World is a common name for the whole of human civilization, specifically human experience, history, or the human condition in general, worldwide, i.e. anywhere on Earth.[2]
In a philosophical context it may refer to: (1) the whole of the physical Universe, or (2) an ontological world (see world disclosure). In a theological context, world usually refers to the material or the profane sphere, as opposed to the celestial, spiritual, transcendent or sacred. The "end of the world" refers to scenarios of the final end of human history, often in religious contexts.
World history is commonly understood as spanning the major geopolitical developments of about five millennia, from the first civilizations to the present.
World population is the sum of all human populations at any time; similarly, world economy is the sum of the economies of all societies (all countries), especially in the context of globalization. Terms like world championship, gross world product, world flags etc. also imply the sum or combination of all current-day sovereign states.
In terms such as world religion, world language, and world war, world suggests international or intercontinental scope without necessarily implying participation of the entire world.
In terms such as world map and world climate, world is used in the sense detached from human culture or civilization, referring to the planet Earth physically.
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The English word world comes from the Old English weorold (-uld), weorld, worold (-uld, -eld), a compound of wer "man" and eld "age," which thus means roughly "Age of Man."[3] The Old English is a reflex of the Common Germanic *wira-alđiz, also reflected in Old Saxon werold, Old High German weralt, Old Frisian warld and Old Norse verǫld (whence the Icelandic veröld).[4]
The corresponding word in Latin is mundus, literally "clean, elegant", itself a loan translation of Greek cosmos "orderly arrangement." While the Germanic word thus reflects a mythological notion of a "domain of Man" (compare Midgard), presumably as opposed to the divine sphere on the one hand and the chthonic sphere of the underworld on the other, the Greco-Latin term expresses a notion of creation as an act of establishing order out of chaos.
'World' distinguishes the entire planet or population from any particular country or region: world affairs pertain not just to one place but to the whole world, and world history is a field of history that examines events from a global (rather than a national or a regional) perspective. Earth, on the other hand, refers to the planet as a physical entity, and distinguishes it from other planets and physical objects.
'World' can also be used attributively, to mean 'global', 'relating to the whole world', forming usages such as world community or world canonical texts.[5]
By extension, a 'world' may refer to any planet or heavenly body, especially when it is thought of as inhabited, especially in the context of science fiction or futurology.
'World', in original sense, when qualified, can also refer to a particular domain of human experience.
In philosophy, the term world has several possible meanings. In some contexts, it refers to everything that makes up reality or the physical universe. In others, it can mean have a specific ontological sense (see world disclosure). While clarifying the concept of world has arguably always been among the basic tasks of Western philosophy, this theme appears to have been raised explicitly only at the start of the twentieth century[6] and has been the subject of continuous debate. The question of what the world is has by no means been settled.
The traditional interpretation of Parmenides' work is that he argued that the every-day perception of reality of the physical world (as described in doxa) is mistaken, and that the reality of the world is 'One Being' (as described in aletheia): an unchanging, ungenerated, indestructible whole.
In his Allegory of the Cave, Plato distingues between forms and ideas and imagines two distinct worlds : the sensible world and the intelligible world.
In Hegel's philosophy of history, the expression Weltgeschichte ist Weltgericht (World History is a tribunal that judges the World) is used to assert the view that History is what judges men, their actions and their opinions. Science is born from the desire to transform the World in relation to Man; its final end is technical application.
The World as Will and Representation is the central work of Arthur Schopenhauer. Schopenhauer saw the human will as our one window to the world behind the representation; the Kantian thing-in-itself. He believed, therefore, that we could gain knowledge about the thing-in-itself, something Kant said was impossible, since the rest of the relationship between representation and thing-in-itself could be understood by analogy to the relationship between human will and human body.
Two definitions that were both put forward in the 1920s, however, suggest the range of available opinion. "The world is everything that is the case," wrote Ludwig Wittgenstein in his influential Tractatus Logico-Philosophicus, first published in 1922. This definition would serve as the basis of logical positivism, with its assumption that there is exactly one world, consisting of the totality of facts, regardless of the interpretations that individual people may make of them.
Martin Heidegger, meanwhile, argued that "the surrounding world is different for each of us, and notwithstanding that we move about in a common world".[7] The world, for Heidegger, was that into which we are always already "thrown" and with which we, as beings-in-the-world, must come to terms. His conception of "world disclosure" was most notably elaborated in his 1927 work Being and Time.
In response, Freud proposed that we do not move about in a common world, but a common thought process. He believed that all the actions of a person are motivated by one thing: lust. This led to numerous theories about reactionary consciousness.
Some philosophers, often inspired by David Lewis, argue that metaphysical concepts such as possibility, probability and necessity are best analyzed by comparing the world to a range of possible worlds; a view commonly known as modal realism.
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It has been suggested that World (theology) be merged into this article or section. (Discuss) Proposed since July 2010. |
Mythological cosmologies often depict the world as centered around an axis mundi and delimited by a boundary such as a world ocean, a world serpent or similar.
