Grief is a multifaceted response to loss, particularly to the loss of someone or something that has died, to which a bond or affection was formed. Although conventionally focused on the emotional response to loss, it also has physical, cognitive, behavioral, social, and philosophical dimensions. While the terms are often used interchangeably, bereavement refers to the state of loss, and grief is the reaction to loss.
Grief is a natural response to loss. It is the emotional suffering one feels when something or someone the individual loves is taken away. Grief is also a reaction to any loss. The grief associated with death is familiar to most people, but individuals grieve in connection with a variety of losses throughout their lives, such as unemployment, ill health or the end of a relationship. Loss can be categorized as either physical or abstract, the physical loss being related to something that the individual can touch or measure, such as losing a spouse through death, while other types of loss are abstract, and relate to aspects of a person’s social interactions.
Grief is a multi-faceted response to loss.
Grief may also refer to:
Grief was a Boston-based sludge metal band.
Grief was founded in 1991 by Disrupt guitarist Terry Savastano and drummer Randy Odierno (who later switched to bass and later again left to join Bane of Existence). They broke up in 2001 mainly due to drummer problems - something that was an ongoing problem for the band from the start. They also cited what they called a "hostile environment for doom metal bands". They reunited briefly in July 2005 to play a cluster of reunion shows.
The band had several 7"s including one with Dystopia and Corrupted each. A compilation album called Turbulent Times appeared in 2002 through Southern Lord. The group reunited for one show at the first annual New England Grind And Doom Fest on July 17, 2005 at The Middle East Cafe in Cambridge, MA. They were so excited by the response to this show that they began booking others, and they toured intermittently throughout 2005 and 2006.
In 2005, the band played shows through in venues including The Ace of Clubs and The Knitting Factory in New York, The Khyber in Philadelphia, O'Brien's in Allston/Brighton, MA, The Living Room in Providence, RI, and Cherry St. Station in CT.
Mono may refer to:
Mono was a British electronic music duo which had a hit in the late 1990s with their song "Life in Mono". The group's music is often described as trip hop, based on its similarities to contemporary electronic music acts including Sneaker Pimps and Portishead. Audible, and frequently cited, influences in Mono's songs include jazzy instrumentation reminiscent of 1960s spy film soundtracks and production styles rooted in 1960s pop music.
The band, formed in late 1996 in London, consisted of singer Siobhan de Maré and Martin Virgo on keyboards, synthesizer programming, and production. Virgo, trained in classical piano at the Guildhall School of Music and Drama, had been working as a session musician since the early 1990s as part of the production team of Nellee Hooper, which led to credits on a remix of Massive Attack's "Unfinished Sympathy" (considered one of the landmark songs of trip hop's "Bristol sound") and Björk's 1993 album Debut. De Maré comes from a family with several generations of history in entertainment; her father was Tony Meehan, drummer for the Shadows, her grandfather was one of the Gongmen featured in the opening logo sequences in Rank Organisation films, and her grandmother was a dancer who worked with Shirley Bassey. She had been working as a session singer for hip hop and R&B musicians, as well as writing and touring, though much of this material consisted of underground and white label releases.
Mono was the first album from The Icarus Line. It was originally released May 8, 2001 in the U.S. by Crank! Records on CD, and Buddyhead on LP.
The album was recorded throughout two separate sessions in 2000. The first of these were conducted at the studio "Rotund Rascal" on Lankershim Blvd. in North Hollywood. This initial attempt at recording the entire album with Mark Trombino as engineer, ultimately resulted in only the completion of drums, bass, Alvin's guitars, and about half of Aaron's guitar tracks. In a bold move, the band fired Trombino, and resumed work over a month later with Alex Newport at Messenger's Studio in North Hollywood, also on Lankershim Blvd. Having recorded albums such as At The Drive-In's before at this same studio, Newport was comfortable in moving very quickly there with the band. The album, being recorded onto tape, as opposed to Pro Tools (as was customary for most bands of the time) resulted in the majority of the album being "first takes". The album was also mixed quickly by the band with Newport at Messenger's Studio. It was then mastered by Mark Chalecki in the Capitol Records building.
Now let me pass away
In a final blasphemy
To life and the pointless
From what I long to be...
Free...
Groan for life
As it should be
And in grief
I understand the wonder me...
In the name of hate
Give me strength to carry on
I kneel in front of me
Your gods will never be
Shivering I reclaim those days
Absolve from being deferred
Do What Thou Wilt...