I Miss You
I Miss You may refer to:
Music
Songs
I Miss You (Blink-182 song)
"I Miss You" is a song by American rock band Blink-182, released on February 9, 2004 as the second single from the group's fifth studio album, Blink-182 (2003). Primarily written by guitarist Tom DeLonge and bassist Mark Hoppus, they employed a method of writing separately and bringing their two verses together later. The song, produced entirely acoustic, features an upright bass, a cello, and a brushstroked drum loop. The song was inspired by The Cure song "The Love Cats" and contains references to The Nightmare Before Christmas (1993).
The song peaked at number one on Billboard's Modern Rock Tracks chart and peaked at number 42 on the Billboard Hot 100. In the United Kingdom, the song was a national top 10 hit on the UK Singles Chart, peaking at number eight. Although "All the Small Things" had slightly more radio airplay, "I Miss You" sold more singles, earning gold certification for selling over 500,000 copies.
Background
The song was written using the same method with which the band wrote "Feeling This"; namely, DeLonge and Hoppus would discuss themes and then set off to separate rooms of the home to write alone. The two would first have a discussion about the themes of the song "so that we were on the same page," and then they would go away to write, putting both parts together at the end. "Mark was always really, really good with words, so a lot of times I would ask him for help with things, to get help with how I say things better […] But we never really explained song meanings to each other," said DeLonge. Hoppus referenced Tim Burton's The Nightmare Before Christmas at the request of Barker, who directed the line toward his then-wife, Shanna Moakler.
25 (Adele album)
25 is the third studio album by English singer and songwriter Adele. It was released on 20 November 2015, through XL Recordings. Following the release and international success of her second studio album 21 (2011), Adele considered quitting the music industry and going out on a positive note. However, she decided to take a hiatus instead and raise her son. During her sabbatical, she suffered from writer's block and rescheduled studio sessions for a new album, fearing she had lost her ability to write songs. In 2013, Adele had a breakthrough and the material that eventually became 25 manifested, with writing and recording continuing through 2015.
Titled as a reflection of her life and frame of mind at 25 years old, 25 is a "make-up record". The album's lyrical content features themes of Adele "yearning for her old self, her nostalgia", and "melancholia about the passage of time" according to an interview with Adele by Rolling Stone, as well as themes of motherhood and regret. In contrast to Adele's previous work, the production of 25 incorporated the use of electronic elements and creative rhythmic patterns, with elements of 1980s R&B and organs. Like 21, Adele collaborated with producer and songwriter Paul Epworth and Ryan Tedder, along with new collaborations with Max Martin and Shellback, Greg Kurstin, Danger Mouse, the Smeezingtons, Samuel Dixon, and Tobias Jesso Jr.
Badfinger
Badfinger were a British rock band that, in their most prolific lineup, consisted of Pete Ham, Mike Gibbins, Tom Evans and Joey Molland. The band evolved from an earlier group called The Iveys that was formed in 1961 by Ham, Ron Griffiths and David "Dai" Jenkins in Swansea, Wales. They were the first group signed by the Beatles' Apple label in 1968 as The Iveys. In 1969, Griffiths left and was replaced by Molland, and the band renamed themselves Badfinger. In 1970, the band engaged American businessman Stan Polley to manage their commercial affairs. Over the next five years the band recorded several albums for Apple and toured extensively, before they became embroiled in the chaos of Apple Records' dissolution.
Badfinger had four consecutive worldwide hits from 1970 to 1972: "Come and Get It" (written and produced by Paul McCartney), "No Matter What", "Day After Day" (produced by George Harrison) and "Baby Blue". In 2013, "Baby Blue" made a resurgence onto the Billboard Hot Rock Songs chart at number 14 after it was featured in the series finale of the television show Breaking Bad. Their song "Without You" has been covered many times, including a Billboard number one hit for Harry Nilsson.
