In and out may refer to:
In & Out is a 1997 American romantic comedy film directed by Frank Oz and starring Kevin Kline, Tom Selleck, Joan Cusack, Matt Dillon, Debbie Reynolds, and Wilford Brimley. It is an original story by screenwriter Paul Rudnick. Joan Cusack was nominated for an Academy Award for Best Supporting Actress for her performance.
The film was inspired by Tom Hanks's tearful speech when he accepted his 1994 Oscar (for his role in Philadelphia), in which he mentioned his high-school drama coach Rawley Farnsworth, and his former classmate John Gilkerson, "two of the finest gay Americans, two wonderful men that I had the good fortune to be associated with." The film became one of mainstream Hollywood's few attempts at a comedic "gay movie" of its era, and was widely noted at the time for a 10-second kiss between Kevin Kline and Tom Selleck.
Howard Brackett (Kevin Kline) is a well-liked English literature teacher, living a quiet life in the fictional town of Greenleaf, Indiana, with his fiancée and fellow teacher Emily Montgomery (Joan Cusack), who recently lost 75 pounds. The town is filled with anticipation over the nomination of Cameron Drake (Matt Dillon), Howard's former student, in the Best Actor category at the Academy Awards for his portrayal of a gay soldier in To Serve and Protect. Cameron does indeed win the award and, in his acceptance speech, thanks Howard, adding, "…and he's gay."
"In and Out" is a song written and produced by Willie Hutch. It was released in 1982 by Motown Records. B-side is a song called "Brother's Gonna Work It Out" which was featured in the 1973 blaxploitation film The Mack. The single itself peaked at number 29 on the Billboard Dance chart, number 55 on the Black Singles chart and number 51 on the British pop chart.
The Creators is a non-fiction work of cultural history by Daniel Boorstin published in 1992 and is the second volume in what has become known as the Knowledge Trilogy. It was preceded by The Discoverers and succeeded by The Seekers.
The Creators, subtitled A History of Heroes of the Imagination, is the story of mankind's creativity. It highlights great works of art, music and literature but it is more than a recitation or list. It is a book of ideas and the people behind those ideas. It encompasses architecture, music, literature, painting, sculpture, the performing arts, theater, religious expression and philosophy. It can be viewed as a companion to The Discoverers which chronicled the history of invention, exploration and technology. The Creators traces the creative process from pre-history Egypt to modern times and like The Discoverers, follows both a topical and chronological structure. Boorstin writes in "A Personal Note to the Reader", "After The Discoverers... "I was more than ever convinced that the pursuit of knowledge is only one path to human fulfillment. This companion book, also a view from the literate West, is a saga of Heroes of the Imagination. While The Discoverers told of the conquest of illusions - the illusion of knowledge - this will be a story of vision (and illusions) newly created..." If The Discoverers is the story of the inventive human mind then The Creators is the story of the searching soul. The work is in twelve major parts that have been grouped into four books.
The Creators: South Africa Through the Eyes of Its Artists is a 2012 South African documentary film produced and directed by Laura Gamse which interweaves the lives of diverse South African artists including Faith47, Cashril+, Warongx, Emile Jansen of Black Noise, Markus Wormstorm and Spoek Mathambo of Sweat.X, Blaq Pearl, and Mthetho Mapoyi.
The story begins in the mind of Cashril Plus, a twelve-year-old animator and son of graffiti artist Faith47. Through Cashril's eyes, we see his mother paint the streets and forgotten townships haloing Cape Town. Weaving through the lives of Faith47, Warongx (afro-blues), Emile Jansen (hip hop), Sweat.X (glam rap), Blaq Pearl (spoken word) and Mthetho (opera), the film culminates in an intertwined story. Born into separate areas of a formerly-segregated South Africa, the artists recraft history—and the impacts of apartheid—in their own artistic languages. The lens reveals the impulse behind the artists’ social consciousness, the individuals’ eccentricities, and each creator’s unique form of expression. Diving into the current of subversive art which fuels South Africa’s many clashing and merging cultures, The Creators brings into focus the invisible connections among strangers' disparate lives—and the creative expression used to traverse the divide. The result is an intimate, refreshing, and deeply revealing portrait of those remolding the legacy of apartheid.
Fun, even funner
I'm the gunner sub-machine gun
it don't seem right, that they don't get my theme right
they don't know me,
so we move forward
more words & phrases
my style amazes
come into the scene with the means to rip shit
my brain's power packed with the proper equipment
so step
I come inta the area to bury ya
I compose the flows
makin' people merrier
never the less, I sever the flesh
with a razor
reserve the major beef
I'ma slay ya, hey
you never came across a person like me
I never instigate
first come strike me
then I'll flip
and rip clothing, and I'm loathing
MCs who front like I don't know things
uh uh
check again
I get wreck again
on the down low
because you sound slow
retarded MCs get neglected
& check it
anytime I hafta show a foe
I'ma flex it
then I exit
with my records & my next shit
prepared, so be scared
I strike unexpected
I write rhymes in sections
testin' my slang
I bang MCs with these
& make 'em hang
dangle, what's ya angle?
When I strangle and choke
I hold Bennedicts by their throat
until they sing notes like a canary
fairy, or genies
we slipped out
they never seen me bust his face
I like bass when it hums
and that sums up my properties for the dum-dums
someone need to check him
deck him
slam him
and put him in the bushes
so 'shush' kids
no one needs to know
I'll proceed & go into
and then tell ya what I've been through.
[CHORUS:]
"In one ear, right out the other,
Go tell ya sister, go tell ya mother,
In one ear, right out the other,
Go tell ya father, go tell ya brother,
In one ear, right out the other."
I would feel comfortable
if your front would go elsewhere
or disappear
hear my specific style that's speaking
creeking, making noises in the nightime
when I write rhymes
I look out my window
it's a bright day
and I might display my skills in the hills
or, in a different neighborhood
cause my flavor could
be the best, so lets test this
yes, bitch
I saw you posted at the pool table
I could never talk to you
but now a fool's able
with the best of luck
and, hey, how do you impress a duck?
By pullin' out a wad of bucks
shucks
I need to stop this
I plop this, played this
I murder MCs
& leave their pens inkless
do you think this is a twist
a turn, I insist
to burn those foes who haven't learned
to keep they mouths closed
Guiness Stout flows
through your intestines, when life is depressin'
I built my foundation using patients
some didn't hear us
some had to state it...