Hypothesis is a 1978 album by the Greek artist Vangelis. In May 1971 Vangelis had played several sessions in London's Marquee Studios, joined for some of them by violinist Michel Ripoche, bass guitarist Brian Odgers (called Odger on the sleeve) and drummer Tony Oxley, the rhythm section of the famous Extrapolation recording released by John McLaughlin. Two albums' worth of material had resulted from these sessions, but were unfinished and never intended for release. Nevertheless, in 1978 two albums duly appeared in shops, on the Affinity label (a subsidiary of Charly Records) Hypothesis and The Dragon. Vangelis subsequently took the label to court to have both LPs taken off the market. Hypothesis has critically been considered to be unsuccessful as an album.
Musically, the album can be considered to be Vangelis' most idiosyncratic and unusual release, as it takes the form of an extended experiment in experimental Jazz, or Jazz fusion.
An alternative release of Hypothesis was titled Visions of the Future.
! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.
The following people were involved in the making of !:
"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.
Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".
All compositions by John Zorn and Thurston Moore
Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.
In its ancient usage, a hypothesis is a summary of the plot of a classical drama. These hypotheses were often copied as a preface to the text of the surviving Athenian tragedies in Medieval manuscripts. They also indicated whether any other tragic poets had dramatised the story, gave its setting, identified the chorus and the character who delivered the prologue, and indicated the date of its first production and the titles of the poet's other plays performed that year, as well as the poet's rivals in the dramatic competition and the prize awarded.