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"World" is a song from the Bee Gees' fourth album Horizontal, released in 1967 in the United Kingdom. Though it was a big hit in Europe, Atco Records did not issue it as a single in the United States, having just issued a third single from Bee Gees' 1st, "Holiday".
The song's lyrics question the singer's purpose in life.
The song's first recording session was on 3 October 1967 along with "With the Sun in My Eyes" and "Words". The song's last recording session was on 28 October 1967. "World" was originally planned as having no orchestra, so all four tracks were filled with the band, including some mellotron or organ played by Robin. When it was decided to add an orchestra, the four tracks containing the band were mixed to one track and the orchestra was added to the other track. The stereo mix suffered since the second tape had to play as mono until the end when the orchestra comes in on one side. Barry adds: "'World' is one of those things we came up with in the studio, Everyone just having fun and saying, 'Let's just do something!' you know". Vince Melouney recalls: "I had this idea to play the melody right up in the top register of the guitar behind the chorus".
"World (The Price of Love)" is a 1993 single by New Order, taken from the album Republic. Simply listed as "World" on the album, the subtitle "The Price of Love" was added for the single release, as it is repeated during the chorus. A 7:34 dance remix of the track by Paul Oakenfold, called the "Perfecto mix", was included on many releases of the single and was used for an alternate edit of the video.
The same music video was used for both the original version and an edit of the Perfecto remix of the song. Shot in Cannes with only 5 long steadicam shots, the video features the camera slowly journeying from a pier into an expensive hotel, lingering on the faces of passers-by. It features the band only fleetingly - Peter Hook sits at a table on the seafront, Bernard Sumner stands overlooking the sea, and Stephen Morris and Gillian Gilbert pose for a photograph outside the Carlton Hotel. This would be the last time the band would appear in a video until 2005's "Jetstream".
Pyramid is an American experimental, indie-rock band from North Carolina. Music from their self-released album, "The First American", was used in two David Gordon Green films, All the Real Girls and Undertow. Pyramid also composed the music for Jody Hill's The Foot Fist Way, co-composed Shotgun Stories for Jeff Nichols, and added additional score to Craig Zobel’s Great World of Sound.
A pyramid scheme is a business model that recruits members via a promise of payments or services for enrolling others into the scheme, rather than supplying investments or sale of products or services. As recruiting multiplies, recruiting becomes quickly impossible, and most members are unable to profit; as such, pyramid schemes are unsustainable and often illegal.
Pyramid schemes have existed for at least a century in different guises. Some multilevel marketing plans have also been classified as pyramid schemes.
In a pyramid scheme an organization compels individuals to join and make a payment. In exchange, the organization promises its new members a share of the money taken from every additional member that they recruit. The directors of the organization (those at the top of the pyramid) also receive a share of these payments. For the directors, the scheme is potentially lucrative—whether or not they do any work, the organization's membership has a strong incentive to continue recruiting and funneling money to the top of the pyramid.
Ice is a 1998 television disaster film starring Grant Show, Udo Kier, and Eva La Rue. The film has a similar premise as The Day After Tomorrow, a science fiction disaster film released six years later. Though completely in English, it first premiered in Germany in 1998 before being aired on ABC in the United States in 2000.
A small meteor hits the sun, causing disastrous consequences for the Earth. Los Angeles is, just as the rest of the world, covered with a layer of ice and snow. The government has collapsed and everyone is on their own. Chaos and crime prevails. Together with scientist Dr. Kistler and a small group of survivors, L.A. cop Robert Drake leaves in the direction of Long Beach Harbor to meet with a government ship which will take them to Guam, where it is warmer.
Ice is an industrial music band formed by guitarist Justin Broadrick and saxophonist/vocalist Kevin Martin.
Keeping to a similar vein as their other musical project Techno Animal, Justin Broadrick and Kevin Martin opted for Ice to be a studio-based project. Drummer John Jobaggy and bassist Dave Cochrane were recruited to aid them in the recording process. Their debut album, Under the Skin, is comparable to Pure-era Godflesh and Martin's free jazz and dub work with God. The group went on hiatus for several years and Jobaggy was replaced by Laika drummer Lou Ciccotelli. By their second album, Bad Blood, the band had absorbed hip hop influences and nearly all the songs featured contributions from recognizable names in the underground rap scene. Blixa Bargeld, of Einsturzende Neubauten, also contributed his vocals to the music.
Now none can escape
Dark knights are here
Bow down to your faith
It's your farewell
Fire
That's our revenge
This is your fear
Fire
Even if you look at the sky
Only death you will find
Hit
Golden throne
Hit
Dirty bastard
Hit
Golden throne
Hit
Ice world
Run back to your hole
Made of straw and dust
Even if you look at the sky
You will die
Fire
Even if you look at the sky
Only death you will find
Hit
Golden throne
Hit
Dirty bastard
Hit
Golden throne
Hit
Ice world
Hear this cry
It's unreal
On this battlefield
I won't see the dawn
Hear this cry
It's so unreal
On this battlefield
I won't see the end
Look at your bloody hands
And beg for mercy
Fire
Even if you look at the sky
Only death you will find
Hit
This corpse
Hit
This system
Hit
His entrails
Hit
Ice world