In the fantasy role-playing game Dungeons & Dragons, an Outer Plane is one of a number of general types of planes of existence. They can also be referred to as godly planes, spiritual planes or divine planes. The Outer Planes are home to beings such as deities and otherworldly creatures such as demons, celestials and devils. Each Outer Plane is usually the physical manifestation of a particular moral and ethical alignment and the entities that dwell there often embody the traits related to that alignment.
The intangible and esoteric Outer Planes—the realms of ideals, philosophies, and gods—stand in contrast to the Inner Planes, which compose the material building blocks of reality and the realms of energy and matter.
All Outer Planes are spatially infinite but are composed of features and locations of finite scope. Many of these planes are often split into a collection of further infinites called layers, which are essentially sub-planes that represent one particular facet or theme of the plane. For example, Baator's geography is reminiscent of Hell as depicted in Dante's The Divine Comedy. In addition, each layer may also contain a number of realms. Each realm is the home to an individual deity, or occasionally a collection of deities.
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The standard Dungeons & Dragons (D&D) cosmology contains seventeen Outer Planes. Cosmologically, they are arranged in a ring of sixteen planes with the Good-aligned planes, or Upper Planes at the top, and the Evil-aligned planes, or Lower Planes at the bottom. The Lawful planes (or Planes of Law) sit to the left, and the Chaotic planes (or Planes of Chaos) to the right. Between all of these sit the Neutral planes, or the Planes of Conflict. One further plane sits in the centre of the ring, the Outlands, being neutral in alignment. At the center of the Outlands is a Spire of infinite height; the city of Sigil floats above the Spire's pinnacle. The standard D&D cosmology is the official cosmology used in the Planescape and Greyhawk campaign settings. Many of the alternative names derive from the 1st-edition Manual of the Planes (1987, ISBN 0-88038-399-2), and the in-game explanation given in the Planescape setting is that these names are used by the "Clueless", or characters from the Prime Material unfamiliar with the planes.
Outer Planes | ||||
Celestia | Bytopia | Elysium | Beastlands | Arborea |
Arcadia | ↑Good↑ | Ysgard | ||
Mechanus | ←Lawful | Outlands | Chaotic→ | Limbo |
Acheron | ↓Evil↓ | Pandemonium | ||
Baator | Gehenna | Hades | Carceri | Abyss |
Name | Alternative Name(s) | Alignment | Description | Notable native inhabitants |
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Elysium | Blessed Fields | Neutral good | The plane of peace and unadulterated goodness. |
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The Beastlands | Happy Hunting Grounds | Neutral good / Chaotic good | The plane of idealized nature. |
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Arborea | Arvandor, Olympus, Olympian Glades | Chaotic good | Fey realm of passion, abundance and nature's caprice. |
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Ysgard | Asgard, Gladsheim, Heroic Domains | Chaotic neutral / Chaotic good | The eternal battleground where true heroes prove their valor. |
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Limbo | Plane of Ever-Changing Chaos | Chaotic neutral | An alien, anarchistic and unpredictable plane. | |
Pandemonium | Plane of Windswept Depths | Chaotic evil / Chaotic neutral | An infinite network of pitch-black catacombs, with winds that drive men mad. |
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The Abyss | Plane of Infinite Layers | Chaotic evil | Evil lands of shocking perversity and unpredictable horror. |
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Carceri | Tarterus, Tartarus | Neutral evil / Chaotic evil | Liars, cheats and traitors are imprisoned here by their own deceptions. | |
The Gray Waste | Hades | Neutral evil | Here, all emotion and compassion is drained away, until only hopelessness, selfishness and apathy remain as baatezu and tanar'ri meet and clash in a colorless expanse. |
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Gehenna | Plane of Bleak Eternity | Neutral evil / Lawful evil | Volcanic realm of evil schemes and merciless cliffs. |
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Baator | Hell; The Nine Hells | Lawful evil | A realm of oppression, torment, and diabolical plots | |
Acheron | The Infernal Battlefield | Lawful neutral / Lawful evil | A plane of constant, pointless war, where identity is forever lost. | |
Mechanus | Nirvana | Lawful neutral | This clockwork plane is the ultimate in order; scholars and constructs live here. |
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Arcadia | The Land of Perfect Order, Plane of Peaceable Kingdoms | Lawful neutral / Lawful good | A peaceful place where all live in harmony; consequently, it is quite dull. |
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Mount Celestia | The Seven Heavens | Lawful good | Countless paladins and saints have ascended here. | |
Bytopia | Twin Paradises | Neutral good / Lawful good | Gnomes and other industrious folk dwell here. |
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The Outlands | Plane of Concordant Opposition | True Neutral | The plane between all other outer planes. |
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Within the D&D setting, theories of organization of the Outer Planes vary according to culture. Nordic lands see the plane of Ysgard as dominant over all others, in accordance with the importance they ascribe the powers there. Some Oriental lands see the planes not as separate regions, but as a single mass throughout which are scattered different agencies of the Celestial Bureaucracy, with the Celestial Emperor residing on one plane, and his Minister of State on another.
