Insomnia

Insomnia is a sleep disorder. People with insomnia have trouble sleeping: difficulty falling asleep, or staying asleep as long as desired. While the term is sometimes used to describe a disorder as diagnosed by polysomnographic or actigraphic evidence, this is often practically defined as a positive response to either of two questions: "do you experience difficulty sleeping?" or "do you have difficulty falling or staying asleep?"

Insomnia is most often thought of as both a medical sign and a symptom that can accompany several sleep, medical, and psychiatric disorders characterized by a persistent difficulty falling asleep and/or staying asleep or sleep of poor quality. Insomnia is typically followed by functional impairment while awake. Insomnia can occur at any age, but it is particularly common in the elderly. Insomnia can be short term (up to three weeks) or long term (above 3–4 weeks); it can lead to memory problems, depression, irritability and an increased risk of heart disease and automobile related accidents.

Deinonychus (band)

Deinonychus was a Dutch doom metal band formed in 1992 by Marco Kehren. There is a close relationship between Deinonychus and the German band Bethlehem: Kehren provided vocals on S.U.I.Z.I.D., Reflektionen auf's Sterben and Profane Fetmilch Lenzt Elf Krank, while Bethlehem bassist and lyricist Jürgen Bartsch joined Deinonychus in 2005. The first three albums and the early demos released as After the rain falls...an empty sky remains feature Kehren on all instruments and vocals; 1999's Deinonychus added Cradle of Filth drummer William Sarginson, and 2002's Mournument was recorded with a full band. The band announced that they disbanded in September 2008. Marco Kehren nowadays runs a martial industrial band by the name of Nihil Novi Sub Sole (Band). Warfare

HIDDEN ERROR: Usage of "Members" is not recognized

Discography

References

External links

Insomnia (soundtrack)

Insomnia is the soundtrack album for the 1997 Norwegian film Insomnia, which was composed by ambient artist Biosphere. The tone of the album is much darker in places than Geir Jenssen's earlier work, such as in the tracks "Field" and "Quay".

Track listing

References

David Bowie (1969 album)

David Bowie is the second studio album by English musician David Bowie, released under that title by Philips in the UK, and as Man of Words/Man of Music by Mercury in the US, in November 1969. It was rereleased in 1972 by RCA as Space Oddity (the title of the opening track, which had been released as a single in July 1969 and reached No. 5 in the UK Singles Chart). Space Oddity was the name used for CD releases of the album in 1984, 1990 and 1999, but it reverted to the original, eponymous title for 2009 and 2015 reissues.

Regarding its mix of folk, balladry and prog rock, NME editors Roy Carr and Charles Shaar Murray have said, "Some of it belonged in '67 and some of it in '72, but in 1969 it all seemed vastly incongruous. Basically, David Bowie can be viewed in retrospect as all that Bowie had been and a little of what he would become, all jumbled up and fighting for control..."

The album came about after Bowie had made the transition from a cabaret/avant-garde-inspired musician to a hippie/folk-based sound and as such the album is a major turning point from his 1967 debut.

1982, Janine

1982, Janine is a novel by the Scottish author Alasdair Gray. His second, it was published in 1984, and remains his most controversial work. Its use of pornography as a narrative device attracted much criticism, although others, including Gray himself, consider it his best work.

Plot summary

The novel is narrated by Jock McLeish, a supervisor of the installation of alarm systems. Divorced, alcoholic and approaching fifty, his problems coalesce in a long night of the soul in a hotel room in Greenock.

McLeish attempts to spend the night assembling an intricate pornographic fantasy. His cast of characters includes: Janine, based on a childhood memory of Jane Russell in The Outlaw; Superb (short for Superbitch); and Big Momma, an obese lesbian. All of these are submitted to sadomasochistic practices, parts of which are described at some length. However, McLeish constantly returns to reminiscences of his previous life and lovers. These prompt his attempted suicide. Chapter 11 of the novel is a typographical explosion, with the text splitting into several parallel voices on each page (including that of God). The crisis concludes with McLeish vomiting up the pills which he had hoped would kill him, and facing the truth of his actions as morning dawns.