Inori (Japanese: 祈り) is a Japanese word meaning "prayer", and is occasionally used as a girl's name in Japanese. It may refer to:
"Inori" (English: "Prayer") is a song by Japanese band Sakanaction. An instrumental electronic track incorporating non-lexical vocables, "Inori" was a collaboration with the Japanese electronic musician Aoki Takamasa. The song originally appeared as the first song on the band's sixth studio album Sakanaction, released on March 13, 2013. Three months later, "Inori" was packaged with another instrumental song from Sakanaction, "Structure", as the Inori EP, a vinyl record-exclusive release. The record debuted at number 36 on Oricon's weekly singles chart.
The band were contacted by the promotions team of Mode Gakuen to write a commercial song for their 2012 advertisements in October 2011, when the band had just begun performing their Sakanaquarium 2011 tour for Documentaly. This was the first time the band had been asked to write a piece of music specifically for a purpose (though songs on Documentaly had been used for commercial tie-ups, these had been organized after the songs had been completed). The band recorded the song after the tour finished, and planned to release it as a single at the beginning of 2012. However, while this was happening, the band were contacted to write a theme song for the Tsuyoshi Kusanagi drama 37-sai de Isha ni Natta Boku: Kenshui Junjō Monogatari, which disrupted their plans for the single. The theme song, "Boku to Hana", was released in May 2012, while the Mode Gakuen commercial "Yoru no Odoriko" was released in August 2012.
Harukanaru Toki no Naka de (遙かなる時空の中で, lit. "Within the Expanse of a Distant Time") is an otome adventure game developed by Ruby Party and published by Koei. It is a part of Ruby Party's Neoromance label.
Because of Harukanaru Toki no Naka de's success, the game has given rise to a franchise including several sequels, numerous drama and music CDs, a manga series, two OAVs, a movie, and an anime TV series, and a live-action theatrical.
On the first day of a new school term, high school student Akane Motomiya, her classmate Tenma Morimura, and their underclass friend Shimon Nagareyama are sucked into a mysterious old well. When they awake, they are in Kyō (京), another world that resembles Kyoto during the Heian Period. According to the young scion of the Star Clan (星の一族), Fujihime, Akane is the Ryūjin no Miko (龍神の神子, Priestess of the Dragon God) who has come to save Kyō from the ambitions of the Oni Clan (鬼の一族). In this task, Akane has the help of eight beautiful and single men known as the Hachiyō (八葉), and her friends Tenma and Shimon number among them. Initially, Akane is bewildered by her new circumstances, but she gradually comes to face up to her own destiny and understand the world of Kyō.
The Bangladeshi taka (Bengali: টাকা, sign: ৳ or Tk, code: BDT) is the official currency of the People's Republic of Bangladesh. Issuance of banknotes ৳5 and larger is controlled by Bangladesh Bank, and for the ৳1 and ৳2 banknotes, which are the responsibility of the Ministry of Finance of the government of Bangladesh. The most commonly used symbol for the taka is "৳" and "Tk", used on receipts while purchasing goods and services. ৳1 is subdivided into 100 poisha.
The word taka in Bangla is also commonly used generically to mean any money, currency, or notes. Thus, colloquially, a person speaking Bangla may use "taka" to refer to money regardless of what currency it is denominated in. This is common in the Indian state of West Bengal and Tripura, where the official name of the Indian rupees is "taka" as well.
The word taka is derived from the Sanskrit term tangka (ṭaṃka), which was an ancient denomination for silver coins. In the region of Bengal, the term has always been used to refer to currency. In the 14th century, Ibn Battuta noticed that people in the Bengal Sultanate referred to gold and silver coins as taka instead of dinar.
Taka refers to paper mache made using carved wooden sculpture used as a mold. The craft originated in the town of Paete, Laguna in the Philippines.
Taka was pioneered by Paete local, Maria Piday. During Christmas, Piday was in charge of the church's decorations. The wooden angels and cherub was heavy causing the carvings to fall. Piday devised the lightweight taka paper mache as an alternative to the wooden sculptures. Piday was also a maker of local toys such as the yoyo and the small acrobat hand puppet. Taka eventually became folk art and was sold to nearby towns for festivals. In the 1970s, Tere Afuang, a knowledgeable practitioner of the craft, popularized the craft.
A takaan, a carved wooden sculpture, is used as a mold in making taka. Brown craft paper is used as a final layer for taka made for export. This provides a thicker base and smoother finish for the craft. Taka is also painted. The traditional way of painting a taka is to use primary colors, add simple flower motifs and use repetitive lines and shapes. Gold finish, usually used in angel, reindeer and huge taka is accomplished by using gilded paper.
Taka is a traditional small boat, typical of the Black Sea shores of Turkey where they are primarily, but not exclusively, built and used. They can be used in fishing or for carrying small loads and a limited number of passengers. Although not very fast, they are well-balanced and resistant and are especially well-suited for the thick waves of the Black Sea. In Turkey, they are very often built by Laz people and are associated with Laz culture or with the wider Black Sea culture.
Their length may vary between 8 to 12 meters (26 to 39 ft) and they are usually conceived in a way as to ensure a load capacity of 5 to 10 tons in weight. Those employed in fishing are generally smaller.
Until recent years, they were primarily built in boatyards in (from east to west on Turkey's Black Sea shores) Sürmene, Amasra, Bartın, Kurucaşile and Şile, and within İstanbul, in Silivri, Ayvansaray and Rumelikavağı districts or quarters. Even when situated in the Western Black Sea coasts of Turkey, these boatyards are usually owned, managed and staffed by boatbuilders from the eastern ends of the Black Sea.