Ilona (film)
Ilona is a 1921 German silent film directed by Robert Dinesen and starring Lya De Putti, Arnold Korff and Artúr Somlay.
The film's sets were designed by the Hungarian art director Stefan Lhotka.
Cast
References
Bibliography
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Ilona (singer)
Ilona (born January 24, 1985) is a singer-songwriter born and raised in Bogotá, Colombia. Her beginnings in music were through presentations on the public transport bus service in Bogotá when she was 15 years old, and her surprised audience gave her money. Ilona played with her guitar on public places and eventually established a band with a bassist and a drummer with whom she performed regularly in bars in the city. At 24, Ilona released her first studio album entitled Desde Mi Ventana ("From My Window"), produced by Cachorro López, gaining momentum, and receiving a Latin Grammy Award nomination for Best New Artist. Her debut album sold 15,000 units in Colombia earning the singer a Gold album certification. Ilona caught the attention of Argentine musician León Gieco and agreed to do a duet with her on the song "En La Zona". English boy band Blue also recorded with Ilona the song "One Love".
In 2004, Colombian singer Soraya during her promotional tour in Chile, sponsored Ilona, who was visiting the country on a promotional plan on radio stations and newspapers. Upon learning of her presence in Chile, Soraya invited her as the opening act of her concert at the Teatro Providencia. Three years later, Ilona released her second album, Allá En El Sur, a 'rock' focused album produced by Benny Faccone. The album was nominated for a Latin Grammy Award for Best Female Pop Vocal Album at the 8th Latin Grammy Awards, losing to Yo Canto by Italian performer Laura Pausini. Ilona acknowledges as an influence to her music the work of Ella Fitzgerald, Tracy Chapman, Norah Jones, John Mayer, Alanis Morissette and Sting.
Film (band)
Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
History
New wave years (1979-1981)
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film (Iranian magazine)
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
References
External links
Film (film)
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
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