Badfinger (album)
Badfinger is the fifth album by British rock band Badfinger. The album was recorded in autumn 1973 and released in 1974 on Warner Bros. Records. It was the first of two albums released by the band on the Warner label. The cover art for the album shows a woman wearing a riding outfit and hat from the 1920s and smoking a cigarette in a cigarette holder.
Background
As Badfinger were completing work on their last album for Apple Records, Ass, the band's manager, Stan Polley, signed them to a three-year, six-album deal with Warner Bros. Records. As a result, shortly after the band and producer Chris Thomas completed recording of Ass, they found themselves back in the studio making a new album for Warner's.
Release and reception
Originally planned for release on 28 December 1973, the album was delayed due to Ass being issued that month. Although the album is technically untitled, it is referred to as Badfinger as this is its only identification outside its matrix number. The intended title, For Love or Money, was rejected by the label at the time of production and was never used. The intended title referred to Badfinger's label change from Apple to Warner Bros.
Podcasts:
Badfinger
ALBUMS
- Timeless...The Musical Legacy released: 2013
- Magic Christian Music released: 2010
- Magic Christian Music released: 2004
- Apple Demos 1970-1972 released: 2003
- Complete Ass released: 2001
- Head First released: 2000
- The Very Best of Badfinger released: 2000
- Airwaves released: 1999
- Kickin' Ass released: 1999
- BBC in Concert released: 1997
- Come and Get It: The Best of Badfinger released: 1995
- Straight Up released: 1993
- Day After Day released: 1990
- The Best of Badfinger, Volume II released: 1990
- Shine On released: 1989
- Say No More released: 1981
- Badfinger released: 1974
- Wish You Were Here released: 1974
- Ass released: 1973
- No Dice released: 1970
- 1974-03-31: Alive: Cambridge, MA, USA released:
- Badfinger the Best Of (feat. Joey Molland) released:
Magic Christian Music
Released 2010- Come and Get It
- Crimson Ship
- Dear Angie
- Fisherman (1969 remix)
- Midnight Sun
- Beautiful and Blue
- Rock of All Ages
- Carry on Till Tomorrow
- I’m in Love
- Walk Out in the Rain
- Angelique
- Knocking Down Our Home
- Give It a Try
- Maybe Tomorrow
- And Her Daddy’s a Millionaire (previously unissued alternative version)
- Mrs. Jones (remix)
- Sali Bloo (previously unissued mono mix)
- See‐Saw Granpa (previously unissued mono mix)
- I’ve Been Waiting (previously unissued unedited remix)
The Best of Badfinger, Volume II
Released 1990- Know One Knows
- Shine On
- Lonely You
- Give It Up
- Song for a Lost Friend
- Just a Chance
- Your So Fine
- Got to Get Out of Here
- In the Meantime/Some Other Time
- I Miss You
- Meanwhile Back at the Ranch/Should I Smoke
- Lay Me Down
- Passed Fast
- Keep Believing
- Moonshine
- Lost Inside Your Love
- Love Is Gonna Come at Last
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by Dave Clark Five
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by Levi Lowrey
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by Hannah Montana
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by Ashley Casey
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by The Callbacks
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by Mark Medlock
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by Janita
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by Basshunter
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by Blue System
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by Harold Melvin & The Blue Notes
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by Dream Street
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by Dells
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by Plastic Toys
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by Teddy Pendergrass
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by Billie The Vision & The Dancers
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by Kylie Minogue
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by Alice Cooper
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by Hours
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by Mr. Lil One
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by Miley Cyrus
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by Acceptance
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by Secret
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by Ektomorf
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by East 17
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by D.H.T.
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I Miss You
by: Dave Clark FiveI miss you, won't you ever know
I miss you, did you have to go
I may be wrong to just keep on
But I miss you, that's all that I do, do
See you, walkin' on your own
I see you, you'd rather be alone
I may be wrong to just keep on
But I miss you, that's all that I do
I want to give you all my love
But I know that it's wrong
I want to see you just once more
It wouldn't take very long, oh-oh
Will you, please say for sure
Will you, love me any more
I may be wrong to just keep on
But I miss you, that's all that I do