Blind Faith (1998 film)

Blind Faith is a 1998 film starring Charles S. Dutton, Courtney B. Vance, and Lonette McKee.

Plot

In 1957 Bronx, Charlie Williams (Garland Whitt), the 18-year-old son of a Black NYPD policeman Charles Williams Sr. (Charles S. Dutton) is arrested for the murder of an Irish youth in Van Cortland Park. Charles' younger brother John (Courtney B. Vance), a respected lawyer defends Charlie and soon discovers there is more to the case than what appears on the surface.

Cast

Blind Faith (Legend Seven album)

Blind Faith is the second album of Christian rock band, Legend Seven. It was released in 1993 under the Word Records label. The band charted several hits on Christian radio from this album ("Be Still", #1 for 2 weeks, 1994; "First Love", #10, 1994; "Call on Me", #15, 1994).

Track listing

All songs written by Andy Denton and Michael Jacobs, except where noted.

Musicians

Additional musicians

Blind (Korn song)

"Blind" is a song recorded and performed by American nu metal band Korn for their self-titled debut album. It was released as the album's first single in August 1994.

Concept

As explained by Dennis Shinn, based on the original creation of the song, while in Sexart, before it was re-recorded by Korn;

Jonathan Davis's personal meaning, how he connected with the song would be as said:

Music and structure

"Blind" had been written in Sexart before Jonathan Davis left the band to join Korn. The song was composed entirely by Dennis Shinn - being both music, and vocal melodies / lyrics, in December 1992. Once Shinn had the song ready, he introduced the song to the other guys at band practice. From that point, Ryan Shuck added in one music section (acting as a bridge). Shuck's bridge contribution followed the extremely popular song opening riff composed by Dennis Shinn. Shuck's bridge divided the popular intro riff from the vocal section of the song. His bridge came back around after the vocal section ended as well. Shuck's contribution landed on both Sex Art's recorded demo of "Blind", as well as Korn's recorded demo of "Blind". However, once the 1994 Korn LP was being recorded, the music part written by Shuck was removed. On the Sex Art recorded demo, following Shucks bridge, the song then dropped into an extensive musical (Bridge) that built up before the closing out of the song. The entire section (bridge) was musically composed by Ray Solis. This area of music by Solis was not recorded on the Korn demo, nor album.

Unexploded ordnance

Unexploded ordnance (UXO, sometimes acronymized as UO), Unexploded bomb (UXB), or Explosive remnants of war (ERW) are explosive weapons (bombs, shells, grenades, land mines, naval mines, cluster munitions, etc.) that did not explode when they were employed and still pose a risk of detonation, potentially many decades after they were used or discarded.

Around the world

Unexploded ordnance from at least as far back as the American Civil War still poses a hazard worldwide, both in current and former combat areas and on military firing ranges. A major problem with unexploded ordnance is that over the years the detonator and main charge deteriorate, frequently making them more sensitive to disturbance, and therefore more dangerous to handle. There are countless examples of people tampering with unexploded ordnance that is many years old – often with fatal results. Believing it to be harmless they handle the device and it explodes, killing or severely injuring them. For this reason it is universally recommended that unexploded ordnance should not be touched or handled by unqualified persons. Instead, the location should be reported to the local police so that bomb disposal or Explosive Ordnance Disposal (EOD) professionals can render it safe.

Sheepshead (game)

Sheepshead or Sheephead is a trick-taking card game related to the Skat family of games. It is the Americanized version of a card game that originated in Central Europe in the late 18th century under the German name Schafkopf. Sheepshead is most commonly played by five players, but variants exist to allow for two to eight players. There are also many other variants to the game rules, and many slang terms used with the game.

Although Schafkopf literally means "sheepshead," it has nothing to do with sheep; the term probably was derived and translated incorrectly from Middle High German and referred to playing cards on a barrel head (from kopf, meaning head, and Schaff, meaning a barrel).

In the United States, sheepshead is most commonly played in Wisconsin as well as the German counties in Southern Indiana, which has large German-American populations, and on the internet. Numerous tournaments are held throughout Wisconsin during the year, with the largest tournament being the "Nationals", held annually in the Wisconsin Dells during a weekend in September, October or November, and mini-tournaments held hourly throughout Germanfest in Milwaukee during the last weekend of each July.

Remix (I Like The)

"Remix (I Like The)" is a song by American pop group New Kids on the Block from their sixth studio album, 10. The song was released as the album's lead single on January 28, 2013. "Remix (I Like The)" was written by Lars Halvor Jensen, Johannes Jørgensen, and Lemar, and it was produced by Deekay. The song features Donnie Wahlberg and Joey McIntyre on lead vocals.

"Remix (I Like The)" did not enter the Billboard Hot 100 in the United States, becoming their first lead single to fail charting since "Be My Girl" (1986). Instead, the song peaked at number 38 on the Adult Pop Songs chart.

Critical reception

PopCrush gave the song 3.5 stars out of five. In her review Jessica Sager wrote, "The song sounds like an adult contemporary answer to The Wanted mixed with Bruno Mars‘ ‘Locked Out of Heaven.’ It has a danceable beat like many of the British bad boys’ tracks, but is stripped down and raw enough to pass for Mars’ latest radio smash as well." Carl Williott of Idolator commended the song's chorus, but criticized its "liberal use of Auto-Tune" and compared Donnie Wahlberg's vocals to Chad Kroeger.

Remix (book)

Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.

Summary

In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.

Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.