"Hush" is a song written by American composer and musician Joe South, for recording artist Billy Joe Royal, whose single peaked at number 52 on the Billboard Hot 100 on 28 October – 11 November 1967. The chorus begins "Hush, hush, I thought I heard her calling my name", which is a takeoff from the traditional gospel song lyrics "Hush, hush, somebody's calling my name". Kris Ife covered "Hush" in 1967. Australian performer Russell Morris recorded a version in 1967 with Somebody's Image, and a heavier version with his band The Rubes in 1980. The hook of the song "na-nana-na-nana-na-nana-na" has similarity with the bridge section of The Beatles song "A Day in the Life". The Deep Purple version has a slower section also matching the timing with The Beatles song.
The song was subsequently recorded by British hard rock band Deep Purple for their 1968 debut album Shades of Deep Purple. The track became the group's first hit single peaking at number 4 on the Hot 100 on 21–28 September 1968 and number 2 in Canada while going largely unnoticed in the United Kingdom. A live, US-televised version of "Hush" appeared as a bonus track on the 2000 CD-reissue of the Shades of Deep Purple album.
Une Année is the first full-length studio album by South Korean girl group Apink. It was released on May 9, 2012, and marked the final release for member Yookyung. The title track, "Hush", was used to promote the album.
Two of the songs from the album, "I Got You" and "Sky High", were a collaboration with Joker. The group also worked with Shinsadong Tiger, Super Changddai, and Kim Geonwoo.
The first single from the album, "April 19th", was released digitally on April 19, 2012.
The album's title track, "Hush", was released on May 9, 2012. The song's music video was released on May 8, and a dance practice music video was released on May 14. A Japanese version of "Hush" was later included as a B-side on Apink's Japanese single, "Mr. Chu". The promotions for "Hush" started in May 10, 2012, on Mnet's M! Countdown.
The third single, "Bubibu", was released digitally on July 6, 2012. The single was chosen through an online poll that the group ran through Mnet's website where they asked fans to choose the track for their follow-up promotions. The single version is a remix of the album version. The fourth single, "Cat", was released three days after the third single "Bubibu".
"Hush" is a song written by American singer Emily Osment and Canadian singer Josh Ramsay. They decided to collaborate when Osment went on a trip to Canada to film a movie, and met Ramsay. They immediately hit it off, and decided to write a song together. It officially premiered on Much Music on April 26, 2011. The song was sent to Canadian radio on May 10, 2011, and released to Canada's iTunes Store on the same day. Osment confirmed on her official Twitter that there will be a music video for the song to be released in September.
Boris may refer to:
Boris is the original EP recorded by Yezda Urfa to gather attention from record companies. Three of the pieces were reworked on Sacred Baboon (To-Ta in the Moya, Boris and his 3 Verses (including "Flow Guides Aren't My Bag"), and 3, Almost 4, 6 Yea). The album is now a rare find in the progressive rock circles
Length with bonus track: 52:35
Brad Christoff :percussion, all sorts
Phil Kimbrough: keyboards, synthesizers, mandolin, wind instruments
Mark Tippins: guitars, banjo, vocals
Marc Miller: bass
Rick Rodenbaugh: vocals
Boris is a song by The Melvins on their 1991 album, Bullhead. Due to its extremely slow speeds and repetitive guitars it is often regarded as a doom metal song. The song is a fan favorite and appears on the Melvins retrospective album/book Neither Here nor There and the live album Alive at the F*cker Club. The Japanese doom/drone metal band Boris named themselves after this song. The Boris song "Vomitself" from their album Amplifier Worship has a similar but slower riff at the start of the song.
The song was covered by Isis and Agoraphobic Nosebleed on the 2005 tribute album We Reach: The Music of the Melvins. This song is no relation to the song by Boy of the same title.