Idomeneo

Idomeneo, re di Creta ossia Ilia e Idamante (Italian for Idomeneus, King of Crete, or, Ilia and Idamante; usually referred to simply as Idomeneo,K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, which had been set to music by André Campra as Idoménée in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it might have been Mozart. The work premiered on 29 January 1781 at the Residenz Theatre in Munich, Germany.

Composition

The libretto clearly draws inspiration from Metastasio in its overall layout, the type of character development, and the highly poetic language used in the various numbers and the secco and stromentato recitatives. The style of the choruses, marches, and ballets is very French, and the shipwreck scene towards the end of act I is almost identical to the structure and dramatic working-out of a similar scene in Gluck's Iphigénie en Tauride. The sacrifice and oracle scenes are similar to Gluck's Iphigénie en Aulide and Alceste.

2006 Idomeneo controversy

On September 26, 2006, the Deutsche Oper Berlin announced the cancellation of four performances of Mozart's opera Idomeneo, re di Creta, planned for November 2006, citing concerns that the production's depictions of the severed head of the Islamic prophet Muhammad raised an "incalculable security risk." "To avoid endangering its audience and employees, the management has decided against repeating Idomeneo in November 2006," the opera house said in a press release.

The Idomeneo production, directed by Hans Neuenfels, shows King Idomeneo staggering on stage carrying a bag of the severed heads of Neptune, Jesus, Buddha and Muhammad and placing each on chairs; a departure from the libretto, in which the action is set in the aftermath of the Trojan War. Only Neptune features in the plot, and his power is never destroyed. The scene was intended to symbolize the people's release into freedom without gods or idols.

According to the BBC, the German press agency DPA said Berlin police have so far recorded no direct threat to the opera house. However, The New York Times reported that there was an anonymous threat in August against the theatre.