In and out may refer to:
In & Out is a 1997 American romantic comedy film directed by Frank Oz and starring Kevin Kline, Tom Selleck, Joan Cusack, Matt Dillon, Debbie Reynolds, and Wilford Brimley. It is an original story by screenwriter Paul Rudnick. Joan Cusack was nominated for an Academy Award for Best Supporting Actress for her performance.
The film was inspired by Tom Hanks's tearful speech when he accepted his 1994 Oscar (for his role in Philadelphia), in which he mentioned his high-school drama coach Rawley Farnsworth, and his former classmate John Gilkerson, "two of the finest gay Americans, two wonderful men that I had the good fortune to be associated with." The film became one of mainstream Hollywood's few attempts at a comedic "gay movie" of its era, and was widely noted at the time for a 10-second kiss between Kevin Kline and Tom Selleck.
Howard Brackett (Kevin Kline) is a well-liked English literature teacher, living a quiet life in the fictional town of Greenleaf, Indiana, with his fiancée and fellow teacher Emily Montgomery (Joan Cusack), who recently lost 75 pounds. The town is filled with anticipation over the nomination of Cameron Drake (Matt Dillon), Howard's former student, in the Best Actor category at the Academy Awards for his portrayal of a gay soldier in To Serve and Protect. Cameron does indeed win the award and, in his acceptance speech, thanks Howard, adding, "…and he's gay."
Generic top-level domains (gTLDs) are one of the categories of top-level domains (TLDs) maintained by the Internet Assigned Numbers Authority (IANA) for use in the Domain Name System of the Internet. A top-level domain is the last label of every fully qualified domain name. They are called generic for historic reasons; initially, they were contrasted with country-specific TLDs in RFC 920.
The core group of generic top-level domains consists of the com, info, net, and org domains. In addition, the domains biz, name, and pro are also considered generic; however, these are designated as restricted, because registrations within them require proof of eligibility within the guidelines set for each.
Historically, the group of generic top-level domains included domains, created in the early development of the domain name system, that are now sponsored by designated agencies or organizations and are restricted to specific types of registrants. Thus, domains edu, gov, int, and mil are now considered sponsored top-level domains, much like the themed top-level domains (e.g., jobs). The entire group of domains that do not have a geographic or country designation (see country-code top-level domain) is still often referred to by the term generic TLDs.
Pop is the ninth studio album by Irish rock band U2. It was produced by Flood, Howie B, and Steve Osborne, and was released on 3 March 1997 on Island Records. The album was a continuation of the band's 1990s musical reinvention, as they incorporated alternative rock, techno, dance, and electronica influences into their sound. Pop employed a variety of production techniques that were relatively new to U2, including sampling, loops, programmed drum machines, and sequencing.
Recording sessions began in 1995 with various record producers, including Nellee Hooper, Flood, Howie B, and Osborne, who were introducing the band to various electronica influences. At the time, drummer Larry Mullen, Jr. was inactive due to a back injury, prompting the other band members to take different approaches to songwriting. Upon Mullen's return, the band began re-working much of their material but ultimately struggled to complete songs. After the band allowed manager Paul McGuinness to book their upcoming 1997 PopMart Tour before the record was completed, they felt rushed into delivering it. Even after delaying the album's release date from the 1996 Christmas and holiday season to March 1997, U2 ran out of time in the studio, working up to the last minute to complete songs.
Miami is a train station in Miami-Dade County, Florida, on the border of Miami and Hialeah. It serves Amtrak, the national passenger rail service of the United States, and is the southern end of the Silver Meteor and Silver Star trains. It is scheduled to be replaced by Miami Central Station in summer 2016.
The Miami station was built on the site of the former Seaboard Air Line Railroad southern coach yards, to which Amtrak moved in 1977 when it abandoned the original Seaboard station at 2210 NW 7th Avenue in Allapattah, two miles north of downtown. Constructed in 1978, the building is one of many built under Amtrak's Standard Stations Program, an attempt to create a unified brand and identity for the company's passenger facilities in its early years. It is considered a Type 300A station, meaning it was designed to accommodate at least 300 passengers at the busiest hour of the day. Within the Amtrak system, it is similar to the station in Minneapolis-St. Paul, also built in 1978.
Fun, even funner
I'm the gunner sub-machine gun
it don't seem right, that they don't get my theme right
they don't know me,
so we move forward
more words & phrases
my style amazes
come into the scene with the means to rip shit
my brain's power packed with the proper equipment
so step
I come inta the area to bury ya
I compose the flows
makin' people merrier
never the less, I sever the flesh
with a razor
reserve the major beef
I'ma slay ya, hey
you never came across a person like me
I never instigate
first come strike me
then I'll flip
and rip clothing, and I'm loathing
MCs who front like I don't know things
uh uh
check again
I get wreck again
on the down low
because you sound slow
retarded MCs get neglected
& check it
anytime I hafta show a foe
I'ma flex it
then I exit
with my records & my next shit
prepared, so be scared
I strike unexpected
I write rhymes in sections
testin' my slang
I bang MCs with these
& make 'em hang
dangle, what's ya angle?
When I strangle and choke
I hold Bennedicts by their throat
until they sing notes like a canary
fairy, or genies
we slipped out
they never seen me bust his face
I like bass when it hums
and that sums up my properties for the dum-dums
someone need to check him
deck him
slam him
and put him in the bushes
so 'shush' kids
no one needs to know
I'll proceed & go into
and then tell ya what I've been through.
[CHORUS:]
"In one ear, right out the other,
Go tell ya sister, go tell ya mother,
In one ear, right out the other,
Go tell ya father, go tell ya brother,
In one ear, right out the other."
I would feel comfortable
if your front would go elsewhere
or disappear
hear my specific style that's speaking
creeking, making noises in the nightime
when I write rhymes
I look out my window
it's a bright day
and I might display my skills in the hills
or, in a different neighborhood
cause my flavor could
be the best, so lets test this
yes, bitch
I saw you posted at the pool table
I could never talk to you
but now a fool's able
with the best of luck
and, hey, how do you impress a duck?
By pullin' out a wad of bucks
shucks
I need to stop this
I plop this, played this
I murder MCs
& leave their pens inkless
do you think this is a twist
a turn, I insist
to burn those foes who haven't learned
to keep they mouths closed
Guiness Stout flows
through your intestines, when life is depressin'
I built my foundation using patients
some didn't hear us
some had to state it...