Todd Snider | |
---|---|
![]() Todd Snider at Cactus Cafe in Austin, Texas (2008). |
|
Background information | |
Born | October 11, 1966 |
Origin | Portland, Oregon, United States |
Genres | Americana, Alt-country, Folk-rock |
Occupations | Singer, songwriter |
Years active | 1994–present |
Labels | Aimless Records |
Website | www.toddsnider.net |
Todd Daniel Snider (born October 11, 1966 in Portland, Oregon)[1][2] is an American singer-songwriter with a musical style that combines Americana, alt-country, and folk.
Contents |
Singer-songwriter Todd Snider was born October 11, 1966, in Portland, Ore., and lived there until his family moved to Houston. When he was 15, he ran away from home with a friend and went back to Portland. After high school, he moved to Santa Rosa, Calif., to be a harmonica player. Then his brother, who lived in Austin, Texas, bought him a ticket to move there. After seeing Jerry Jeff Walker in a local bar, Snider decided that he didn't need a band to be a musician.[3]
After moving to Memphis in the mid-1980s and establishing residency at a club named the Daily Planet, he was discovered by Keith Sykes, a member of Jimmy Buffett's Coral Reefer Band. A longtime acquaintance of John Prine and Walker, Sykes began to work with Snider to help advance his career. Prine hired him as an assistant and then invited him to open shows. In time, Buffett heard Snider's demo tapes and signed him to his own label. Snider is an opinionated musician whose fans know him to be quite the workhorse. On his music, Snider has said "I was just trying to come up with the best... most open hearted ... well-thought-out lyrics I could come up with. I wanted every song to be sad and funny at the same time, vulnerable and entertaining at the same time, personal and universal at the same time. I wanted every song to be as uniquely written as possible and then I wanted to perform them in a studio loose and rugged and hopefully as uniquely as I could. My hope is to be hard to describe and/or new…I'm not saying I am. I'm just saying that's the hope."[4]
Snider's 1994 debut album on MCA, entitled Songs for the Daily Planet, was named for the bar where Snider used to play regularly in Memphis. On that album were the minor hits "Talkin' Seattle Grunge Rock Blues"—a folk song about the early '90's grunge scene, featuring a band that "refused to play" —and "Alright Guy," which later became the title cut of Gary Allan's 2001 album.
He released two more albums for MCA, Step Right Up and Viva Satellite before moving to John Prine's Oh Boy Records where he made Happy to Be Here, New Connection, Near Truths and Hotel Rooms, East Nashville Skyline, and Peace Love and Anarchy. That Was Me: The Best of Todd Snider 1994–1998 was released on the Hip-O Records label in August 2005.
Snider's next studio album, The Devil You Know, was released in August 2006. It marked his return to a major label, New Door Records, a subsidiary of Universal Records. The Devil You Know was named to several critics' year-end "best" lists, including a #33 ranking in Rolling Stone magazine's top 50 albums of the year, a #25 ranking by No Depression magazine, and #14 by Blender magazine.
Snider's album, Peace Queer, was released on October 14, 2008 and reached #1 on the Americana Airplay Chart on October 27, 2008. His album, The Excitement Plan, was released on June 9, 2009 on the YepRoc Label and was produced by Don Was.
Snider contributed a cover version of A Boy Named Sue to the 2010 Sugar Hill Records album Twistable Turnable Man, a tribute by various artists to songwriter Shel Silverstein.
Snider's songs "Late Last Night" and "I Believe You" have been recorded by the Oklahoma red dirt band Cross Canadian Ragweed. He co-wrote the song "Barbie Doll" with country star Jack Ingram.
In February 2011 Todd Snider released a double disc live album called "The Storyteller" on his own record label Aimless Records. The album features live versions of songs spanning much of Snider's career along with some of the stories that have become a staple of his live show.[5]
In April 2012, Todd Snider released two albums. The original, Agnostic Hymns & Stoner Fables, and a tribute album, Time As We Know It: The Songs Of Jerry Jeff Walker. The latter album is an homage to country singer-songwriter Jerry Jeff Walker. American Songwriter claims, "Snider has been carrying on Walker’s scraggly Texas-styled country/Americana tradition since he started."[6]
Year | Album | Peak chart positions | ||||
---|---|---|---|---|---|---|
US [7] |
US Heat [8] |
US Indie [9] |
US Rock [10] |
US Folk [11] |
||
1994 | Songs for the Daily Planet | — | 23 | — | — | — |
1996 | Step Right Up | — | — | — | — | — |
1998 | Viva Satellite | — | — | — | — | — |
2000 | Happy to Be Here | — | — | — | — | — |
2002 | New Connection | — | — | 45 | — | — |
2003 | Near Truths and Hotel Rooms | — | — | — | — | — |
2004 | East Nashville Skyline | — | 44 | 28 | — | — |
2005 | That Was Me: The Best of Todd Snider 1994–1998 | — | — | — | — | — |
2006 | The Devil You Know | 173 | 4 | — | — | — |
2007 | Peace Love and Anarchy (Rarities, B-Sides, & Demos, Vol. 1) |
— | — | — | — | — |
Live with the Devil You Know (Grimey's - Nashville) | — | — | — | — | — | |
The Devil You Know DVD | — | — | — | — | — | |
2008 | Peace Queer | — | 8 | 44 | — | — |
2009 | The Excitement Plan | 144 | 6 | 31 | — | — |
2011 | Todd Snider Live: The Storyteller | — | 7 | 36 | — | — |
2012 | Agnostic Hymns & Stoner Fables | 95 | — | 15 | 23 | 6 |
"—" denotes releases that did not chart |
Year | Single | Chart Positions | Album | |
---|---|---|---|---|
US MSR | CAN AC | |||
1994 | "Talkin' Seattle Grunge Rock Blues" | 31 | — | Songs for the Daily Planet |
"This Land is Our Land" | — | — | ||
1995 | "Alright Guy" | — | 33 | |
1996 | "I Believe You" | — | — | Step Right Up |
"Late Last Night" | — | — |
Year | Video | Director |
---|---|---|
1995 | "Alright Guy"[12] | Jim Shea |
|title=
specified when using {{Cite web}}". https://www.jambase.com/Artists/14299/Todd-Snider/Bio.|title=
specified when using {{Cite web}}". https://www.toddsnider.net/fr_bio.cfm.![]() |
Wikiquote has a collection of quotations related to: Todd Snider |
Stronger with Each Tear (stylized as STRONGER withEach Tear) is the ninth studio album from American R&B and soul singer Mary J. Blige. The album was released in the US on December 21, 2009, under Blige's own imprint, Matriarch Records.
