Environment variables are a set of dynamic named values that can affect the way running processes will behave on a computer.
They are part of the environment in which a process runs. For example, a running process can query the value of the TEMP environment variable to discover a suitable location to store temporary files, or the HOME or USERPROFILE variable to find the directory structure owned by the user running the process.
They were introduced in their modern form in 1979 with Version 7 Unix, so are included in all Unix operating system flavors and variants from that point onward including Linux and OS X. From PC DOS 2.0 in 1982, all succeeding Microsoft operating systems including Microsoft Windows, and OS/2 also have included them as a feature, although with somewhat different syntax, usage and standard variable names.
In all Unix and Unix-like systems, each process has its own separate set of environment variables. By default, when a process is created, it inherits a duplicate environment of its parent process, except for explicit changes made by the parent when it creates the child. At the API level, these changes must be done between running fork
and exec
. Alternatively, from command shells such as bash, a user can change environment variables for a particular command invocation by indirectly invoking it via env
or using the ENVIRONMENT_VARIABLE=VALUE <command>
notation. All Unix operating system flavors, DOS, and Windows have environment variables; however, they do not all use the same variable names. A running program can access the values of environment variables for configuration purposes.
CLS may refer to:
CONFIG.SYS is the primary configuration file for the DOS and OS/2 operating systems. It is a special ASCII text file that contains user-accessible setup or configuration directives evaluated by the operating system during boot. CONFIG.SYS was introduced with DOS 2.0.
The directives in this file configure DOS for use with devices and applications in the system. The CONFIG.SYS directives also set up the memory managers in the system. After processing the CONFIG.SYS file, DOS proceeds to load and execute the command shell specified in the SHELL line of CONFIG.SYS, or COMMAND.COM if there is no such line. The command shell in turn is responsible for processing the AUTOEXEC.BAT file.
CONFIG.SYS is composed mostly of name=value directives which look like variable assignments. In fact, these will either define some tunable parameters often resulting in reservation of memory, or load files, mostly device drivers and TSRs, into memory.
In DOS, CONFIG.SYS is located in the root directory of the drive from which the system was booted.
Ida is a given name occurring independently in several cultures. In Germany, Ida is a female name derived from a Germanic word id, meaning "labor, work." Alternately, it may be related to the name of the Old Norse goddess Iðunn. Ida also occurs as an anglicisation of the Irish girl's given name Íde.
Ida is a currently popular name in Scandinavia and is among the top 10 names given to girls born in 2013 in Denmark. It was among the top 20 names for newborn girls in Norway in 2013 and among the top 50 names for newborn girls in Sweden in 2013. It was among the top 10 names for girls born to Swedish speaking families in Finland in 2013. Finnish variant Iida was among the top ten most popular names given to newborn girls in Finland in 2013. Ida was at its height of popularity in the United States in the 1880s, when it ranked among the top ten names for girls. It remained among the top 100 most popular names for girls there until 1930. It last ranked among the top 1,000 names for girls in the United States in 1986.
Ida (pronounced [ˈida]) is a 2013 Polish drama film directed by Paweł Pawlikowski and written by Pawlikowski and Rebecca Lenkiewicz. Set in Poland in 1962, it is about a young woman on the verge of taking vows as a Catholic nun. Orphaned as an infant during the German occupation of World War II, she must now meet her aunt. The former Communist state prosecutor and only surviving relative tells her that her parents were Jewish. The two women embark on a road trip into the Polish countryside to learn the fate of their family. Called a "compact masterpiece" and an "eerily beautiful road movie", the film has also been said to "contain a cosmos of guilt, violence and pain", even if certain historical events (German occupation of Poland, the Holocaust and Stalinism) remain unsaid: "none of this is stated, but all of it is built, so to speak, into the atmosphere: the country feels dead, the population sparse".
Ida won the 2015 Academy Award for Best Foreign Language Film, becoming the first Polish film to do so. It had earlier been selected as Best Film of 2014 by the European Film Academy and as Best Film Not in the English Language of 2014 by the British Academy of Film and Television Arts (BAFTA).
It all comes back to me
Face to the floor
Heart in my mouth
My forehead hits the pavement
Again - numb - again
Sharing this humility
A circle of humanity
Momentarily black in me
Immomentarily black
So black
Memory leave me be
Close that eye leave love blind
When outcome is preceded
By an outlet that is needed
We forget all but the circle
As soon as the ends have met
As soon as the ends have met
I scratch the surface and see
Someone better than me
Where did I suffer that loss?
What was taken from me?
As I search through the ashes
For someone to blame
I'm afraid to see my face
As I walk through the ashes
I whisper your name
Meeting you have forced me
To meet myself
This blood proves me right
In that the last move is all that
Counts if the beasts must bite
Vow to the floor
Oath to the taste of dust
In my mouth - never!
I bite the words - never again!
Will I let anyone else finish
I'll be the end of every way
Memory let it die left behind
Leave me blind
Despite all these words
Not one could express
What I had inside
Living was to hide
Kneeling in whirlpools
Of pink champagne
Celebrating the bravery of my pain
Something broke
And no water could ever wash
The anger from that first stain
I scratched the surface to find
Someone wicked and blind
Where did it come to that end?
Why can't these scars ever mend?
Memories...
I have swallowed all these tears
Thought they'd be gone
After all these years
Now this heart is waking up
With a new hunger
For my own blood
As I search through the ashes
For someone to blame
I'm afraid to see my face
As I walk through the ashes
I whisper your name
Meeting you have forced me
To meet myself
Face to the ground
Heart in their mouth Foreheads hit the pavement
Again - numb - again
Sharing my hostility
A streetful of insanity
This is payback for every
Tear in me, hole in me
Black in me - black!
Memory history agony
Let me see that hideous
Idioglossia that formed me
Despite all these words
Not one could express
What I had inside
Living was to hide
For every time you froze me out
For every punch every shout
For not believing in me
For your stupidity
For stealing what could have been
It all comes back to you