The Forgotten Realms cosmology was originally the same as that of a standard Dungeons & Dragons campaign. The cosmology for the 3rd edition of D&D was altered substantially so that it contained twenty-six Outer Planes, arranged in a tree-like structure around the central 'trunk' of the material plane of Toril. Unlike the Outer Planes of the standard D&D cosmology which were heavily alignment-based, the Outer Planes of the Forgotten Realms cosmology were faith-based. The planes of the Forgotten Realms were retooled in the 4th edition to match the new default cosmology, with many of the planes or realms being relocated to the Astral Sea, and a handful now located in the Elemental Chaos.
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This is a description of the Eberron Cosmology prior to the Eberron fourth edition rules. For 4th edition cosmology information, please see World of Eberron.
The Eberron cosmology, used in the original Eberron campaign setting, contained thirteen Outer Planes in 3rd edition, and gained at least two for 4th edition under the new cosmology. They exhibit traits similar to those of the standard D&D cosmology but also some (Irian, Mabar, Fernia, and Risia) appear more like Inner Planes. The cosmology was unique in that the Outer Planes orbited around Eberron through the Astral plane, now they are floating like other planes in the Astral sea. As they orbited, their overlap with the material plane changed and access to those planes became easier or restricted.
Name | Alignment | Enhanced magic | Impeded magic | Coterminous / Remote / Orbit |
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Daanvi, the Perfect Order | Law (strong) | Lawful | Chaotic | 100 years / 100 years / 400 years |
Dal Quor, the Region of Dreams | None | Illusion | None | never / always / off orbit |
Dolurrh, the Realm of the Dead | None | None | All | 1 year / 1 year / 100 years |
Fernia, the Sea of Fire | Evil | Fire | Cold | 1 month / 1 month / 5 years |
Irian, the Eternal Day | None | Positive energy | Negative energy | 10 days / 10 days / 3 years |
Kythri, the Churning Chaos | Chaos (strong) | Chaotic | Lawful | erratic / erratic / erratic |
Lamannia, the Twilight Forest | None | Druidic | None | 7 days / 7 days / 1 year |
Mabar, the Endless Night | None | Negative energy | Positive energy | 3 days / 5 days / 5 years |
Risia, the Plane of Ice | Evil | Cold | Fire | 1 month / 1 month / 5 years |
Shavarath, the Battleground | Varies | Weapon-related | Pacifying, charms | 1 year / unknown / 36 years |
Syrania, the Azure Sky | Good (strong) | Good | Evil | 1 day / 1 day / 10 years |
Thelanis, the Faerie Court | None | Arcane | None | 7 years / 14 years / 225 years |
Xoriat, the Realm of Madness | Evil | None | None | unknown / unknown / millennia |
Thelanis, the Feywild[1] | ||||
Dolurrh, the Shadowfell[1] |
See also Chapter 5 of the Eberron Campaign Setting[2]
Like most other D&D campaign settings, in 3rd edition D&D Eberron has a number of planes. Besides the Prime Material Plane, the Ethereal Plane, the Plane of Shadow, and the Astral Plane, the Eberron Campaign Setting has thirteen relatively unique planes. Gates or portals to any of the planes are very rare. These thirteen planes metaphysically orbit around Eberron, and depending on their current location are considered in one of four states.[3]
In the 4th Edition, most of the Outer Planes have been replaced by Astral Domains in the Astral Sea. Known Astral Domains include Celestia and the Nine Hells. The Abyss is an exception; it is now located in the Elemental Chaos.
