Menace
Menace may mean:
Place
Popular culture
Menace (Atlas Comics)
Menace was a 1953 to 1954 American crime/horror anthology comic book series published by Atlas Comics, the 1950s precursor of Marvel Comics. It is best known for the first appearance of the supernatural Marvel character the Zombie, in a standalone story that became the basis for the 1970s black-and-white comics magazine Tales of the Zombie. As well, a standalone story in the final issue introduced a robot character that was revived decades later as the Human Robot, a.k.a. M-11, the Human Robot.
The 11-issue series (March 1953 - May 1954) included art by such 1940s Golden Age of Comic Books creators as Bill Everett and George Tuska, and such future industry stars as Gene Colan, Russ Heath, Joe Maneely, John Romita Sr., and Joe Sinnott. As well, the first eight issues were written completely by Atlas editor-in-chief Stan Lee, the future architect of Marvel Comics' rise as a pop-cultural phenomenon.
Publication history
Menace, from publisher Martin Goodman's Atlas Comics, the 1950s forerunner of Marvel Comics, debuted in 1953 during a cycle of popularity for publisher EC Comics horror comics (Tales from the Crypt et al.). It joined such existing Atlas horror/fantasy series as Adventures into Terror and Strange Tales. Atlas editor-in-chief Stan Lee sought to distinguish the title by attempting to replicate EC's specific process, as Atlas historian Michal J. Vassallo describes:
Menace (Marvel Comics)
Menace (Lily Hollister) is a fictional character, a Marvel Comics villainess and enemy of Spider-Man. Her first appearance as Lily Hollister is in The Amazing Spider-Man #545, and her first appearance as Menace is in The Amazing Spider-Man #550, which is the start of the second story arc in the "Brand New Day" overarching storyline that followed the events of "One More Day".
Publication history
Lily Hollister was created by J. Michael Straczynski and Joe Quesada and first appeared in The Amazing Spider-Man #545 . Her alter-ego "Menace" was created by Marc Guggenheim and Salvador Larroca and first appeared in Amazing Spider-Man #550.
Fictional character biography
Lily Hollister is the daughter of Bill Hollister, a candidate for the position of mayor of New York. While dating Harry Osborn, she finds a hidden door in his closet and finds an old former journal of his, which detailed the location of one of Green Goblin's secret hideouts. When she enters the hideout, she accidentally shatters vials full of a new type of Goblin Formula that made contact with her skin, mutating her. Using weapons from the hideout and calling herself "Menace", she targets her father's campaign intending for him to gain the public's sympathy due to her attacks. Menace kidnaps Councilwoman Lisa Parfrey. Spider-Man and Jackpot attempt to rescue the Councilwoman, but Menace's glider slams into the Councilwoman and kills her. Menace escapes the crime scene but not before accusing Spider-Man of being responsible for the woman's death.
Tone
Tone may refer to:
Sound
Music and artists
Tones (album)
Tones is the second studio album by guitarist Eric Johnson, released in 1986 through Reprise Records; a remastered edition was reissed on February 23, 2010 through Wounded Bird Records. Both "Zap" and "Emerald Eyes" are re-recordings from Johnson's then-unreleased 1978 debut album Seven Worlds, which eventually saw an official release in 1998. The instrumental "Zap", released as a B-side to the single "Off My Mind", was nominated for Best Rock Instrumental Performance at the 1987 Grammy Awards.
Critical reception
Daniel Gioffre at AllMusic gave Tones four stars out of five, calling it "an exceptionally strong debut" and "a beautiful and important album by one of the greatest electric guitarists ever to pick up the instrument." He also noted "Trail of Tears" and "Bristol Shore" as highlights.
Track listing
All songs written and composed by Eric Johnson, except where noted.
Personnel
Four tones (Chinese)
The four tones of Chinese poetry and dialectology (simplified Chinese: 四声; traditional Chinese: 四聲; pinyin: sìshēng) are four traditional tone classes of Chinese words. They play an important role in Chinese poetry and in comparative studies of tonal development in the modern varieties of Chinese, both in traditional Chinese and in Western linguistics. They correspond to the phonology of Middle Chinese, and are named even or level (平 píng), rising (上 shǎng), departing (or going; 去 qù), and entering or checked (入 rù). (The last three are collectively referred to as oblique 仄 (zè), an important concept in poetic tone patterns.) Due to historic splits and mergers, none of the modern varieties of Chinese have the exact four tones of Middle Chinese, but they are noted in rhyming dictionaries.
According to the usual modern analysis, Early Middle Chinese had three phonemic tones in most syllables, but no tonal distinctions in checked syllables ending in the stop consonants /p/, /t/, /k/. In most circumstances, every syllable had its own tone; hence a multisyllabic word typically had a tone assigned to each syllable. (In modern varieties, the situation is sometimes more complicated. Although each syllable typically still has its own underlying tone in most dialects, some syllables in the speech of some varieties may have their tone modified into other tones or neutralized entirely, by a process known as tone sandhi.)
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