Labyrinth (artwork)

Labyrinth is a 2013 artwork by the British artist Mark Wallinger that marks the 150th anniversary of the London Underground. The artwork consists of 270 enamel plaques of unique unicursal labyrinth designs, one for every London tube station, each will be numbered according to its position in the route taken by the contestants in the 2009 Guinness World Record Tube Challenge. In October 2014, Art/Books published Labyrinth: A Journey Through London's Underground by Mark Wallinger, a comprehensive photographic book of all 270 labyrinth designs in situ in the Underground stations.

Bibliography

References

Labyrinth (Juno Reactor album)

Labyrinth is the sixth studio album released by the multi-genre electronica group Juno Reactor. It was released on October 26, 2004 (2004-10-26) in the United States and on September 29, 2004 (2004-09-29) in Japan.

Overview

The album contains several pieces that hold various forms of sound ranging from orchestral, industrial, and techno as well as containing Juno Reactor's trademark tribal sound (possibly as best featured in Conquistador II). The album also features two songs from Watkins' collaboration with The Matrix composer Don Davis on the films The Matrix Reloaded and The Matrix Revolutions, "Mona Lisa Overdrive" (from Reloaded) and "Navras" (from Revolutions). The version of Mona Lisa Overdrive is different from that featured on the film's soundtrack. It is shortened from its original time of 10:08 to 4:45 and there are easily noticeable differences in the sound of the bass and tone of the songs. Navras is a remix of Davis' song Neodämmerung that was heard on the end credits of The Matrix Revolutions. One known single of Zwara was released in Japan on November 26, 2003 as a promo.

The Labyrinth Festival

The Labyrinth Festival or The Labyrinth is an electronic music festival held annually in the mountains of Niigata prefecture Japan. Attendance is limited, and 95% of the festival tickets can only be purchased in Japan. Acts include both techno and experimental.Resident Advisor in 2010 called it "one of the most lauded festival experiences in the electronic music world."

In 2014 Pulse Radio called it "20 Must Do Festivals Before You Die," writing that "With an expertly crafted line-up of ambient interwoven with more industrial 4x4, Labyrinth has made a full turn-around stylistically from the trance-fuelled rave that they once were."

See also

Further reading

References

External links

ØØ Void

ØØ Void (pronounced in interviews as Double-O Void) is the debut studio album by Sunn O))). The album was recorded to 24 track 2" tape at Grandmaster studios in Hollywood, a large step forward in production values from the band's demo The Grimmrobe Demos.

The third track, "Rabbits' Revenge", is an interpretation of an early version of the song "Hung Bunny" by the Melvins from the album Lysol.

The album was originally released in 2000, by Hydra Head in the USA, and by Rise Above in Europe and the United Kingdom. In 2008, ØØ Void was reissued, and released in Japan only, through Japanese record label Daymare Recordings. The reissue was a two-disc set, with the first disc containing all of the original tracks from ØØ Void and the second disc containing a collaboration between Sunn O))) and experimental/industrial group Nurse with Wound. The album was re-released in the original single-disc format in 2011 by Southern Lord Recordings, with new album artwork by Stephen Kasner.

Track listing

Śūnyatā

Śūnyatā (Sanskrit, also shunyata; Pali: suññatā), translated into English as emptiness, voidness,openness,spaciousness, or vacuity, is a Buddhist concept which has multiple meanings depending on its doctrinal context. In Theravada Buddhism, suññatā often refers to the not-self (Pāli: anatta, Sanskrit: anātman) nature of the five aggregates of experience and the six sense spheres. Suññatā is also often used to refer to a meditative state or experience.

Sunyata is a key term in Mahayana Buddhism, and also influenced some schools of Hindu philosophy.

Etymology

"Śūnyatā" (Sanskrit) is usually translated as "emptiness," "hollow, hollowness," "voidness." It is the noun form of the adjective śūnya or śhūnya, plus -ta:

Development of the concept

Over time, many different philosophical schools or tenet-systems (Sanskrit: siddhānta) have developed within Buddhism in an effort to explain the exact philosophical meaning of emptiness.

Aether (classical element)

According to ancient and medieval science, aether (Greek: αἰθήρ aithēr), also spelled æther or ether, also called quintessence, is the material that fills the region of the universe above the terrestrial sphere. The concept of aether was used in several theories to explain several natural phenomena, such as the traveling of light and gravity. In the late 19th century, physicists postulated that aether permeated all throughout space, providing a medium through which light could travel in a vacuum, but evidence for the presence of such a medium was not found in the Michelson–Morley experiment.

Mythological origins

The word αἰθήρ (aithēr) in Homeric Greek means "pure, fresh air" or "clear sky". In Greek mythology, it was thought to be the pure essence that the gods breathed, filling the space where they lived, analogous to the air breathed by mortals. It is also personified as a deity, Aether, the son of Erebus and Nyx in traditional Greek mythology. Aether is related to αἴθω "to incinerate", and intransitive "to burn, to shine" (related is the name Aithiopes (Ethiopians; see Aethiopia), meaning "people with a burnt (black) visage"). See also Empyrean.