Die usually refers to the cessation of life.
Die may also refer to:
A die in the context of integrated circuits is a small block of semiconducting material, on which a given functional circuit is fabricated. Typically, integrated circuits are produced in large batches on a single wafer of electronic-grade silicon (EGS) or other semiconductor (such as GaAs) through processes such as photolithography. The wafer is cut (“diced”) into many pieces, each containing one copy of the circuit. Each of these pieces is called a die.
There are three commonly used plural forms: dice, dies, and die.
Single NPN bipolar junction transistor die.
Single NPN bipolar junction transistor die.
Close-up of an RGB light-emitting diode, showing the three individual silicon dice.
Close-up of an RGB light-emitting diode, showing the three individual silicon dice.
A small-scale integrated circuit die, with bond wires attached.
A small-scale integrated circuit die, with bond wires attached.
A VLSI integrated-circuit die.
A VLSI integrated-circuit die.
A die is a specialized tool used in manufacturing industries to cut or shape material mostly using a press. Like molds, dies are generally customized to the item they are used to create. Products made with dies range from simple paper clips to complex pieces used in advanced technology.
Forming dies are typically made by tool and die makers and put into production after mounting into a press. The die is a metal block that is used for forming materials like sheet metal and plastic. For the vacuum forming of plastic sheet only a single form is used, typically to form transparent plastic containers (called blister packs) for merchandise. Vacuum forming is considered a simple molding thermoforming process but uses the same principles as die forming. For the forming of sheet metal, such as automobile body parts, two parts may be used: one, called the punch, performs the stretching, bending, and/or blanking operation, while another part, called the die block, securely clamps the workpiece and provides similar stretching, bending, and/or blanking operation. The workpiece may pass through several stages using different tools or operations to obtain the final form. In the case of an automotive component there will usually be a shearing operation after the main forming is done and then additional crimping or rolling operations to ensure that all sharp edges are hidden and to add rigidity to the panel.
Sway may refer to:
The term sway has a specific meaning in the technique of ballroom dances. Sway describes a dancer's body position in which the entire body gracefully deflects from the vertical. Entrance to and exit from this position are matters of fine technical detail and differ in various dance figures.
Sway may be an element of both stationary and moving dance figures. In moving figures, sway is commonly achieved as a natural result of body swing, but small amounts from other sources may be useful as an inflection. Sway comes primarily from an incline of the entire body, but a portion may also come from gradual bending of the trunk. It is customary to consider any bending of the trunk to occur more as a stretching of one side of the rib cage more than as a compression of the other side. This description helps to produce sway without the body line breaking awkwardly at the waist. Substantial abdominal strength may be needed to fully utilize this technique.
Possible angles of sway range from having the upper body substantially trailing the lower through a movement, to having the upper body a very small amount in advance. The purposes of sway are both better control of dance motion and aesthetics.
"Sway" is a song by English rock 'n roll band The Rolling Stones from their 1971 album Sticky Fingers. It was also released as the b-side of the "Wild Horses" single in June 1971. This single was released in the US only. Initial pressings of the single contain an alternate take; later pressings include the album version instead.
Credited to Mick Jagger and Keith Richards, "Sway" is a slower blues song and was the first song recorded by the band at Stargroves.
The song features a bottleneck slide guitar solo during the bridge and a dramatic, virtuoso outro solo (both performed by Taylor). Rhythm guitar performed by Jagger was his first electric guitar performance on an album. The strings on the piece were arranged by Paul Buckmaster, who also worked on other songs from Sticky Fingers. Richards added his backing vocals but provided no guitar to the track. Pete Townshend, Billy Nichols and Ronnie Lane are believed to contribute backing vocals as well.
It was performed live for the first time in Columbus, Ohio, and then at many of the shows on the band's A Bigger Bang Tour in 2006.
Put a hole in your soul
Make your blood run could
Put a hole in your soul
Nine millimeter homie
Make your blood run could
You diiiee
Gon' rest your eyes
You diiiee
Gon' test the fire
You don' fucked with the wrong one today
And you don't want it homie
Fuck what you're tryin to say
Your whole existence phony
Talkin so much shit you need'a mutherfuckin breathe mint
And when I hit you with that glock
You'll wonder where your breathe went
Always quick to take the dick up out'cha mouth to jack your jaw
Guess you're pissed ya baby bitch would take the time to jack me off
But nuttin like what she would be with you, du'
She swallowed it
Now you wanna give me attitude
Bitch, eat a hollowtip
Take your own advice and put the barrel in your own mouth
Kill your handicap and blow your mutherfuckin brains out
Do the world a favor, hoe, and try to fix a big mistake
Pull the trigger, send your soul to Hell for fuckin Heaven's sake
Pull the heater on ya
Put a hole in your soul
Nine millimeter homie
Make your blood run could
You diiiee
Gon' rest your eyes
You diiiee
Gon' test the fire
Pull the heater on ya
Put a hole in your soul
Nine millimeter homie
Make your blood run could
You diiiee
Gon' rest your eyes
You diiiee
Gon' test the fire
See me on the streets and now you holla at me like we're brothers
Then you run your mouth cause you's a backstabbin mutherfucker
Hide behind computer screens with fake names and magazines
Boy, you need'a be a man and grow some nuts to step to me
Run upon you, hit'chu with that (one, two; one, two)
What'chu gonna do when I (come through, stun you)
Peel ya fuckin cap with a nine millimeter
Better run mutherfucker every time that I see ya
If I see ya mutherfucker then I wouldn't wanna be ya
Hit'cha with them heatseekers
I fuckin? I thought I saw a pussy cat
I pointed to ya when they askin where the pussy at
YOU COCKSUCKIN-MUTHERFUCKER!
Check my fuckin blood-pressure
Pop a couple pills and then I'm comin to get'cha
Put a hole in your soul
Make your blood run could
You diiiee
You diiiee
Put a hole in your soul
Make your blood run could
You diiiee
You diiiee
I'll pull a driveby on ya in a Coupe De Vile
And when I shot to kill, you know I shot with skill
And you don't ever see it comin
Got the skills of a Sniper
Put the heat through your body, what'cha spill in your diaper
For real, you's a liar, like Pinocchio
And when you talk, it grows
But hoe, it ain't your nose
It's the rage in my soul, it's buildin like construction
There's a tax on your ass and I'm a make deductions
Take ya functions, put'cha in a new shipbag
Beg like a bitch and you ain't gonna do shit fag
Twelve gage, double barrel, pointed at your teeth
Tell your daddy buy a suite and make your momma buy a wreath, piece
Pull the heater on ya
Put a hole in your soul
Nine millimeter homie
Make your blood run could
You diiiee
Gon' rest your eyes
You diiiee
Gon' test the fire
Pull the heater on ya
Put a hole in your soul
Nine millimeter homie
Make your blood run could
You diiiee
Gon' rest your eyes
You diiiee