The Abyss is a 1989 American science fiction film written and directed by James Cameron, starring Ed Harris, Mary Elizabeth Mastrantonio, and Michael Biehn. When an American submarine sinks in the Caribbean, the US search and recovery team works with an oil platform crew, racing against Russian vessels to recover the boat. Deep in the ocean, they encounter something unexpected.
This movie released on August 8, 1989 and received positive reviews, but underperformed at box office.
In 1988, the US submarine USS Montana has an encounter with an unidentified submerged object and sinks near the Cayman Trough. With Soviet ships moving in to try to salvage the sub and a hurricane moving over the area, the US government opts to send a SEAL team to Deep Core, a privately owned experimental underwater drilling platform near the Cayman Trough to use as a base of operations. The platform's designer, Dr. Lindsey Brigman, insists on coming along with the SEAL team, despite her estranged husband Virgil "Bud" Brigman being the current foreman.
Abyss may refer to:
Xenosaga (ゼノサーガ Zenosāga) is a series of science fiction video games developed by Monolith Soft and published by Bandai Namco. Xenosaga's main story is in the form of a trilogy of PlayStation 2 video games. There have been three spin-off games and an anime adaptation. The Xenosaga series serves as a spiritual successor to the game Xenogears, which was released in 1998 for the PlayStation by Square. The creator of both Xenogears and Xenosaga is Tetsuya Takahashi, who left Square in 1998 along with Hirohide Sugiura. Using funds from Namco, they started MonolithSoft and the Xenosaga project.
The first game in the trilogy, Episode I: Der Wille zur Macht was released in February 2002 in Japan, and in February 2003 in North America. Xenosaga Freaks, a lighthearted game with a playable demo for Episode II, was released in April 2004 in Japan, but was not released elsewhere. Episode II: Jenseits von Gut und Böse was released in June 2004 in Japan and February 2005 in North America. Xenosaga: The Animation, an anime based on Episode I, premiered on TV Asahi in Japan on January 5, 2005. Xenosaga Pied Piper, a three chapter-long cellphone-based game depicting the history of cyborg "Ziggurat 8" 100 years before the start of Episode I, was released in Japan in July 2004. Released on July 6, 2006, Episode III: Also sprach Zarathustra is the final title in the Xenosaga series; six episodes were originally projected, but by the time Episode III was released, Namco had already established that it would be the last entry, effectively halving the series. A retelling of the first two episodes titled Xenosaga I & II was released on the Nintendo DS in March 2006 in Japan.
Abyss is an action and adventure game for the Wii U and Nintendo DSi. It was developed and published by EnjoyUp Games.
RuneScape is a fantasy massively multiplayer online role-playing game (MMORPG) developed and published by Jagex, released originally in January 2001. RuneScape is a graphical browser game implemented on the client-side in Java, and incorporates 3D rendering. The game has had over 200 million accounts created and is recognised by the Guinness World Records as the world's largest free MMORPG and the most-updated game.
RuneScape takes place in the world of Gielinor, a medieval fantasy realm divided into different kingdoms, regions, and cities. Players can travel throughout Gielinor via a number of methods including on foot, magical spells, or charter ships. Each region offers different types of monsters, resources, and quests to challenge players. The game's fictional universe has also been explored through a tie-in video game on another of its maker's websites, FunOrb, Armies of Gielinor, and the novels Betrayal at Falador,Return to Canifis, and Legacy of Blood.
Players are represented in the game with customisable avatars. RuneScape does not follow a linear storyline; rather, players set their own goals and objectives. Players can choose to fight non-player character (NPC) monsters, complete quests, or increase their experience in the available skills. Players interact with each other through trading, chatting, or by participating in mini-games and activities, some of which are competitive or combative in nature, while others require cooperative or collaborative play.
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