album Desire.
This song is in a moderately fast 3/4 time, in the key of B-flat major. The arrangement is based on rhythm chords played on acoustic piano, accompanied by bass guitar, drums, and violin. The harmonic progression consists of an ostinato using the following chords throughout:
Ⅰ–ⅤⅠⅠ♭–Ⅳ–Ⅰ
B♭–A♭–E♭–B♭
The lyrics are all verses; there is no chorus. The melody is in the style of a modal folk song, emphasizing the tonic and dominant notes in the scale, with leaps of a fifth in between them. The mode is Mixolydian with a major third in the harmony, but Dylan's delivery of the melody and Rivera's violin accompaniment use a flatted third as in the blues.
Interlude may refer to:
[Chorus: U-God]
You ain't heard us in a minute, you heard us in a minute, man
(Wu-Tang!)
I keep banging on you niggas, finger on my trigger, man
(Wu-Tang!)
[U-God:]
I love bankrolls, stank hoes, camera shots, Kangols, bangles
Pink records, check it, yeah, I make those
More paper than Kinko's, check my lingo, bingo
On my face, honey, not a wrinkle, trinkle
My twinkle twinkle, make your toenails crinkle
Twist up a dinkle, and honey, let's mingle, jingle
When the nightfall, I'm tight with my white walls
The greedy pain, draining on my life force
Behold the pale white horse, the hype loss with tight jaws
Fight law off, cause I don't like ya'll
Huh, I'm from the tar pits, the hard target to squash the market
You're brain washed, watch the starships
I make cars flip, Deck bomb atomic, Islamic arms
Kiss the comet, this time, he's gone
I grip the don, rip arms out the socket, cock it
Fly logic, now watch me sky rocket, watch it
Hot as the tropic get, bulletproof asaphogus
Steel cage confidence, burn it on a floppy disc
Swerve the metropolis, my whole team in back of me
You just a half of ki, I'm a coke factory
[Chorus x2]
[Method Man:]
Yo, thank god it's Friday, like it's just me and my chick
Cruising the highway, she twisting my piff
You see I'm living proof that crime pay, the type that go at a bitch
The type to shoot the gift, and blow every clip
I know this money like the back of my hand, you get the back of my hand
Just like a fiend who took a package and ran
Po-po be hopping out of passenger vans, harrassing niggas in Park Hill
For marked bills, ratchets and grams
So I move like I'm ducking a charge, I'm trying to set up shop
Get this gwop, get the fuck out of dodge
Most my niggas like to puff in the car, most these hoes emotionally scared
And keep the works stuffed in they bras
This is ghetto rap, where the pot be calling the kettle black
My bullets trynna see where they head is at, I'm heading back
To the slums, back to the block, I got the Clan on my back
And you know we heading back to the top, nigga