Internationally it was released December 18, 2009, in Australia and Germany, December 21 in France, December 23 in Japan, and on February 2, 2010, in Korea with further international releases (in some cases re-releases) in March, April and May 2010. With this album, Blige achieved a record of nine albums to have debuted at the top of the US R&B/Hip-Hop Albums chart.
Blige started working on her ninth album while she toured with Robin Thicke in 2008. In an interview with Rap-Up magazine she said:
The album was initially titled Stronger after the song, "Stronger" which Blige recorded and released as the lead single from the soundtrack Music Inspired by More Than a Game from the LeBron James' documentary More Than a Game. However Rap-Up later revealed that the album had been re-titled Stronger with Each Tear.
Hitomi Furuya (古谷 仁美 Furuya Hitomi, born January 26, 1976), known mononymously as hitomi, is a Japanese singer-songwriter. She began her career as model, but after meeting Tetsuya Komuro he began managing her career as a pop singer. In 1998 she left the "Komuro Family" and started working with other musicians and producers, oriented to other musical genres such as pop rock, and more recently to electropop.
Born Hitomi Furuya (古谷 仁美 Furuya Hitomi) in Tochigi, Japan, Hitomi's family relocated to Kawasaki, Kanagawa Prefecture when she was a child. Consequently, Hitomi always identified herself as a girl from Kanagawa. hitomi was an enthusiastic athlete throughout her childhood, playing baseball, soccer, and basketball, as well as an avid reader of manga. When hitomi was 16 years old, she was spotted and approached by a scout from a modelling agency. Hitomi signed a short modelling contract and began appearing in magazines while she was still in high school.
In 1993, then 17 years old, Furuya was spotted by eminent Avex music producer Tetsuya Komuro at an audition. Komuro signed Furuya to Avex, put Furuya through vocal training, and decided that she should use an all-lowercase 'hitomi' as her stage name. The following year, in November 1994, hitomi released her debut single, "Let's Play Winter", through Avex Trax, to which she wrote the lyrics. Since then, Hitomi has been the lyricist for almost all of her songs.
I Am... Sasha Fierce is the third studio album by American recording artist Beyoncé. It was released on November 15, 2008, by Music World Entertainment and Columbia Records. In its initial release, the album was formatted as a dual disc, intending to market Beyoncé's contrasting facets of artistry. The first disc, I Am..., contains slow and midtempo pop and R&B ballads, while the second, Sasha Fierce (named after Beyoncé's on-stage alter ego), focuses on more uptempo beats that blend electropop and Europop genres. In composing the songs' lyrics, Beyoncé worked with many writers, with each session accompanied by live orchestration.
Beyoncé credited both her husband, rapper Jay Z, and jazz singer Etta James for inspiring her to push the limits of her songwriting and artistry. Musically, I Am... drew inspiration from folk and alternative rock, while blending acoustic guitar elements into contemporary ballads. The tracks on the first disc were written and produced by Beyoncé, during collaborative efforts with Kenneth "Babyface" Edmonds, Christopher "Tricky" Stewart, Terius "The-Dream" Nash and Ryan Tedder. Sasha Fierce boasted production from Rodney "Darkchild" Jerkins and Sean "The Pen" Garrett. The album received generally lukewarm reviews from critics, many of whom felt that it does not properly differentiate the double-discs' contrasts and goals.
He took the kid to see a doctor on the other side of town
Signed in with a nurse and sat down
The boy played with toys on the waiting room floor
He tried to read a paper that he read before
The doctor will see you now is not what that means
It's a smaller room with even less magazines
Where you wait around another hour it seems
Like an hour, Lord it seems like an hour
All the days go by
No real point in wondering why
You can't undo what's done
No matter how hard you try
Some things are the way they are
Cause some things are the way they are
Love will be enough
He met the boy's mama when they were both young
The kid come along and then another two sons
Together they had weathered what hardships came
But this kind of trouble, it wasn't the same
So much seemed to be depending on this
The doctor come in looking down that list
Made a little small talk, stuck the needle in
Drew a little blood and was gone again
The kid cried and pulled close to the old man's side
It was then he realized
It didn't matter
All the days go by
No real point in wondering why
You can't undo what's done
No matter how hard you try
Some things are the way they are
Cause some things are the way they are
The truth of the matter come crashing in
Long before the doctor come back again
That the truth didn't matter whether or not he knew it
True love matters and that's all there is to it
True love matters and that's all there is to it
So when the doctor come back with his glasses pushed low
And said, "We run the test and here's what they show"
He said, "Wait, doc, let me pay you and go
I don't need to know, I don't need to know."
All the days go by
No real point in wondering why
You can't undo what's done
No matter how hard you try
Some things are the way they are
Cause some things are the way they are
Love will be enough