The Trap may refer to:
The Trap is an adventure/romance film released in 1966, written by David D. Osborn and directed by Sidney Hayers. Shot in the wilderness of the Canadian province of British Columbia, Oliver Reed and Rita Tushingham star in this unusual love story about a rough trapper and a mute orphan girl. The soundtrack was composed by Ron Goodwin and the main theme (Main Titles to The Trap) is familiar as the title music used by the BBC for London Marathon coverage.
The film had its World Premiere on 15 September 1966 at the Leicester Square Theatre in the West End of London.
Fur trapper Jean La Bête (Oliver Reed) paddles his canoe through wild water towards the settlement in order to sell a load of furs. At the settlement, a steamboat is landing and the trader and his foster-child Eve (Rita Tushingham) arrive at the seaport to fetch mail and consumer goods. The trader explains to Eve that the ship brings "Jailbirds ... from the east" and that "their husbands-to-be had bailed them out and paid their fines and their passages with a guarantee of marriage". Later, the captain is auctioning off one of those women because her husband-to-be has died in the meantime. Jean La Bête decides to take his chance to buy the wife, but he makes his bid too late.
Klopka (English: The Trap, Serbian: Клопка, Klopka) is a 2007 psychological thriller directed by Srdan Golubović, based on the novel of the same name, written by Nenad Teofilović.
The film is a neo-noir piece that explores the age old question of how far a parent is willing to go to help an ailing child. Simultaneously, it also deals with the issues and challenges faced by the people living in post-Milošević Serbian society.
The film opens with Mladen Pavlović (Nebojša Glogovac), sporting bumps and bruises on his face, nervously smoking a cigarette while talking to unrevealed individual(s). Among other things, he says that he is trying to "do this one thing right, after a series of wrongs that never should have happened".
The movie occasionally returns to the scene of Mladen talking to the unseen individual(s) and discussing different details following key plot points or displaying inner torment over the unfolding story.
Mladen is a young professional residing in Belgrade where he works as construction engineer in a decrepit state-owned company that's undergoing the process of privatization. He drives a beat-up Renault 4 and rents an apartment with his wife Marija (Nataša Ninković) who teaches English in a primary school. Together they're raising their only child—an 8-year-old boy named Nemanja (Marko Djurovic). Despite their limited means, they're still managing to make ends meet and provide for their son. They arrange and lead a fairly normal and happy family life—cheering Nemanja on at swim meets and taking him to the local playground where Mladen becomes acquainted with their blonde neighbour (Anica Dobra) who also brings her daughter to play there.
Rama (Rāma), the hero of Ramayana, is described in the Jain scriptures as one of sixty-three illustrious persons, known as Salakapurusa. Among these, there is nine sets of Balabhadra, Narayana and prati-Narayana. Rama was the 8th Balabhadra with Lakshmana and Ravana being his Narayana and Prati-narayana counterparts. He is described as a young prince who is deprived of his throne and turned into a pauper. While living in exile his wife Sita is kidnapped by Ravana. Rama then rescues Sita with the help of his brother Lakshmana and King Sugriva. Ravana is killed by Lakshmana (a deviation from the Hindu epic where Rama slays Ravana) and they both go into hell. Rama becomes a Jain monk and his soul attains moksha (liberation from the cycle of birth and death). Sita becomes a Jain nun and is born into heaven.
The story of Rama in Jainism can be broadly classified into three groups; Samghadasa's version, Vimalsuri's version and Gunabhadra's version. Some of the early works which deal with Rama are:
Rama is one of the indigenous languages of the Chibchan family spoken by the Rama people on the island of Rama Cay and south of lake Bluefields on the Caribbean coast of Nicaragua. Other indigenous languages of this region include: Miskito and Sumu (Craig 1992). Rama is one of the northernmost languages of the Chibchan family (Craig 1990:293).
The Rama language is severely endangered. Their language was described as "dying quickly for lack of use" as early as the 1860s (Pim & Seemann 1869:280). By 1980, the Rama were noted as having "all but lost their original ethnic language", and had become speakers of a form of English creole instead (Craig 1990:293). Language revival efforts began in 1980–1981 under the Sandinistas; though literacy campaigns were launched for neighbouring languages such as Miskito and Sumu, the same was not practical for Rama due to the small number of speakers. (Craig 1990:293). The fieldwork for the first dictionary of Rama was done during this time by Robin Schneider, a graduate student from the University of Berlin (Rigby & Schneider 1989). In 1992, only approximately 36 fluent speakers could be found among an ethnic population of 649 individuals in 1992 (Craig 1992). The number of speakers on Rama Cay island was only 4 in 1992, due to language shift to English that engendered Rama Cay Creole (Craig 1992).
Rama or Rame was an ancient town in Gallia Narbonensis, which the Itineraries fix on the road between Ebrodunum (modern Embrun) and Brigantium (modern Briançon). D'Anville says that there is a place called Rame on this road near the Durance, on the same side as Embrun and Briançon, and at a point where a torrent named Biesse joins the Durance. The editors of the Barrington Atlas of the Greek and Roman World place Rama near La Roche-de-Rame.
Whispered leaves on swaying trees and
Mysteries define
Summer nights of endless light
Remind us of the line that's
Yours & Mine
Thoughts of green and breezes mean
I'm growing from a stem
Missing dirt on my T-shirt
You'll move a little closer but the moving isn't over if it's
Them & You & Me
Stringing electricity
And the rest of it is waiting under
When it overflows
Taking us where no one knows
We remember when we fell into the trap
Midnight air is unprepared for
Thoughts we would condemn
Silence of the stars above
In any other weather
We would try to stay together but it's
Them & You & Me
Stringing electricity
And the rest of it is waiting under
When it overflows
Taking us where no one knows
We remember when we fell into the trap
Mother & Fathers without
Will doubt
Brother to brother another
Hold out
Imagine a world if the numbers would take some
Time out
Me without you & you without
I want to break out of this abstracting pattern of layers but it's