Illicit (film)

Illicit is a 1931 American Pre-Code drama film directed by Archie Mayo and starring Barbara Stanwyck, James Rennie, Ricardo Cortez, and Natalie Moorhead. Based on a play by Edith Fitzgerald and Robert Riskin, the film is about a young couple living together out of wedlock because the woman does not believe in marriage. When they finally get married, both become unfaithful to each other. Illicit was produced and distributed by Warner Bros.

Plot

Anne Vincent (Barbara Stanwyck) is a woman who has modern ideas about love. She believes that marriage kills love and leads to unhappiness and, inevitably, divorce. Although her boyfriend Dick (James Rennie), and his father (Claude Gillingwater), try to persuade Anne to get married, she resists their arguments. Anne and Dick live together for a while without getting married but eventually Anne caves in to avoid scandal and agrees to marry Dick. Anne receives a telegram from her ex-boyfriend, Price (Ricardo Cortez), saying that he wants to visit her. Dick tries to prevent Anne from seeing him, but she does so anyway. Price tries to persuade Anne not to get married, tells her that he is still in love with her and warns her that she will be unhappy if she marries, but she remains unconvinced. Anne marries Dick and eventually they settle down and start to behave like a typical married couple. They become bored with each other, avoid each other and fight over silly things. Dick becomes interested in Margie (Natalie Moorhead) who tells him that she is in love with him. Soon, he begins a torrid affair with her. He spends less and less time with Anne. Eventually Anne tells Dick that they need to separate for a time. Dick becomes bored with Margie while Anne does the same with Price, who attempts to rekindle their old relationship. The separation makes Dick and Anne realize how much they love each other. They resume their relationship, initially as a courtship. Eventually, they move back in together as husband and wife.

Dillon & Dickins

Dillon & Dickins is a dance music production group based in London, England, and one of the many aliases used by House music producers and DJs Marc Dillon and Patrick Dickins who also founded the dance record company and music publishing company Higher State. Other aliases include the commonly miss-spelt Dillon & Dickens, Dpd, 99 Allstars, Disco Biscuit, Sound Environment, Spacebase, Upstate and their more successful one, Illicit.

Career

As Dillon & Dickins, their Steers & Queers EP (catalogue numbers 99NTH15 & CDNTH15), released on Higher State's sublabel 99 North in May 1999, contained a track entitled "Queers R Doin It" which was used in the U.S. TV series Queer As Folk.

Having released a number of unofficial so-called Mashup songs under the alias of Illicit, one of their first official releases under this alias was "Pulsation" featuring Shannon (best known for her vocals on "Let the Music Play"), released on 99 North in 2000.

However, their most successful chart bound release was "Cheeky Armada", released in September 2001 on Azuli's Yola label, which reached number 72 in the UK Singles Chart. This was a re-vocalised and replayed version of one of their Mashup songs called "Sneaky Armada", which combined Groove Armada's "I See You Baby" with Teddy Pendergrass's "You Can't Hide From Yourself". This single also featured the vocals of Gram'ma Funk, who performed the original vocals on "I See You Baby".

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: